Barrington Jedidiah Walker is seventy-four and leads a double life. Born and bred in Antigua, he's lived in Hackney since the sixties. A flamboyant, wise-cracking local character, Barrington is a husband, father and grandfather - but he is also secretly lovers with his great childhood friend, Morris. When his marriage goes into meltdown, Barrington wants to divorce Carmel and live with Morris, but after a lifetime of fear and deception, will he manage to break away?

From Newcastle to Cornwall, from the birth of the 20th century to the teens of the 21st, Girl, Woman, Other follows a cast of 12 characters on their personal journeys through this country and the last hundred years. They're each looking for something - a shared past, an unexpected future, a place to call home, somewhere to fit in, a lover, a missed mother, a lost father, even just a touch of hope....  

Londinium, AD 211. Zuleika is a modern girl living in an ancient world. She's a back-alley firecracker, a scruffy Nubian babe with tangled hair and bare feet - and she's just been married off to a fat old Roman. Life as a teenage bride is no joke but Zeeks is a born survivor. She knows this city like the back of her hand: its slave girls and drag queens, its shining villas and rotting slums. She knows how to get by. Until one day she catches the eye of the most powerful man on earth, the Roman Emperor, and her trouble really starts....

It's a hot summer afternoon. Tension is in the air. A gang of youths on bikes gathers outside a chip shop. A teenage boy is stabbed and left bleeding on the street. The boy's mother wonders how this could have happened to her son. She is full of questions, but when the answers lie so close to home, are they really what she wants to hear?

These are the ways in which ordinary white people react when it is pointed out to them that they have done or said something that has - unintentionally - caused racial offence or hurt. After, all, a racist is the worst thing a person can be, right? But these reactions only serve to silence people of colour, who cannot give honest feedback to 'liberal' white people lest they provoke a dangerous emotional reaction. Robin DiAngelo coined the term 'White Fragility' in 2011 to describe this process and is here to show us how it serves to uphold the system of white supremacy.     

Queenie Jenkins can't cut a break. Well, apart from one from her long-term boyfriend, Tom. That's definitely just a break, though. Definitely not a breakup. Stuck between a boss who doesn't seem to see her and a family who don't seem to listen (if it's not Jesus or water rates, they're not interested) and trying to fit in two worlds that don't really understand her, it's no wonder she's struggling. She was named to be queen of everything. So why is she finding it so hard to rule her own life? 

Ada was born with one foot on the other side. Having prayed her into existence, her parents, Saul and Saachi, struggle to deal with the volatile and contradictory spirits peopling their troubled girl. When Ada comes of age and heads to college, the entities within her grow in power and agency. An assault leads to a crystallization of her selves: Asughara and Saint Vincent. As Ada fades into the background of her own mind and these selves - now protective, now hedonistic - seize control of Ada, her life spirals in a dark and dangerous direction. 

The Fen is a liminal land. Real people live their lives here. They wrestle with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a, well, what?

For years, rumors of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life - until the unthinkable happens. 

The Complete Short Stories is a collection to be loved and cherished, from one of the finest short-story writers of the twentieth century. From the cruel irony of A member of the Family to the fateful echoes of The Go-Away Bird and the unexpectedly sinister The Girl I Left Behind Me, in settings that range from South Africa to the Portobello Road, Muriel Spark coolly probes the idiosyncrasies that lurk beneath the veneer of human respectability, displaying the acerbic wit and wisdom that are the hallmarks of her unique talent.