Taking the position of mayor in the town of Tilling brings much delight to Lucia. However, with her local rival Miss Mapp around, trouble is never far away.Lucia is elevated to her new position with Georgie Pilson as her sidekick, confidant, and escort. Lucia and Georgie renew their acquaintance with the opera diva Olga Braceley and the composer Cortese, but nobody in Tilling believes Lucia when she claims to have entertained a duchess.

Arch enemies Mapp and Lucia return in the next instalment of E.F. Benson’s classic series of rural snobbery. Lucia is now a permanent resident of Tilling and continues her way up the social ladder with gusto, making attempts through the Town Council, finance, a platonic marriage and even the cricket club.

Nothing escapes the snooping opera glasses of Miss Elizabeth Mapp. She whiles away her busy hours observing the small English village of Tilling, and recording the antics in her notebook. But her observations are set to be disrupted by amorous advances of two retired army generals, both vying for her affection. With Miss Mapp distracted, who will keep Miss Susan Poppit in her place or oversee the correct playing of bridge? More importantly will quiet Tilling be subject to a violent duel?

England between the wars was a paradise of calm and leisure for the very, very rich. Into this enclave is born Mrs. Emmeline Lucas—La Lucia, as she is known—a woman determined to lead a life quite different from the subdued formality of her class.

Mapp and Lucia is the centrepiece of E.F. Benson's series of Lucia novels - bringing together for the first time the eponymous middle-aged doyennes of polite 1930s society Miss Elizabeth Mapp and Emmeline Luca (Lucia to her friends). Lucia, recently widowed, is the newcomer to the village of Tilling and eager to wrest the reins of social supremacy from the incumbant Miss Mapp and install herself as its benevolent dictator.

Miss Elizabeth Mapp, magnificent grande dame and heiress, is always on the lookout lest her neighbors fall outside the bounds of perfect, exemplary manners. But her tightly controlled world is soon beset on all sides by interlopers, first in the disturbingly masculine form of two very different retired army officers, both of whom are anything but retiring in their conflicting aims upon her heart.

Barbara Jefford is the hilariously outrageous Lucia in this BBC Radio 4 dramatisation of the novel by E.F. Benson. Lucia is the uncrowned queen of 1920s provincial society, the Everest of social climbers and the most delicious of snobs. In the pastoral serenity of the village of Riseholme, Lucia and her unforgettable cronies face up to an Indian guru, spiritualism, and a cultural usurper.

Sharply observant and wickedly funny, E.F. Benson's six Mapp and Lucia novels satirize the upper-middle-class social climbers in 1920s and '30s rural England. Games of bridge and cups of tea fuel hilarious gossip and vindictive plots a-plenty. It is a masterfully sustained spotlight on the minutiae of village life - a clever and ultimately heartwarming series that seems tailor-made for audio. This second volume contains the second three books.

Wilmet Forsyth is well dressed, well looked after, suitably husbanded, good looking, and fairly young - but very bored. Her husband Rodney, a handsome army major, is slightly balder and fatter than he once was. Wilmet would like to think she has changed rather less. Her interest wanders to the nearby Anglo-Catholic church, where at last she can neglect her comfortable household in the more serious-minded company of three unmarried priests and Piers Longridge, a man of a different character altogether.

It was odd that Harriet should always have been so fond of curates. They were so immature and always made the same kind of conversation. Now the Archdeacon was altogether different...'Together yet alone, the Misses Bede occupy the central crossroads of parish life. Harriet, plump, elegant and jolly, likes nothing better than to make a fuss of new curates, secure in the knowledge that elderly Italian Count Ricardo Bianco will propose to her yet again this year.

From Little Nell to Miss Havisham, Dickens’ Women tells the story of Charles Dickens’ life through his beloved characters. Cowritten and performed by Miriam Margolyes, best known for her role as Professor Sprout in the Harry Potter films, this one-women show is a celebration of her infectious passion for Dickens’ work. Taking on 23 different Dickensian characters, many of whom were inspired by real people such as Mary Hogwarth, Dickens' sister-in-law, Margolyes showcases her astonishing versatility as a performer. Dickens’ Women delighted audiences across the world in 2012 as Margolyes took her Olivier nominated show on tour for the bicentenary of Dicken’s birth.

Less Than Angels follows the loves, works and hopes of a group of young anthropologists. Catherine Oliphant is a writer and lives with handsome anthropologist Tom Mallow. Their relationship runs into trouble when he begins a romance with student Deirdre Swann, so Catherine turns her attention to the reclusive anthropologist Alaric Lydgate, who has a fondness for wearing African masks. Added to this love triangle are the activities of Deirdre's fellow students and their attempts to win the competition for a research grant.

Mildred Lathbury is one of those 'excellent women' who is often taken for granted. She is a godsend, 'capable of dealing with most of the stock situations of life - birth, marriage, death, the successful jumble sales, the garden fete spoilt by bad weather'. As such, she often gets herself embroiled in other people's lives - especially those of her glamorous new neighbours, the Napiers, whose marriage seems to be on the rocks.

Sisters Alison and Maud are joint landladies of the Abbeyfield Guest House, dispensing hospitality to a variety of demanding clients while also looking after their irascible, bedridden father downstairs in the granny flat. Dreamy ornithologist Alison has just moved back from Bloomsbury, while Maud ran a 3,000-acre farm in Africa - but neither sibling is really up to the task of managing a B&B, and chaos generally ensues.

Wealthy Maggie Verver has everything she could ever ask for - except a husband and a title. While in Italy, acquiring art for his museum back in the States, Maggie’s millionaire father, Adam, decides to remedy this and acquire a husband for Maggie. Enter Prince Amerigo, of a titled but now poor aristocratic Florentine family. Amerigo is the perfect candidate.