a little confused

this is not the best Warhammer Crime story out there but it is also not the worst.

the biggest issue I feel comes from the author not fully committing to what the story is.....is it a horror story? is it a noir novel? is it a sci fi pulp detective case???

in the end its not really any of the above and just feels like a somewhat toned down version of the best of these kind of stories in the WH40K universe (Eisenhorn series, Ravenor and Bequin).

Good try - and I really do hope that the next Drask book brings something more 😀

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bloody brilliant! Crime and horror

if you like grim dark, you'll be all over this.
Sums up the horror of the 40k, dystopia future. depressingly brilliant fun. Plot line gets you hooked.

One of the best black library & 40k novels I've listened to!

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Excellent

Throughly enjoyed this and will definitely be reading more Warhammer crime in the future. Excellent.

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Brutal almost horror crime story.

Very grimdark, Grim Repast hits all the darker gritty Warhammer notes just right, well recommended for fans of the Eisenhorn series

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Well read.

Protagonist a bit of a navel gazer. Relationships a bit sentimental, overall a bit indulgent. But still enjoyable. Recommended with reservations.

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Great fun, good character

My second favourite probator after Zidarov. Good world building for Varangantua, its China Town Quillan!

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Gritty

Look forward to draxs next outing! The though after the other vanrungatua novel I’m starting to notice a lot of heresy….

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Decent read, But has to hit its stride.

Overall I enjoyed the book, the performance was like the story. It started a little messy and felt sometimes rather boring, but was very enjoyable when it hit its stride. This is a book you have to stick with for it to really get good so I’d definitely say give it a try, and stick with it.

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Another WH crime hit

I have fallen in love with these crime stories set in the hive city of Varengantua and can not get enough of them. A must read for any fan of WH or crime and thrillers in general.

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Hard-boiled noir, 40k style

One of the most fun things about Warhammer 40k is its ability to lift elements of different genres and remake them in its own grimdark image. Grizzled old timers like me will recall the first edition of the tabletop game was basically a hotchpotch of generic, Tolkien-esque species (to me the Eldar/Aeldari are still just 'Elves in Space') with much of the details of humanity's civilisation lifted straight from the pages of 2000AD's Judge Dredd. Additions like Space Hulk provided an injection of the monster horror of the Alien movies while Necromunda introduced a strong cyberpunk element.

So to the Warhammer Crime series. As with the previous two crime novels, Grim Repast is set in Varangantua, the continent-spanning city on the hive world of Alecto. Like Chris Wraight's brilliant Bloodlines, Grim Repast layers old-school, hard-boiled detective noir onto the W40k setting. This works pretty well. Both books do well to keep their story grounded in its setting: The people of Varangantua know only the city. It is their entire world, characters do not talk about space travel, no one travels off-world. They know nothing about xenos species, space marines or the ruinous powers. The local enforcers are the law and even the Adeptus Arbites are a shadowy higher authority that is almost never seen. Higher powers than the Arbites are, well - let's just say those that have even heard of them never refer to them...

I like this whole concept - it works, every now and then, a character drops a teasing reference to the wider universe, only for another character to say, 'Don't be stupid, xenos don't exist!' Even the Emperor on Terra, though believed in, is an impossibly distant, vague concept. This approach creates a distance between ordinary citizens of Alecto and the rest of the W40k 'verse. It feels realistic in the way some older BL books - where average people display way too much awareness of the warp and chaos, etc - don't. Occasional hints and clues suggesting the presence of such things are far more disturbing precisely because only the reader can understand the implications.

The weakness of this approach is that the Crime books can't rely on primarchs, space marines and inquisitors to keep the reader's interest. They have to stand on their own as detective stories. Luckily, plot has never been a huge issue in Noir writing; Raymond Chandler famously forgot about a body in The Big Sleep and failed to resolve who killed them or why. It didn't do him any harm.

Character is everything in this genre. The damaged, maverick detective is such a noir trope that it's almost a requirement. Marc Collins obligingly gives us a main character who ticks all the genre boxes: maverick Probator (Detective) Quillion Drask, a damaged man with a past. But this is where Grim Repast starts to fall down a bit.

Because this is a detective story with little reliance on the wider 40k 'verse, without realising it, I started comparing this to other crime novels. It was very hard, for example, not to see in Drask shades of Ian Rankin's Inspector Rebus, the damaged policeman solving murders in a claustrophobic, gothic Edinburgh. Rebus is an incredible creation by an accomplished writer - this comparison was never going to do Drask any favours, particularly the way he is written here.

We know Drask has a past because we are constantly told about it. We are also 'told' - over and over - that he has a gift for making wild, improbable leaps of reasoning. The weird thing is, Drask doesn't really do any wildly improbable deduction at all. He just follows the clues in a straightforward way and eventually - well, I won't spoil it for you. While a lot of the text is expositionary thoughts by Drask there is far less in the way of 'showing' i.e. revealing things about the characters, their feelings and motivations through their actions. Contrast this with the way Chris Wraight's world-weary Agusto Zidarov is revealed to us as a character throughout Bloodlines: we meet Zidarov through his interactions with his co-workers, criminals and suspects, then his home family-life and even his religion. He's the superior creation by some way.

Still, Drask is engaging enough a protagonist (and still preferable to the lead in Guy Haley's Flesh and Steel, - a spire-born noble slumming it by solving crime simply doesn't hit the right notes at all for noir). For all their 'telling', the extended descriptions of the city and its denizens seen through Drask's jaundiced eyes are the parts where Noir meets Grimdark most successfully.

Narrator Richard Reed doesn't have the bombastic style of Jonathan Keeble but this isn't Space Marine on Space Marine action, Toby Longworth might have been perfect, but that would only have drawn unflattering comparisons with the Eisenhorn books (in themselves often quite noirish). As it is, Reed's slightly more restrained delivery compliments the mood of Grim Repast perfectly, so he gets an A. Overall it's B+ for Grim Repast - not bad but one gets the feeling Marc Collins will do better.

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12 people found this helpful