Midwinter Break

Willa Drake can count on one hand the defining moments of her life: when she was 11 and her mother disappeared, being proposed to at 21, the accident that would make her a widow at 41. At each of these moments, Willa ended up on a path laid out for her by others. So when she receives a phone call telling her that her son’s ex-girlfriend has been shot and needs her help, she drops everything and flies across the country. The spur-of-the moment decision to look after this woman - and her nine-year-old daughter, and her dog - will lead Willa into uncharted territory....

'Would you rather love the more, and suffer the more; or love the less, and suffer the less? That is, I think, finally, the only real question.' First love has lifelong consequences, but Paul doesn't know anything about that at 19. At 19, he's proud of the fact his relationship flies in the face of social convention. As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen.

Connell and Marianne grow up in the same small town in rural Ireland. The similarities end there; they are from very different worlds. When they both earn places at Trinity College in Dublin, a connection that has grown between them lasts long into the following years. This is an exquisite love story about how a person can change another person's life - a simple yet profound realisation that unfolds beautifully over the course of the novel. It tells us how difficult it is to talk about how we feel and it tells us - blazingly - about cycles of domination, legitimacy and privilege. 

Quentin and Lottie Bredin, like many modern couples, can't afford to divorce. Having lost their jobs in the recession, they can't afford to go on living in London; instead, they must downsize and move their three children to a house in a remote part of Devon. Arrogant and adulterous, Quentin can't understand why Lottie is so angry; devastated and humiliated, Lottie feels herself to have been intolerably wounded. Mud, mice and quarrels are one thing - but why is their rent so low?

Midwinter in the early years of this century. A teenage girl on holiday has gone missing in the hills at the heart of England. The villagers are called up to join the search, fanning out across the moors as the police set up roadblocks and a crowd of news reporters descends on their usually quiet home. Meanwhile, there is work that must still be done: cows milked, fences repaired, stone cut, pints poured, beds made, sermons written, a pantomime rehearsed. The search for the missing girl goes on, but so does everyday life. As it must.

This was the night train to Barcelona, some hours before the dawn. This was 1950, late September. I had left my husband. I had left my home. Katherine Proctor has dared to leave her family in Ireland and reach out for a new life. Determined to become an artist, she flees to Spain, where she meets Miguel, a passionate man who has fought for his own freedoms. They retreat to the quiet intensity of the mountains and begin to build a life together. 

Isma is free. After years spent raising her twin siblings in the wake of their mother's death, she is finally studying in America, resuming a dream long deferred. But she can't stop worrying about Aneeka, her beautiful, headstrong sister back in London - or their brother, Parvaiz, who's disappeared in pursuit of his own dream: to prove himself to the dark legacy of the jihadist father he never knew. Then Eamonn enters the sisters' lives. Handsome and privileged, he inhabits a London worlds away from theirs.

London, 1945. The capital is still reeling from the war. Fourteen-year-old Nathaniel and his older sister Rachel are abandoned by their parents who leave the country on business, and are left in the dubious care of a mysterious figure named The Moth. Nathaniel is introduced to The Moth’s band of criminal misfits and is caught up in a series of teenage misadventures, from smuggling greyhounds for illegal dog racing to lovers’ trysts in abandoned buildings at night. But is this eccentric crew really what and who they claim to be? And most importantly, what happened to Nathaniel’s mother? 

From the attic of a dilapidated English country house, she sees them - Cara first: dark and beautiful, clinging to a marble fountain of Cupid, and Peter, an Apollo. It is 1969, and they are spending the summer in the rooms below hers while Frances writes a report on the follies in the garden for the absent American owner. But she is distracted. Beneath a floorboard in her bathroom, she discovers a peephole which gives her access to her neighbours' private lives. 

Colm Tóibín's The Heather Blazing details the life of Eamon Redmond, a judge in Ireland's high court, a man remote from his wife, his son and daughter and, at least outwardly, his own childhood. The life he has built for himself, between his work in Dublin and his family's retreat by the sea at Cush, is distinguished by order and by achievement. When, like his beloved coastline, it begins to slip away, he is pulled sharply into the present and finds himself revisiting his past.

Just moved into a new apartment, alone for the first time in years, Victor Forde goes every evening to Donnelly's pub for a pint, a slow one. One evening his drink is interrupted. A man in shorts and pink shirt brings over his pint and sits down. He seems to know Victor's name and to remember him from school. Says his name is Fitzpatrick. Victor dislikes him on sight, dislikes too the memories that Fitzpatrick stirs up.

Penguin presents the audiobook edition of A Life of My Own by Claire Tomalin. As one of the best biographers of her generation, Claire Tomalin has written about great novelists and poets to huge success. Now she turns to look at her own life. This enthralling memoir follows her through triumph and tragedy in about equal measure, from the disastrous marriage of her parents and the often difficult wartime childhood that followed to her own marriage to the brilliant young journalist Nicholas Tomalin.

In October 1940, the handsome young David Sparsholt arrives in Oxford. A keen athlete and oarsman, he at first seems unaware of the effect he has on others - particularly on the lonely and romantic Evert Dax, son of a celebrated novelist and destined to become a writer himself. While the Blitz rages in London, Oxford exists at a strange remove: an ephemeral, uncertain place in which nightly blackouts conceal secret liaisons....

Random House presents the audiobook edition of Turning for Home by Barney Norris, read by Eleanor Wyld, Paul Hickey and Timothy West. Every year, Robert's family come together at a rambling old house to celebrate his birthday. Aunts, uncles, distant cousins - it has been a milestone in their lives for decades. But this year Robert doesn't want to be reminded of what has happened since they last met - and neither, for quite different reasons, does his granddaughter Kate.

Is Alice here? Did she make it? Is she safe? In the chaos, in the night, it was impossible to say which of the four had asked after Alice's welfare. Later, when everything got worse, each would insist it had been them. Five women reluctantly pick up their backpacks and start walking along the muddy track. Only four come out the other side.