Joe is 17, a gifted artist and a brilliant older brother to 12-year-old Finn. They live with their Ma and Da in a Dublin tower block called Bojaxhiu, or 'the Jax'. It's not an easy place to be a kid, especially when your father, Frank, is the muscle for the notorious gang leader Dessie 'The Badger' Murphy. But whether it's daytrips to the beach or drawing secret sketches, Joe works hard to show Finn life beyond the battered concrete yard below their flat. Joe is determined not to become like his Da. But when Finn falls ill, Joe finds his convictions harder to cling to.

It was my father’s arrest that brought me here, although you could certainly say that I took the scenic route. Here is rehab, where Ben - the only son of a rich South Dublin banker - is piecing together the shattered remains of his life. Abruptly cut off, at the age of 27, from a life of heedless privilege, Ben flounders through a world of drugs and dead-end jobs, his self-esteem at rock bottom. Even his once-adoring girlfriend, Clio, is at the end of her tether. Then Ben runs into an old school friend who wants to cut him in on a scam.

In 1973, Moll Gladney goes missing from the Tipperary hillside where she was born. Slowly, her parents - Paddy and Kit - begin to accept that she’s gone forever. But she returns, changed, and with a few surprises for her family and neighbours. Nothing is ever the same again for the Gladneys, who learn that fate cares little for duty, that life rarely conforms to expectation, that God can’t be relied upon to heed any prayer. A story of exile and return, of loss and discovery, of retreat from grief and the saving power of love.

Hilarious, poignant and utterly fresh, The Wild Laughter cements Caoilinn Hughes' position as one of Ireland's most audacious, nuanced and insightful young writers. It’s 2008, and the Celtic Tiger has left devastation in its wake. Brothers Hart and Cormac Black are waking up to a very different Ireland - one that widens the chasm between them and brings their beloved father to his knees. Facing a devastating choice that will put their livelihoods - and even their lives - on the line, the brothers soon learn that the biggest danger comes when there is nothing to lose.

Sinéad Hynes is a tough, driven, funny young property developer with a terrifying secret. No-one knows it: not her fellow patients in a failing hospital and certainly not her family. She has confided only in Google and a shiny magpie. But she can’t go on like this, tirelessly trying to outstrip her past and in mortal fear of her future. Across the ward, Margaret Rose is running her chaotic family from her rose-gold Nokia. In the neighbouring bed, Jane, rarely but piercingly lucid, is searching for a decent bra and for someone to listen. Sinéad needs them both.

Sinéad O'Connor's voice and trademark shaved head made her famous by the age of 21. Her recording of Prince's 'Nothing Compares 2 U' made her a global icon. She outraged millions when she tore up a photograph of Pope John Paul II on American television. O'Connor was unapologetic and impossible to ignore, calling out hypocrisy wherever she saw it. She has remained that way for three decades. Now, in Rememberings, O'Connor tells her story.

Eighteen-year-old Debbie White lives on a dairy farm with her mother, Maeve, and her uncle, Billy. Billy sleeps out in a caravan in the garden with a bottle of whiskey and the stars overhead for company. Maeve spends her days recording her dreams, which she believes to be prophecies. This world is Debbie's normal, but she is about to step into life as a student at Trinity College in Dublin. As she navigates between sophisticated new friends and the family bubble, things begin to unravel. Maeve's eccentricity tilts into something darker, while Billy's drinking gets worse. 

Patrick Freyne has tried a lot of stupid ideas in his life. Now, in his scintillating debut, he is here to tell you about them: like the time (aged five) he opened a gate and let a horse out of its field, just to see what would happen; or the time (aged 19) he jumped out of a plane for charity, even though he didn't much care about the charity and was sure he'd end up dead; or the time (aged old enough to know better) he used a magazine as a funnel for fuel when the petrol cap on his band's van broke. 

Heartbroken after a long, painful love affair, a man takes a job driving a haulage lorry through France. Travelling with him is a secret passenger - his daughter. Twenty-something, unkempt, off the rails. With a week on the road together, man and girl must attempt to restore themselves and each other, and to repair a relationship that is at once fiercely loving and deeply scarred.

Being Tommy’s mother is too much for Sonya. Too much love, too much fear, too much longing for the cool wine she gulps from the bottle each night. Because Sonya is burning the fish fingers, and driving too fast, and swimming too far from the shore, and Tommy’s life is in her hands. Once there was the thrill of a London stage, a glowing acting career, fast cars, handsome men. But now there are blackouts and bare cupboards, and her estranged father showing up uninvited. There is Mrs O’Malley spying from across the road. There is the risk of losing Tommy - forever.

On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home? Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London. Neither parent knows that one of the children will not survive the week.

Even now, even after all that took place between us, I can still feel how moved I am by him. Ciaran was that downy, darkening blond of a baby just leaving its infancy. He was the most beautiful man I had ever seen. None of it mattered in the end; what he looked like, who he was, the things he would do to me. To make a beautiful man love and live with me had seemed - obviously, intuitively - the entire point of life. My need was greater than reality, stronger than the truth, more savage than either of us would eventually bear. 

Jeanie Masterson has a gift: she can hear the recently dead and give voice to their final wishes and revelations. Inherited from her father, this gift has enabled the family undertakers to flourish in their small Irish town. Yet she has always been uneasy about censoring some of the dead's last messages to the living. Unsure, too, about the choice she made when she left school 17 years ago: to stay or leave for a new life in London with her charismatic teenage sweetheart.

Before Owen Michaels disappears, he manages to smuggle a note to his new wife, Hannah: protect her. Hannah knows exactly who Owen needs her to protect - his 16-year-old daughter, Bailey, who lost her mother tragically as a child. And who wants absolutely nothing to do with her new stepmother. As her increasingly desperate calls to Owen go unanswered, his boss is arrested for fraud and the police start questioning her, Hannah realises that her husband isn't who he said he was. And that Bailey might hold the key to discovering Owen's true identity and why he disappeared.

Texas, 1934. Elsa Martinelli had finally found the life she’d yearned for. A family, a home and a livelihood on a farm on the Great Plains. But when drought threatens all she and her community hold dear, Elsa’s world is shattered to the winds. Fearful of the future, when Elsa wakes to find her husband has fled, she is forced to make the most agonizing decision of her life. Fight for the land she loves or take her beloved children, Loreda and Ant, west to California in search of a better life. Will it be the land of milk and honey?