When Tubby informs his fiancee that her new hat makes her look like a Pekingese, she is naturally incensed. But it is when he questions the validity of the story of her narrow escape from a beastly, hungry shark that the engagement is firmly called off. But love is in the air for Gussie Fink-Nottle. He abandons his beloved newts to court the new object of his affections, the dreamy and romantic Miss Madeline Bassett. He is dressed as Mephistopheles...and it appears that even the Devil can rely on Jeeves.

A rollicking collection of six acclaimed dramatisations of P.G Wodehouse's Jeeves & Wooster novels, starring Michael Hordern and Richard Briers as Jeeves and Wooster. Also featuring Maurice Denham, Paul Eddington, David Jason, John Le Mesurier, Miriam Margolyes, Jonathan Cecil, Liza Goddard and Patrick Cargill.

Inspector Purbright is a thoroughly English policeman: affable, polite, dogged and decent. Created by award-winning crime writer Colin Watson, he appeared in 12 Flaxborough mysteries, four of which were adapted for BBC TV under the title Murder Most English. These five radio dramatisations star Peter Jeffrey, John Pullen and John Rowe as Purbright.

Uncle Fred, or to give him his full title: Fredrick Altamont Cornwallis Twistleton, fifth Earl of Ickenham, is considered by some as a "splendid gentleman, a sportsman to his fingertips". Mr Twistleton, nephew to Earl, and otherwise known as "Pongo" to his friends, has a differing view. He simply describes his uncle as "being loopy to the tonsils".

Michael Hordern stars as Jeeves, with Richard Briers as Bertie, in a BBC Radio 4 full-cast dramatisation. It's the stuff of nightmares for Bertie as he is hauled back to Totleigh Towers and the whole loony crew of Madeline, Gussie, Roderick Spode, Stiffy Byng, and the dog Bartholomew.

Inspired by Henry Cecil's 1955 comic novel of the same name, Brothers in Law first appeared on BBC One in 1962, providing Richard Briers with his first starring role on television as idealistic young barrister Roger Thursby. Adapted by Richard Waring from TV scripts by Frank Muir and Denis Norden, it took to the airwaves in 1970, running for three years until 1972. As the series opens, the rookie lawyer is in his first year at chambers, and struggling to learn the ropes. 

We find ourselves in the austerity of the 1950s, when England's aristocracy was feeling the pinch. Bertie Wooster has gone to a residential self-help school to learn how to darn his socks. Until he re-emerges, Jeeves has signed up with Bill Rowcester (pronounced Roaster), an earl who is failing to make ends meet in trade, and yearning to sell his stately home, which has charm and damp in equal measure. In his new environment Jeeves is required to exert his mammoth brain to what would be breaking point for any normal intellect.

In the Angler’s Rest, drinking hot scotch and lemon, sits one of Wodehouse’s greatest raconteurs. Mr Mulliner, his vivid imagination lubricated by Miss Postlethwaite the barmaid, has fabulous stories to tell of the extraordinary behaviour of his far-flung family... One of them concerns Wilfred, who lights on the formula for Buck-U-Uppo, a tonic given to elephants to enable them to face tigers with the necessary nonchalance. Its explosive effects on a shy young curate and then the higher clergy is gravely revealed.

When Maud Marsh flings herself into George Bevan's cab in Piccadilly, he starts believing in damsels in distress. George traces his mysterious travelling companion to Belpher Castle, home of Lord Marshmoreton, where things become severely muddled. Maud's aunt, Lady Caroline Byng, wants Maud to marry Reddie, her stepson. Maud, meanwhile, is known to be in love with an unknown American she met in Wales. So when George turns up speaking American, a nasty case of mistaken identity breaks out.

Alison Steadman and Sue Johnston star as world-weary hack Dee T. Mitchell in these two mystery thrillers set in South Wales. These two gripping crime dramas follow the dogged, imaginative and impressive investigations of Dee T. Mitchell, a reporter on a local Swansea newspaper, as she attempts to uncover the murders of two individuals and in the process exposes deep secrets and cover-ups across the Gower peninsula and beyond.

Kenneth Williams and Hugh Paddick are the notorious resting thespians in this hilarious collection of sketches from Round the Horne. Through four series of Round the Horne, Julian and Sandy graced each episode with an encounter with 'that nice Mr Horne'. Each week they'd be up to new tricks, from filmmaking (Bona Prods) to a travel agency ('something exciting in a cheap package') and a 'bijou restaurantette' (La Casserole de Bona Gourmet).

Between 1980 and 1988 on BBC television and radio, the exploits of the Rt Hon Jim Hacker MP (Paul Eddington) - later Prime Minister - kept the British nation enthralled. Helped - and hampered - by his diligent Permanent Secretary Sir Humphrey Appleby (Nigel Hawthorne) and his Principle Private Secretary Bernard Woolley (Derek Fowlds), Hacker and his department became synonymous with government bureaucracy and administrative double dealing.

A sweeping radio saga of political intrigue, love affairs, financial wrangles and murder, based on the books by Anthony Trollope, creator of The Barchester Chronicles. This epic drama follows several generations of the Palliser dynasty as they navigate the twists and turns of political and high society in Victorian England. Starring Ben Miles as Plantagenet, Sophie Thompson as Glencora, Conleth Hill as Phineas and David Troughton as the Narrator, with a star cast including Bertie Carvel, Juliet Stevenson, Greg Wise and Rachael Stirling. 

Whose Body? first introduced Lord Peter to the world and begins with a corpse in the bath of a London flat. Clouds of Witness finds Wimsey investigating murder close to home, and in Unnatural Death he investigates the suspicious demise of an elderly woman. First broadcast on BBC radio in the 1970s and presented here in their entirety, these full-cast adaptations are admired by fans of the genre worldwide.

As ever, Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation, especially in the form of women and alcohol. His intentions may be good, but somehow the results always go wrong. What makes Charles different from other seedy, middle-aged, down-at-heel actors is that he can't avoid finding himself near trouble, that trouble being murder. He may be an amateur sleuth, but he's patently no Poirot.