In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.

One afternoon, a mother opens her front door to find the length of her son's body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. The Death of Vivek Oji transports us to the day of Vivek's birth, the day his grandmother Ahunna died. It is the story of an over protective mother and a distant father and the heart-wrenching tale of one family's struggle to understand their child, just as Vivek learns to recognise himself.

A woman known for her viral social media posts travels the world speaking to her adoring fans, her entire existence overwhelmed by the internet - or what she terms ‘the portal’. Are we in hell? the people of the portal ask themselves. Are we all just going to keep doing this until we die? Suddenly, two texts from her mother pierce the fray: "Something has gone wrong", and "How soon can you get here?" 

Reese nearly had it all: a loving relationship with Amy, an apartment in New York, a job she didn't hate. She'd scraped together a life previous generations of trans women could only dream of; the only thing missing was a child. Then everything fell apart, and three years on, Reese is still in self-destruct mode, avoiding her loneliness by sleeping with married men.

In Baxter's Beach, Barbados, Lala's grandmother, Wilma, tells the story of the one-armed sister, a cautionary tale about what happens to girls who disobey their mothers. For Wilma, it's the story of a wilful adventurer, who ignores the warnings of those around her, and suffers as a result. When Lala grows up, she sees it offers hope - of life after losing a baby in the most terrible of circumstances and marrying the wrong man. 

Lori works illegally in a rented flat in central London, living in fear of police raids which could mean losing her small daughter and her dream of a new life. Freya is a student who finds she can make far more money as an escort than she could in an office; life, after all, is already a tangle of madness and dissociation. And Paula is a journalist whose long-term campaign against prostitution has brought her some strange bedfellows. After a shock change to the law, with brothels being raided by the authorities, lives across the country are fractured. 

Embodiment is not an easy business. From violence to illness, sexuality to racism, the fact of a body can be impossibly hard to inhabit. Olivia Laing draws on her own background in protest and alternative medicine to investigate the reasons why. Laing’s exploration of the complexities of bodily life takes in some of the most significant and beguiling figures of the past century, among them the psychoanalyst Wilhelm Reich, the painters Francis Bacon and Agnes Martin and the singer and civil rights activist Nina Simone.

Ada was born with one foot on the other side. Having prayed her into existence, her parents, Saul and Saachi, struggle to deal with the volatile and contradictory spirits peopling their troubled girl. When Ada comes of age and heads to college, the entities within her grow in power and agency. An assault leads to a crystallization of her selves: Asughara and Saint Vincent. As Ada fades into the background of her own mind and these selves - now protective, now hedonistic - seize control of Ada, her life spirals in a dark and dangerous direction. 

Fleeing a past they can no longer remember, Pew wakes on a church bench, surrounded by curious strangers. Pew doesn't have a name, they've forgotten it. Pew doesn't know if they're a girl or a boy, a child or an almost-adult. Is Pew an orphan, or something worse? And what terrible trouble are they running from? Pew won't speak, but the men and women of this small, god-fearing town are full of questions. As the days pass, their insistent clamour will build from a murmur to a roar, as both the innocent and the guilty come undone in the face of Pew's silence. 

Benson and Mike are two young guys who live together in Houston. Mike is a Japanese American chef at a Mexican restaurant and Benson's a Black day care teacher, and they've been together for a few years - good years - but now they're not sure why they're still a couple. There's the sex, sure and the meals Mike cooks for Benson, and, well, they love each other. But when Mike finds out his estranged father is dying in Osaka just as his acerbic Japanese mother, Mitsuko, arrives in Texas for a visit, Mike picks up and flies across the world to say goodbye. 

Keith Ridgway, author of the acclaimed Hawthorn & Child, writes about people whose understanding of their own situation is only ever partial and fuzzy, who are consumed by emotions and anxieties and narratives, or the lack thereof, that they cannot master. He focuses on peripheral figures who mean well and to whom things happen, and happen confusingly, and his fictional strategies reflect this focus. In a deftly conjured high-wire act, Ridgway achieves the fine balance between the imperatives of drama and fidelity to his characters. 

Rachel Long’s much anticipated debut collection of poems, My Darling from the Lions, announces the arrival of a thrilling new presence in poetry. Each poem has a vivid story to tell - of family quirks, the perils of dating, the grip of religion or sexual awakening - stories that are, by turn, emotionally insightful, politically conscious, wise, funny and outrageous.

All too often the focus of mainstream feminism is not on basic survival for the many, but on increasing privilege for the few. Meeting basic needs is a feminist issue. Food insecurity, the living wage and access to education are feminist issues. The fight against racism, ableism and transmisogyny are all feminist issues. White feminists often fail to see how race, class, sexual orientation and disability intersect with gender. How can feminists stand in solidarity as a movement when there is a distinct likelihood that some women are oppressing others?

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, she is sleeping with all the wrong men and she has failed at the only thing that meant anything to her: painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white, middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted Black daughter who doesn’t have a single person in her life who can show her how to do her hair.

Moored in a coastal fishing town so far north that the highways only run south, the unnamed narrator of The Seas is a misfit. She's often the subject of cruel local gossip. Her father, a sailor, walked into the ocean 11 years earlier and never returned, leaving his wife and daughter to keep a forlorn vigil. Surrounded by water and beckoned by the sea, she clings to what her father once told her: that she is a mermaid.