The first and most complete narrative biography of Crosby, Stills, Nash and Young, by acclaimed music journalist and Rolling Stone senior writer David Browne. 

One Two Three Four traces the chance fusion of the four key elements that made up the Beatles: fire (John), water (Paul), air (George) and earth (Ringo). It also tells the bizarre and often unfortunate tales of the disparate and colourful people within their orbit. History, etymology, diaries, autobiography, fan letters, essays, parallel lives, party lists, charts, interviews, announcements and stories.

The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. But there was a dark side to that scene as well. Many didn't make it out alive, and many of those deaths remain shrouded in mystery to this day.

When singer, musician, and broadcast journalist Malka Marom had the opportunity to interview Joni Mitchell in 1973, she was eager to reconnect with the performer that she'd first met late one night in 1966 at a Yorkville coffeehouse. More conversations followed over the next four decades of friendship, and it was only after Joni and Malka completed their last recorded interview, in 2012, that Malka discovered the heart of their discussions: the creative process.

The classic account of the LA Canyons scene between 1967 and 1976, featuring Joni Mitchell; Crosby, Stills, Nash, and Young; The Eagles; James Taylor; and Jackson Browne. Ambition, betrayal, drugs and genius all combine with great music making.

Chris Frantz met David Byrne at the Rhode Island School of Art & Design in the early 1970s. Together - and soon with Frantz's future wife, Tina Weymouth - they formed Talking Heads and took up residence in the grimy environs of Manhattan's Lower East Side, where their neighbours were Patti Smith, William Burroughs and a host of proto-punk artists who now have legendary status. 

In 1999, when Tom O’Neill was assigned a magazine piece about the 30th anniversary of the Manson murders, he worried there was nothing new to say. Weren’t the facts indisputable? Charles Manson had ordered his teenage followers to commit seven brutal murders, and in his thrall, they’d gladly complied. But when O’Neill began reporting the story, he kept finding holes in the prosecutor Vincent Bugliosi’s narrative, long enshrined in the best-selling Helter Skelter. Before long, O’Neill had questions about everything from the motive to the manhunt.

The era of the LP began in 1967, with Sgt Pepper; The Beatles didn’t just collect together a bunch of songs, they Made an Album. Henceforth, everybody else wanted to Make an Album. The end came only 15 years later, coinciding with the release of Michael Jackson’s Thriller. By then the Walkman had taken music out of the home and into the streets, and the record business had begun trying to reverse engineer the creative process in order to make big money. Nobody would play music or listen to it in quite the same way ever again.

Prosecuting attorney in the Manson trial Vincent Bugliosi held a unique insider's position in one of the most baffling and horrifying cases of the 20th century: the cold-blooded Tate-LaBianca murders carried out by Charles Manson and four of his followers. What motivated Manson in his seemingly mindless selection of victims, and what was his hold over the young women who obeyed his orders? Now available for the first time in unabridged audio, the gripping story of this famous and haunting crime is brought to life by acclaimed narrator Scott Brick.

The ultimate biography of Bob Dylan. Half a century ago a youth appeared from the American hinterland and began a cultural revolution. The world is still coming to terms with what he did. How he did it - and why - has never been fully explored. In Once Upon a Time, award-winning writer Ian Bell draws together the tangled strands of the many lives of Bob Dylan in all their contradictory brilliance. For the first time, the laureate of modern America is set in his entire context: musical, historical, literary, political, and personal.

In Chasing the Light Oliver Stone talks about his rarefied New York childhood, volunteering for combat and his struggles and triumphs making such films as Platoon, Midnight Express and Scarface. Stone, now 73, recounts those formative years with vivid details of the high and low moments.

The age of the rock star, like the age of the cowboy, has passed. Like the cowboy, the idea of the rock star lives on in our imaginations. What did we see in them? Swagger. Recklessness. Sexual charisma. Damn-the-torpedoes self-belief. A certain way of carrying themselves. Good hair. Interesting shoes. Talent we wished we had. What did we want of them? To be larger than life but also like us. To live out their songs. To stay young forever. No wonder many didn't stay the course.

The second and concluding volume of Ian Bell's critically lauded study of the inimitable Bob Dylan. By the middle of the 1970s, Bob Dylan's position as the preeminent artist of his generation was assured. The 1975 album Blood on the Tracks seemed to prove, finally, that an uncertain age had found its poet. Perverse or driven, Dylan refused the role. By the decade's end, the counterculture's poster child had embraced conservative, evangelical Christianity. Fans and critics alike were confused; many were aghast. Still the hits kept coming.

When Pete's parents moved from Cyprus to Birmingham in the 1960s in the hope of a better life, they had no money and only a little bit of English. They opened a fish-and-chip shop in Acocks Green. The Great Western Fish Bar is where Pete learned about coin-operated machines, male banter and Britishness. Shy and introverted, Pete stopped speaking from age four to seven and found refuge instead in the bittersweet embrace of pop songs, thanks to Top of the Pops and Dial-a-Disc. 

Phil Collins gained fame as both the drummer and the lead singer for Genesis and continues to enjoy worldwide success today. He's one of only three recording artists who have sold over 100 million albums both as solo artists and separately as principal members of bands - the other two being Paul McCartney and Michael Jackson.