England, 1930s. Christopher Banks has become the country's most celebrated detective, his cases the talk of London society. Yet one unsolved crime has always haunted him: the mysterious disappearance of his parents, in old Shanghai, when he was a small boy. Moving between London and Shanghai of the interwar years, When We Were Orphans is a remarkable story of memory, intrigue and the need to return.

In Istanbul, in the late 1590s, the Sultan secretly commissions a great book: a celebration of his life and his empire, to be illuminated by the best artists of the day – in the European manner. But when one of the miniaturists is murdered, their master has to seek outside help. Did the dead painter fall victim to professional rivalry, romantic jealousy or religious terror?

Nazneen is a teenager forced into an arranged marriage with an older man and misery seems to stretch ahead for her. Fearfully leaving the sultry oppression of her Bangladeshi village, Nazneen finds herself cloistered in a small flat in a high-rise block in the East End of London. Because she speaks no English, she is obliged to depend totally on her husband. But it becomes apparent that, of the two, she is the real survivor.…

Frances Shore is a cartographer by trade, a maker of maps, but when her husband's work takes her to Saudi Arabia she finds herself unable to map the Kingdom's areas of internal darkness. The regime is corrupt and harsh, and the streets are not a woman's territory; so she becomes confined in her flat. As her days empty of certainty and purpose, her life becomes a blank – waiting to be filled by violence and disaster.

Just before dawn one winter’s morning, a hijacked aeroplane blows apart high above the English Channel and two figures tumble, clutched in an embrace, towards the sea: Gibreel Farishta, India’s legendary movie star, and Saladin Chamcha, the man of a thousand voices. Washed up, alive, on an English beach, their survival is a miracle. But there is a price to pay. Gibreel and Saladin have been chosen as opponents in the eternal wrestling match between Good and Evil. But chosen by whom? And which is which? And what will be the outcome of their final confrontation?

A collection of highly imaginative short pieces that speak to our times with deadly accuracy. Vintage Atwood creativity, intelligence, and humor: think Alias Grace. Margaret Atwood turns to short fiction for the first time since her 2006 collection, Moral Disorder, with nine tales of acute psychological insight and turbulent relationships bringing to mind her award-winning 1996 novel, Alias Grace.

In the year 1629, a young English lutenist named Peter Claire arrives at the Danish Court to join King Christian IV's Royal Orchestra. From the moment when he realizes that the musicians perform in a freezing cellar underneath the royal apartments, Peter Clair understands that he's come to a place where the opposing states of light and dark, good and evil, are waging war to the death.

In this tale revolving around not just parents and children, but brothers and sisters, cousins and caretakers, Hosseini explores the many ways in which families nurture, wound, betray, honor, and sacrifice for one another; and how often we are surprised by the actions of those closest to us, at the times that matter most.

Kenneth Toomey is an eminent novelist of dubious talent; Don Carlo Campanati is a man of God, a shrewd manipulator who rises through the Vatican to become the architect of church revolution and a candidate for sainthood. These two men are linked not only by family ties but by a common understanding of mankind's frailties. In this epic masterpiece, Anthony Burgess plumbs the depths of the essence of power and the lengths men will go for it.

Written between 1913 and 1914, it was published over 50 years later, the author believing that due to public and legal attitudes to homosexuality, to publish it in his lifetime would signal an end to his career. Maurice is now considered to be one of the most groundbreaking and significant novels of the LGBT+ canon, and in this brand new recording Ben Whishaw (Mary Poppins Returns, Paddington, A Very English Scandal) gives an emotive and mesmerising performance. 

Two years after my mother died, my father fell in love with a glamorous blonde Ukrainian divorcee. He was 84 and she was 36. She exploded into our lives like a fluffy pink grenade, churning up the murky water, bringing to the surface sludge of sloughed-off memories, giving the family ghosts a kick up the backside. Sisters Vera and Nadezhda must put aside a lifetime of feuding to save their émigré engineer father from voluptuous gold-digger Valentina. 

Since its U.S. debut a quarter-century ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx. Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation.

Combine an offbeat cast of characters with Murakami's idiosyncratic prose, and the result is the remarkable story Dance Dance Dance: high-class call girls billed to MasterCard, a psychic 13-year-old dropout has a passion for talking heads, and meet a hunky matinee idol doomed to play dentists and teachers. Don’t forget the one-armed beach-combing poet, an uptight hotel clerk and one very bemused narrator caught in the web of advanced capitalist mayhem.

In the early 1980s, when punks and Rastas were on the streets protesting about unemployment, homelessness and the National Front, Benjamin’s poetry could be heard at demonstrations, outside police stations and on the dance floor. His mission was to take poetry everywhere and to popularise it by reaching people who didn’t read books. His poetry was political, musical, radical and relevant. By the early 1990s, Benjamin had performed on every continent in the world (a feat which he achieved in only one year), and he hasn’t stopped performing and touring since.

"If the courts and lawyers of this country will not do their duty, we shall watch as the victims and survivors of this man pursue justice and vindication in their own dignified and painstaking way, and at their own expense, and we shall be put to shame." Forget Pinochet, Milosevic, Hussein, Kim Jong-il, or Gaddafi: America need look no further than its own lauded leaders for a war criminal whose offenses rival those of the most heinous dictators in recent history-Henry Kissinger.