Macbeth is one of William Shakespeare's more brilliantly populated plays and remains among the most widely read. Award-winning writer and beloved professor Harold Bloom investigates Macbeth's interiority and unthinkable actions with razor-sharp insight, agility, and compassion. He also explores his own personal relationship to the character. The book also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity.

Falstaff is both a comic and tragic central protagonist in Shakespeare's three Henry plays. He is companion to Prince Hal (the future Henry V), who loves him, goads him, teases him, indulges his vast appetites, and commits all sorts of mischief with him. Award-winning author and esteemed professor Harold Bloom examines Falstaff with the deepest compassion and sympathy and also with unerring wisdom. He uses the relationship between Falstaff and Hal to explore the devastation of severed bonds and the heartbreak of betrayal.  

In all of literature, few antagonists have displayed the ruthless cunning and unscrupulous deceit of Iago, the antagonist to Othello. Often described as Machiavellian, Iago is a fascinating psychological specimen: at once a shrewd expert of the human mind and yet, himself a deeply troubled man.

Cleopatra is one of the most famous women in history - and thanks to Shakespeare, one of the most intriguing personalities in literature. Award-winning writer and beloved professor Harold Bloom delivers exhilarating clarity and invites us to look at this character as a flawed human who might be living in our world. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are in high school and college and another when we are adults, Bloom explains his shifting understanding of Cleopatra over the course of his own lifetime.

In arguably his most personal and lasting work, America's most daringly original and controversial critic gives us brief, luminous readings of more than 80 texts by canonical authors - texts he has had by heart since childhood. 

Pericles is the Prince of Tyre but is forced to leave the city due to the atrocities that the wicked Emperor of Greece threatens to bestow should he stay. His courage, wisdom and goodness are recognized wherever he goes so much so that he marries the Queen of Pentapolis who bears him a child at sea, for he is forced to return to Tyre to pacify its citizens who are clamouring for his return as their ruler following the death of the wicked Emperor of Greece.

An excellent recording of one of Shakespeare's best loved tragedies. Many consider Cleopatra to be Shakespeare's most complex female role. The play follows Cleopatra's relationship with Mark Antony from the Sicilian Revolt to Cleopatra's suicide in the Final War of the Roman Republic.

This electrifying new audiobook thrives on revealing, not resolving, the ambiguities of Shakespeare's plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex.  

King Lear is a tragedy written by William Shakespeare. It tells the tale of a king who bequeaths his power and land to two of his three daughters, after they declare their love for him in an extremely fawning and obsequious manner. His third daughter gets nothing, because she will not flatter him as her sisters had done. When he feels disrespected by the two daughters who now have his wealth and power, he becomes furious to the point of madness. He eventually becomes tenderly reconciled to his third daughter, just before tragedy strikes her and then the king.

Shakespeare's contributions to stage and language are unequaled, audiences left breathless for the past four centuries, his artistry as evident in moments of insensate rage as it is in moments of heartbreaking tenderness

Professors Cook and Herzman provide you with an illuminating introduction to one of the greatest works ever written. One of the most profound and satisfying of all poems, The Divine Comedy (or Commedia) of Dante Alighieri is a book for life. In a brilliantly constructed narrative of his imaginary guided pilgrimage through the three realms of the Christian afterlife, Dante accomplished a literary task of astonishing complexity. In these twenty-four lectures, as you follow Dante on his journey, you'll learn how medieval literature offers insights into fundamental questions.

The fabulously rich Timon believes all his friends to be as open-hearted and generous as himself. When his wealth suddenly evaporates, however, he discovers the truth and his altruism turns to a bitter hatred of mankind. Stirred up by the cynical Apemantus, Timon retreats to the woods where he plots the destruction of Athens, the city that had formerly seemed to embody everything pleasurable and civilized. The cosmic scope of his hatred is communicated in a series of powerful and disturbing dramatic tableaux.

A tragedy, a comedy, and a history all rolled into one, the story of the tyrannical Richard III ranks among Shakespeare's most popular plays. Opening with the famous "Now is the winter of our discontent" soliloquy, this masterful work follows its antihero as he plots to steal the throne of England, causing murder and mayhem all along the way. A full cast, including Robert Stephens and Dame Peggy Ashcroft, brings this devilishly entertaining work to life.

Imogen, the daughter of King Cymbeline, is persecuted by her wicked stepmother, the Queen, and by Cloten, the Queen's doltish son. Disguised as a boy, she sets out to find her husband, the banished Posthumus. On her journey, she unwittingly meets her two brothers, stolen from the court as infants. Posthumus, meanwhile, has been convinced by the villainous Iachimo that Imogen is unchaste and agrees to a test of her faithfulness.

King John of England is pitted against the united powers of France, Brittany, Austria, and the Papacy. Will England be destroyed by his fatal indecision? As alliances are made, broken, and remade, the paranoid and erratic John reveals his weakness and reliance on those around him - including his powerful mother, Queen Elinor, and Faulconbridge, the cynical and witty bastard son of the dead King Richard I.