Nothing escapes the snooping opera glasses of Miss Elizabeth Mapp. She whiles away her busy hours observing the small English village of Tilling, and recording the antics in her notebook. But her observations are set to be disrupted by amorous advances of two retired army generals, both vying for her affection. With Miss Mapp distracted, who will keep Miss Susan Poppit in her place or oversee the correct playing of bridge? More importantly will quiet Tilling be subject to a violent duel?

Mapp and Lucia is the centrepiece of E.F. Benson's series of Lucia novels - bringing together for the first time the eponymous middle-aged doyennes of polite 1930s society Miss Elizabeth Mapp and Emmeline Luca (Lucia to her friends). Lucia, recently widowed, is the newcomer to the village of Tilling and eager to wrest the reins of social supremacy from the incumbant Miss Mapp and install herself as its benevolent dictator.

Sharply observant and wickedly funny, E.F. Benson's six Mapp and Lucia novels satirize the upper-middle-class social climbers in 1920s and '30s rural England. Games of bridge and cups of tea fuel hilarious gossip and vindictive plots a-plenty. It is a masterfully sustained spotlight on the minutiae of village life - a clever and ultimately heart-warming series that seems tailor-made for audio. Volume 1 contains the first three books. 

England between the wars was a paradise of calm and leisure for the very, very rich. Into this enclave is born Mrs. Emmeline Lucas—La Lucia, as she is known—a woman determined to lead a life quite different from the subdued formality of her class.

Barbara Jefford is the hilariously outrageous Lucia in this BBC Radio 4 dramatisation of the novel by E.F. Benson. Lucia is the uncrowned queen of 1920s provincial society, the Everest of social climbers and the most delicious of snobs. In the pastoral serenity of the village of Riseholme, Lucia and her unforgettable cronies face up to an Indian guru, spiritualism, and a cultural usurper.

Barbara Pym is one of the 20th-century's wittiest, and most underrated, novelists. Her perceptive comedies of manners, centred around the domestic lives and loves of unassuming middle-class Englishwomen, won her many devoted readers and saw her hailed as a modern-day Jane Austen. Yet she spent 15 years out of print in the 1960s and '70s, until Philip Larkin championed her work in the Times Literary Supplement. Her seventh novel was subsequently shortlisted for the Booker Prize, and writers from Jilly Cooper to Alexander McCall Smith continue to laud her talent today. 

Miriam Margolyes, Alison Steadman and Nigel Planer star in Sue Limb's comedy parodying the arty and adulterous adventures of the Bloomsbury Group. A stellar cast, including Roger Lloyd-Pack, Morwenna Banks, Jonathan Coy and John Sessions, join in this affectionate send-up of the infamous Bloomsbury literary group, who dominated the English cultural scene in the early 20th century.

Meet Hinge and Bracket, the delightful double act brought to sublime life by George Logan and Patrick Fyffe. Lifelong companions and musical collaborators, they enjoy nothing more than performing around the piano together, and trading light-hearted banter spiced with comic innuendo and a double entendre or two. Collected here are the very best of their radio appearances, including the pilot episode and first series of The Enchanting World of Hinge and Bracket.

Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life. But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...

The complete audio collection of Alan Bennett's celebrated monologues, published together for the first time and performed by some of Britain's best actors. The Talking Heads monologues are widely regarded as one of Alan Bennett's finest dramatic achievements. First broadcast on BBC TV and BBC Radio 4 in the 1980s and 1990s, they won a host of awards and huge popular acclaim, and remain among his most admired works today.

The one thing that could be expected to disturb the peace of life at Blandings is the incursion of imposters. And Blandings has imposters like other houses have mice. On this occasion, there are two of them: both intent on a dangerous enterprise.

Trapped in rural Steeple Bumpleigh, a man less stalwart than Bertie Wooster would probably have given way at the knees. For among those present were Florence Craye, to who Bertie had once been engaged...and her new fiance 'Stilton' Cheesewright, who regarded Bertie as a snake in the grass...also Zenobia Hopwood and her guardian Lord Worplesdon, whose violent antipathy to 'Boko' Fittleworth amounted to obsession...and that biggest blot on the landscape, Edwin the Boy Scout.

A major mix-up at Blandings Castle, in which Galahad introduces yet another imposter to Lord Emsworth's residence and the Empress of Blandings gets sloshed in her sty. Formidable comic characters designed to interrupt Lord Emsworth's peace include his overbearing sister Lady Hermione Wedge who comes complete her own meddling secretary, and Dame Daphne Winkworth who has her eye on becoming the next Countess. As ever the stage is set for Gally to try and restore order to the ensuing chaos!

George and Weedon Grossmith were born in London into a theatrical family, and it was natural that they should both take up careers on the stage. Weedon initially studied art but later joined his brother, George, in the theatre.

Most of the big money belongs to Torquil Paterson Frisby, the dyspeptic American millionaire – but that doesn’t stop him wanting more out of it. His niece, the beautiful Ann Moon, is engaged to ‘Biscuit’, Lord Biskerton, who doesn’t have very much of the stuff and so he has to escape to Valley Fields to hide from his creditors. Meanwhile, his old schoolfriend Berry Conway, who is working for Frisby, himself falls for Ann – just as Biscuit falls for her friend Kitchie Valentine.