Set during the Gold Rush, in a re-imagined American West, Lucy and Sam, 12 and 11, are newly orphaned siblings. With their father's body on their backs, they roam an unforgiving landscape dotted with buffalo bones and tiger paw prints, searching for a place to give him a proper burial. The siblings must battle with their own memories, the illusion of the American Dream and each other.

In her youth, Tara was wild. She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents) and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her. 

Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, Black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends - some dating each other, some dating women, some feigning straightness.

Bea's five-year-old daughter, Agnes, is slowly wasting away. The smog and pollution of the overdeveloped, overpopulated metropolis they call home is ravaging her lungs. Bea knows she cannot stay in the City, but there is only one alternative: the Wilderness State. Mankind has never been allowed to venture into this vast expanse of untamed land. Until now. Bea and Agnes join 18 other volunteers who agree to take part in a radical experiment. 

Ten-year-old Jas has a unique way of experiencing her universe: the feeling of udder ointment on her skin as protection against harsh winters; the texture of green warts, like capers, on migrating toads; the sound of 'blush words' that aren't in the Bible. But when a tragic accident ruptures the family, her curiosity warps into a vortex of increasingly disturbing fantasies - unlocking a darkness that threatens to derail them all. 

This is a story of a London you won’t find in any guidebooks. This is a story about what it’s like to exist in the moment, about boys too eager to become men, growing up in the hidden war zones of big cities - and the girls trying to make it their own way. This is a story of reputations made and lost, of violence and vengeance - and never counting the cost. This is a story of concrete towers and blank-eyed windows, of endless nights in police stations and prison cells, of brotherhood and betrayal.

Anxious about her prospects after leaving a stagnant job, Tambudzai finds herself living in a run-down youth hostel in downtown Harare. For reasons that include her grim financial prospects and her age, she moves to a widow's boarding house and eventually finds work as a biology teacher. But at every turn in her attempt to make a life for herself, she is faced with a fresh humiliation, until the painful contrast between the future she imagined and her daily reality ultimately drives her to a breaking point.

Nine men: each of them at a different stage of life, away from home, and striving - in the suburbs of Prague, in a cheap Cypriot hotel - to understand just what it means to be alive here and now. Tracing an arc from the spring of youth to the winter of old age, All That Man Is brings these separate lives together to show us men as they are - ludicrous and inarticulate, shocking and despicable; vital, pitiable, hilarious, and full of heartfelt longing.

Ethiopia, 1935. With the threat of Mussolini's army looming, recently orphaned Hirut struggles to adapt to her new life as a maid. Her new employer, Kidane, an officer in Emperor Haile Selassie's army, rushes to mobilise his strongest men before the Italians invade. Hirut and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale.

Micah Mortimer isn’t the most polished person you’ll ever meet. His numerous sisters and in-laws regard him oddly but very fondly, but he has his ways and means of navigating the world. He measures out his days running errands for work – his TECH HERMIT sign cheerily displayed on the roof of his car - maintaining an impeccable cleaning regime and going for runs (7:15 every morning). He is content with the steady balance of his life. But then the order of things starts to tilt.

Irrepressible Betty Ramdin, her shy son Solo and their marvellous lodger, Mr Chetan, form an unconventional household, happy in their differences, as they build a home together. Home: the place where your navel string is buried, keeping these three safe from an increasingly dangerous world. Happy and loving they are, until the night when a glass of rum, a heart to heart and a terrible truth explodes the family unit, driving them apart.

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, she is sleeping with all the wrong men and she has failed at the only thing that meant anything to her: painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white, middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted Black daughter who doesn’t have a single person in her life who can show her how to do her hair.

It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest. 

Amanda and Clay head to a remote corner of Long Island expecting a holiday: a quiet reprieve from life in New York City, quality time with their teenage son and daughter and a taste of the good life in the luxurious home they've rented for the week. But with a late-night knock on the door, the spell is broken. Ruth and G. H., an older couple who claim to own the home, have arrived there in a panic. These strangers say that a sudden power outage has swept the city, and - with nowhere else to turn - they have come to the country in search of shelter. 

Jean Swinney is a feature writer on a local paper, disappointed in love and - on the brink of 40 - living a limited existence with her truculent mother: a small life from which there is no likelihood of escape. When a young Swiss woman, Gretchen Tilbury, contacts the paper to claim that her daughter is the result of a virgin birth, it is down to Jean to discover whether she is a miracle or a fraud. But the more Jean investigates, the more her life becomes strangely (and not unpleasantly) intertwined with that of the Tilburys.