Joe is 17, a gifted artist and a brilliant older brother to 12-year-old Finn. They live with their Ma and Da in a Dublin tower block called Bojaxhiu, or 'the Jax'. It's not an easy place to be a kid, especially when your father, Frank, is the muscle for the notorious gang leader Dessie 'The Badger' Murphy. But whether it's daytrips to the beach or drawing secret sketches, Joe works hard to show Finn life beyond the battered concrete yard below their flat. Joe is determined not to become like his Da. But when Finn falls ill, Joe finds his convictions harder to cling to.

It was my father’s arrest that brought me here, although you could certainly say that I took the scenic route. Here is rehab, where Ben - the only son of a rich South Dublin banker - is piecing together the shattered remains of his life. Abruptly cut off, at the age of 27, from a life of heedless privilege, Ben flounders through a world of drugs and dead-end jobs, his self-esteem at rock bottom. Even his once-adoring girlfriend, Clio, is at the end of her tether. Then Ben runs into an old school friend who wants to cut him in on a scam.

In 1989, Saul is hit by a car on the Abbey Rd crossing. He is fine; he gets up and goes to see his girlfriend, Jennifer. They have sex and then break up. He leaves for the GDR, where he will have more sex, bury his dead father in a matchbox, and get on the wrong side of the Stasi. In 2016, Saul is hit by a car on the Abbey Rd crossing. He is not fine at all; he is rushed to hospital and spends the following days in and out of consciousness. Jennifer is sitting by his bedside. His very-much-not-dead father is sitting by his bedside. Someone important is missing.

Jeanie Masterson has a gift: she can hear the recently dead and give voice to their final wishes and revelations. Inherited from her father, this gift has enabled the family undertakers to flourish in their small Irish town. Yet she has always been uneasy about censoring some of the dead's last messages to the living. Unsure, too, about the choice she made when she left school 17 years ago: to stay or leave for a new life in London with her charismatic teenage sweetheart.

Eighteen-year-old Debbie White lives on a dairy farm with her mother, Maeve, and her uncle, Billy. Billy sleeps out in a caravan in the garden with a bottle of whiskey and the stars overhead for company. Maeve spends her days recording her dreams, which she believes to be prophecies. This world is Debbie's normal, but she is about to step into life as a student at Trinity College in Dublin. As she navigates between sophisticated new friends and the family bubble, things begin to unravel. Maeve's eccentricity tilts into something darker, while Billy's drinking gets worse. 

From the night she is rescued as a baby out of the flames of a sinking ship, to the day she joins a pair of daredevil pilots looping and diving over the rugged forests of her childhood, to the thrill of flying Spitfires during the war, the life of Marian Graves has always been marked by a lust for freedom and danger. In 1950, she embarks on her life's dream - to fly a Great Circle around the globe, pole to pole. But after a crash landing, she finds herself stranded on the Antarctic ice without enough fuel. 

In these visceral, stunningly crafted stories, people are effortlessly cruel to one another and the natural world is a primitive salve. Here, women are domestically trapped by predatorial men, Ireland’s folklore and politics loom large and poverty - material, emotional, sexual - seeps through every crack.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity. 

Set during the Gold Rush, in a re-imagined American West, Lucy and Sam, 12 and 11, are newly orphaned siblings. With their father's body on their backs, they roam an unforgiving landscape dotted with buffalo bones and tiger paw prints, searching for a place to give him a proper burial. The siblings must battle with their own memories, the illusion of the American Dream and each other.

A woman invites a famed artist to visit the remote coastal region where she lives, in the belief that his vision will penetrate the mystery of her life and landscape. Over the course of one hot summer, his provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships and of the struggle to live morally between our internal and external worlds.

Rage. That's the feeling engulfing the car as Ellen's mother swerves over to the hard-shoulder and orders her daughter out onto the roadside. Ignoring the protests of her other children, she accelerates away, leaving Ellen standing on the gravel verge in her school pinafore and knee socks as the light fades. What would you do as you watch your little sister getting smaller in the rear view window? How far would you be willing to go to help her? The Gallagher children are going to find out. This moment is the beginning of a summer that will change everything.

Our brains stay active for 10 minutes after our heart stops beating. For Leila, each minute brings with it a new memory: growing up with her father and his wives in a grand old house in a quiet Turkish town; watching the women gossip and wax their legs while the men went to mosque; sneaking cigarettes and Western magazines on her way home from school; running away to Istanbul to escape an unwelcome marriage; falling in love with a student who seeks shelter from a riot in the brothel where she works. 

A tale of adolescence, transgression, and the conditions that have given rise to the trolls and tyrants of the new right. Adam Gordon is a senior at Topeka High School, class of 1997. His mother, Jane, is a famous feminist author; his father, Jonathan, is an expert at getting 'lost boys' to open up. They both work at the Foundation, a well-known psychiatric clinic that has attracted staff and patients from around the world.

In Brexit Britain, a young transgender doctor called Ry is falling in love - against their better judgement - with Victor Stein, a celebrated professor leading the public debate around AI. Meanwhile, Ron Lord, just divorced and living with Mum again, is set to make his fortune launching a new generation of sex dolls for lonely men everywhere. Across the Atlantic, in Phoenix, Arizona, a cryogenics facility houses dozens of bodies of men and women who are medically and legally dead...but waiting to return to life. 

In her youth, Tara was wild. She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents) and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her.