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Little Dorrit

The Audible Dickens Collection

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Little Dorrit

By: Charles Dickens
Narrated by: Juliet Stevenson
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This Audible Exclusive production revisits Charles Dickens’ tragi-comic novel Little Dorrit. Written during the Crimean War, it a story of fortunes won and lost and a masterly portrayal of the failings of Victorian Society, with the ever-present spectre of law enforcement and imprisonment looming over a fearful population.

One of his later works, Dickens’ maturity shines through this masterpiece and a uniquely powerful and touching love story ensues from amongst scenes of heart-wrenching injustice.

About the book

Following the death of his beloved father, Arthur Clennam returns to his home in London in order to reunite with his wheelchair-bound mother.

Narrowly escaping from the clutches of his former fiancée, Flora Finching, Arthur finds solace in the company of his mother’s new seamstress, the innocent and sweet Little Amy Dorrit.

The youngest of three children, Amy works hard to support her father, who, as Arthur learns, has been imprisoned in Marshalsea debtors’ prison since before her time. Without a mother to care for them, Little Dorrit and her siblings reside with Mr Dorrit, and she, being the most caring of them all, takes it upon herself to pay off his debts through her needlework.

Wishing to find out more about their serendipitous connection and how such a girl could possibly have ended up in his mother’s well-to-do household, Arthur sets out to help Amy and uncover the Clennam’s long-held family secrets, a journey which will inevitably alter the course of both of their lives.

About the author

Like Mr William Dorrit, Dickens’ father was held at Marshalsea debtors’ prison, the memory of which haunted Dickens for years to come and eventually inspired him to transform his childhood recollections into a book entitled Little Dorrit.

At a young age, Charles Dickens had to abandon his studies and set to work in a factory so as to support himself.

Despite his short-lived education, Dickens went on to write 15 novels and various articles, novellas and short stories. He lectured and led campaigns for children's rights and education and arguably became the ultimate self-made man.

About the narrator

Juliet Stevenson CBE is an Olivier award-winning actress known for her career spanning theatre, film and television. Her film credits include Bend It Like Beckham (2002) and Truly Madly Deeply (1990). Juliet starred in Robert Icke’s 2017/2018 adaptation of Mary Stuart (Almeida & Duke of York’s Theatre) where she played not only the titular role but also the role of Elizabeth I consecutively, swapping parts at the literal flip of a coin between herself and Lia Williams. Most recently she appeared in series 2 of Riviera. Juliet’s versatility knows no bounds, and she recently collaborated with both Ruby Wax and Deborah Frances-White on a series of new comedy sketches.

Public Domain (P)2019 Audible, Ltd
Classics Genre Fiction Literary Fiction Suspenseful Classics Literature Collection
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I struggled with the Dickens stories at school, did better with them as I aged. However, the books never came to life like this one has. If there are Oscars for narration, Juliet Stevenson should get one now. This has been the best audible book I've listened to, not only for Dickens's wonderful writing but equally to Juliet's amazing narration.

The best

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Loved it. But it's Dickens so expected. Though written centuries ago but feels still relevant. Unfortunately after starting listening to classics I can't tolerate modern writers. Dickens has it all. Depth of characters, beautiful language, satire. I now only want more of Dickens.

Never dying classics

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Little Dorrit was one of Dicken’s later works, although in my estimation it lacks the pace of his masterpieces like David Copperfield or Our Mutual Friend. It has a few of the grotesque characters that make Dickens’ works so enjoyable, and Juliet Stevenson’s superb narration squeezes out the very last drop of their essence from the text. The constantly snorting Mr Pancks, the addle-headed Flora Finching, and the villainous Rigaud/Blandois are superbly rendered.

In the same way that Oliver Twist was used to publicize some of the evils of the workhouse system, in Little Dorrit, Dickens lays bare the absurdities of the Debtors’ Prisons of Victorian times. Men and women could be imprisoned for debt—ensuring that unless rescued by friends or relations, they were unable ever to discharge said debt. Life inside the prisons was a microcosm of the outside, with food, drink and other essentials, as well as premium accommodation and the hire of furniture all available for purchase. Which last fact begs the question of imprisoning individuals who could not or would not pay their bills, but nevertheless needed, and were able to acquire, cash in order to live.

There are elements of the Dickens’ magic in the central characters, The Dorrits, and Little Dorrit herself, who was born in the Marshalsea Debtors Prison. She had always lived in the prison, and goes outside every day to work to support her father. He is a debtor who has been there for more than 20 years, and is designated the ‘father’ of the Marshalsea.

Then there is a wonderful invention, the ‘Circumlocution Office’ and its staff. In this department is rolled up all useless government bureaucracy and time-serving in one ridiculous agency, dedicated to ‘how not to do it’.

Some of the scenes between Little Dorrit and Arthur Clennam, the ‘hero’, are beautifully rendered and quite touching. The use of metaphor in describing Pancks, the rent-collector, as a busy puffing and snorting steam-tug is highly amusing.

Ultimately thought, the book left me unsatisfied; some passages were just far too long, and frankly tedious, and some aspects of the plot lacked depth. I suspect that many of the five-star reviews this audiobook has earned owe as much to Juliet Stevenson’s never less than perfect narration, as to Charles Dickens’ writing. For the excellent narration, I give it four stars overall.

Peerless narration

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The worst thing about this book is the title - not another Little Nell suffering and drowning in Victorian sentimentality! Yes, there is sentimentality in this book but there’s also sharp social commentary, great characterisation and laugh out loud comedy.
Amy Dorrit is no little Nell - she has inner strength and resilience and she is the true hero of the book.
Splendidly read by Juliet Stevenson who exhibits a range greater even than Timothy West . Highly recommended.

Don’t judge a book by the title.

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Great production and performance. I didn’t know the book beforehand but loved the story and characters. I’ve never given a review before, but am so impressed that this was free on Audible. Super quality, highly recommend it!

Just excellent

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