It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest. 

On the longest day of the summer, 12 people sit cooped up with their families in a faded Scottish cabin park. The endless rain leaves them with little to do but watch the other residents. A woman goes running up the Ben as if fleeing; a retired couple reminisces about neighbours long since moved on; a teenage boy braves the dark waters of the loch in his red kayak. Each person is wrapped in their own cares but increasingly alert to the makeshift community around them. 

A producer. A novelist. An actress. It is summer in 1968, the year of the assassinations of Martin Luther King and Robert Kennedy. While the world is reeling, our trio is involved in making a rackety Swingin' '60s British movie in sunny Brighton. All are leading secret lives. As the film is shot, with its usual drastic ups and downs, so does our trio's private, secret world begin to take over their public one. Pressures build inexorably - someone's going to crack. Or maybe they all will.

Drinking pals back in their Dublin days, Davy rarely sees Joe for a pint anymore - maybe one or two when Davy’s over from England to check in on his elderly father. But tonight, one pint will turn to three and then five as Joe recounts a secret, leading the two men on a bender back to the haunts of their youth. Joe has left his wife and family for another woman, Jessica. Davy knows her too, or he should - she was the girl of their dreams all those years ago, the girl with the cello in George’s Pub.

His most intimate and epic work to date, Inside Story is the portrait of Martin Amis' extraordinary life, as a man and a writer. This novel had its birth in a death - that of the author's closest friend, Christopher Hitchens. We also encounter the vibrant characters who have helped define Martin Amis, from his father Kingsley, to his hero Saul Bellow, from Philip Larkin to Iris Murdoch and Elizabeth Jane Howard, and to the person who captivated his 20s, the alluringly amoral Phoebe Phelps. 

Annie is not the first love of Graham’s life but she is, he thinks, his last and greatest. Very recently, he has faltered; but he means to put it right. Here they are in marriage, in late middle age, in comfort. Mismatched, and yet so well matched: the bookseller with his appetite, his conviviality, his bigness; the photographer with her delicacy, her astuteness, her reserve. The children are offstage, grown up and scattered on either coast; Graham’s first wife, Frieda, is peaceably in their lives, but not between them. 

Following the discovery of the body of a well-loved parish priest at Ballyglass House - the Co Wexford family seat of the aristocratic, secretive Osborne family - Detective Inspector St John Strafford is called in from Dublin to investigate. Facing obstruction from all angles, Strafford is determined to identify the murderer. But, as the snow continues to fall over this ever expanding mystery, the people of Ballyglass are equally determined to keep their secrets.

A deeply personal novel of identity and belonging in a nation coming apart at the seams, Homeland Elegies blends fact and fiction to tell an epic story of belonging and dispossession in the world that 9/11 made. Part family drama, part satire, part picaresque, at its heart it is the story of a father and son and the country they call home. Ranging from the heartland towns of America to palatial suites in Davos to guerrilla lookouts in the mountains of Afghanistan, Akhtar forges a narrative voice that is original as it is exuberantly entertaining. 

Some stories are universal. They play out across human history. And time is the river which will flow through them. It starts with a family, a family which will mutate. For now, it is a father, mother and two sons. One with his father’s violence in his blood. One who lives his mother’s artistry. One leaves. One stays. They will be joined by others whose deeds will change their fate. It is a beginning. Their stories will intertwine and evolve over the course of 2,000 years.

Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses.

John Cooper Clarke is a phenomenon: Poet Laureate of Punk, rock star, fashion icon, TV and radio presenter, social and cultural commentator, reluctant national treasure. At 5 feet 11 inches (116lb, 32in chest, 27in waist), in trademark suit jacket, skin-tight drainpipes and dark glasses, with jet-black back-combed hair and mouth full of gold teeth, he is instantly recognisable. As a writer his voice is equally unmistakable and his inimitable dry Salford drawl shines through the prose.

Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy and the colour hit of Pop Art - via a bit of skullduggery - Autumn is a witty excavation of the present by the past. Autumn is a take on popular culture and a meditation in a world growing ever more bordered: what constitutes richness and worth?

Manchester, 1867: Stephen Doyle, an Irish American veteran of the Civil War, arrives from New York with a thirst for blood. He has joined the Fenians, a secret society intent on ending British rule in Ireland by any means necessary. Head Constable James O'Connor has fled grief and drink in Dublin for a sober start in Manchester. His job is to discover and thwart the Fenians’ plans whatever they might be. 

The person you are with is just like you: same background, same age, same interests. The perfect match. And it is an unmitigated disaster. Then, when and where you least expect it, you meet someone new. You seem to have nothing in common and yet, somehow, it feels totally right. Nick Hornby's brilliantly observed, tender but also brutally funny new novel gets to the heart of what it means to fall surprisingly and headlong in love with the best possible person - someone who is not just like you at all.

Bea's five-year-old daughter, Agnes, is slowly wasting away. The smog and pollution of the overdeveloped, overpopulated metropolis they call home is ravaging her lungs. Bea knows she cannot stay in the City, but there is only one alternative: the Wilderness State. Mankind has never been allowed to venture into this vast expanse of untamed land. Until now. Bea and Agnes join 18 other volunteers who agree to take part in a radical experiment.