On a hot summer’s day in a poor suburb of Tokyo we meet three women: 30-year-old Natsu, her older sister, Makiko, and Makiko’s teenage daughter, Midoriko. Makiko, an ageing hostess despairing the loss of her looks, has travelled to Tokyo in search of breast-enhancement surgery. She's accompanied by Midoriko, who has recently stopped speaking, finding herself unable to deal with her own changing body and her mother’s self-obsession. Her silence dominates Natsu’s rundown apartment, providing a catalyst for each woman to grapple with their own anxieties. 

Grace Park and Shawn Mathews share a city - LA - but seemingly little else. Coming from different generations and very different communities, their paths wouldn't normally cross at all. As Grace battles confusion over her elder sister's estrangement from their Korean-immigrant parents, Shawn tries to help his cousin Ray readjust to city life after years spent in prison. But something in their past links these two families. As the city around them threatens to erupt into violence, echoing the worst days of the early 1990s, the lives of Grace and Shawn are set to collide. 

Set in Trinidad, and told with wry humour and irresistible wit, One Year of Ugly is a story of family, first love and finding home. When their beloved Aunt Celia dies, Yola and her family discover she had been keeping a huge secret – she was seriously in debt to local criminal, Ugly, and they must do his bidding until the debt is cleared. So far, so ugly. And then Ugly’s distracting gorgeous right-hand man Román arrives on the scene, and Yola just can't help herself. Could this wildly inappropriate (and very messy) romance be the perfect antidote?

Mahmood Mattan is a fixture in Cardiff's Tiger Bay, 1952, which bustles with Somali and West Indian sailors, Maltese businessmen and Jewish families. He is a father, chancer, petty criminal. He is a smooth talker with rakish charm and an eye for a good game. He is many things, but he is not a murderer. So when a shopkeeper is brutally killed and all eyes fall on him, Mahmood isn't too worried.

In a remote Polish village, Janina Duszejko, an eccentric woman in her 60s, recounts the events surrounding the disappearance of her two dogs. She is reclusive, preferring the company of animals to people; she’s unconventional, believing in the stars; and she is fond of the poetry of William Blake, from whose work the title of the book is taken. When members of a local hunting club are found murdered, Duszejko becomes involved in the investigation. 

Staring unflinchingly into the abyss of slavery, this spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe, its protagonist, was born a slave and escaped to Ohio, but 18 years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe's new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

At home full-time with her two-year old son while his father travels for work, a woman finds herself struggling with solitude, monotony and exhaustion. If she has to manage one more bedtime alone, she fears she will lose her mind. So far, so familiar, you might say? But one night, a strange metamorphosis occurs.

Alfa and Mademba are two of the many Senegalese soldiers fighting in the Great War. Together they climb dutifully out of their trenches to attack France. German enemies whenever the whistle blows, until Mademba is wounded, and dies in a shell hole with his belly torn open. Without his more-than-brother, Alfa is alone and lost amidst the savagery of the conflict. He devotes himself to the war, to violence and death, but soon begins to frighten even his own comrades in arms. How far will Alfa go to make amends to his dead friend?

Editors Randy Chandler and Cheryl Mullenax put the call out to horror writers and editors of extreme stories, the hardcore stuff that breaks boundaries and trashes taboos, the transgressive tales you can't "unread" (as Chuck Palahniuk says). Some of the stories you'll find here are loaded with very graphic descriptions of violence, sex, and depravities, while others may contain only one shocking moment of brutality. In others, the hardcore aspect may be less graphic and subtler than you might expect.

Compiled by Xtina Marie, this heart-stopping conglomeration of terror represents the coming together of a whole bunch of the finest independent horror authors writing today.

Set in the fictional African village of Kosawa, How Beautiful We Were tells the story of a people living in fear amidst environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of clean-up and financial reparations to the villagers are made-and ignored. The country's government, led by a brazen dictator, exists to serve its own interest only. Left with few choices, the people of Kosawa decide to fight back.

The raw and powerful sequel to Once Were Warriors. It is six years since Jake's daughter Grace hanged herself. Jake's wife, Beth, has left him, his son Nig was killed in a gangland fight - his only consolations are drink and his memories. His daughter, Polly, is determined to escape the violence that is destroying the Maoris. But can Jake, too, redeem himself?

Thirteen dark tales from the author of Saint Sadist and Gods of the Dark Web. The disappearance of his son brings a rock star home to atone for past sins. A bartending ex-preacher faces a terrible destiny when an former congregation member walks into his bar wearing a bloody shirt. A blizzard traps a suicidal writer at the Jersey Shore with a cult and its strange goddess. A woman shoots a pornographic video and the act shatters her reality. The zombie apocalypse forces three teenagers to take refuge with the school bully. And more.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity. 

Wise-cracking Kerry Salter has spent her adulthood avoiding two things: her hometown and prison. A tough, generous, reckless woman accused of having too much lip, Kerry uses anger to fight the avalanche of bullshit the world spews. But now her Pop is dying and she's an inch away from the lockup, so she heads south on a stolen Harley for one last visit. Kerry plans to spend 24 hours, tops, across the border. She quickly discovers, though, that Bundjalung country has a funny way of latching on to people.