Charles O’Brien, Irish bard and giant: The cynical are moved by his flights of romance; the craven stirred by his tales of epic deeds. The Surprising Irish Giant may be the sensation of the season but only his compatriots seem to attend to his mythic powers of invention. John Hunter, celebrated surgeon and anatomist, buys dead men from the gallows and babies’ corpses by the inch. Where is a man as unique as The Giant to hide his bones when he is yet alive?

Evelyn and Muriel Axon, mother and daughter, lead a haunted existence. Objects of horror to their neighbours, they evade or terrorise any social worker who crosses their path. Inside their house, they pursue a covert persecution of each other, shrinking from the unseen occupants of their spare room. But change is in the air… Every Day is Mother's Day is a merciless comedy of colliding lives: of sex, death, madness, adultery and the social services.

Listening to Shaking a Leg is like spending time with the funniest, wisest friend you've ever had - a person whose breadth of interest ranges from food to feminism to science fiction and everything in between. Bursting with ideas, culturally astute and sparklingly witty, this comprehensive volume of Angela Carter's journalism is the most down-to-earth and entertaining companion to latter 20th-century thought you'll ever need.

From the double Man Booker Prize-winner, a savagely funny tale that revisits the characters from the much-loved Every Day is Mother’s Day. Muriel Axon is about to re-enter the lives of Colin Sidney and Isabel Field. It is ten years since her last tangle with them, but for Muriel this is not time enough. There are still scores to be settled, truths to be faced and vengeance to be wreaked.

Fetherhoughton is a dreary town in 1950s northern England. Father Angwin has lost his faith. Sister Philomena strains against convent life. The inhabitants of the town go about their lives in a haze. Then a stranger appears, bringing with him the hint of something new. But who is Fludd? An angel come to shake the dwellers from their stupor, or is he the devil himself, a wanderer of the darkest places in the human heart?

Alison Hart, a medium by trade, tours the dormitory towns of London's orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists....

Ralph and Anna Eldred live in the big Red House in Norfolk, raising their four children and devoting their lives to charity. But the constant flood of 'good souls and sad cases' welcomed into their home hides the growing crises in their own family. From the violent townships of South Africa to the windswept countryside of Norfolk, this is an epic yet subtle family saga about what happens when trust is broken...

A tour-de-force of historical imagination, this is the story of three young men at the dawn of the French Revolution. Georges-Jacques Danton: zealous, energetic, debt-ridden. Maximilien Robespierre: small, diligent, and terrified of violence. And Camille Desmoulins: a genius of rhetoric, charming, handsome, but erratic and untrustworthy. As these key figures of the French Revolution taste the addictive delights of power, they must also come to face the horror that follows.

England, the 1520s. Henry VIII is on the throne but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk and later his successor. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events.

From a childhood of gothic proportions in a vicarage on the Welsh borders, through adolescence, leaving herself teetering on the brink of the 1960s, Lorna Sage vividly and wittily brings to life a vanished time and place and illuminates the lives of three generations of women.

Joseph and Harriet Blackstone emigrate from Norfolk to New Zealand in search of new beginnings and prosperity. But the harsh land near Christchurch where they settle threatens to destroy them almost before they begin. When Joseph finds gold in the creek he is seized by a rapturous obsession with the voluptuous riches awaiting him deep in the earth.

Lady Jane Grey was born into the most dangerous of times. Child of a scheming father and a ruthless mother for whom she was a pawn in a dynastic game with the highest stakes, she lived a life in thrall to political machinations and lethal religious fervour. Growing up with the future Queen Elizabeth and her reluctant nemesis, Mary, she soon learned the truth of the values imparted to her by Henry VIII's last Queen, Katherine Parr.

Italy in the early 1960s: A dying painter considers the sacrifices and losses that have made him an enigma, both to strangers and those closest to him. He begins his last life painting, using the same objects he has painted obsessively for his entire career - a small group of bottles. In Cumbria thirty years later, a landscape artist - and admirer of the Italian recluse - finds himself trapped in the extreme terrain that has made him famous.

Helen Garner visits the morgue, and goes cruising on a Russian ship. She sees women giving birth, and gets the sack for teaching her students about sex. She attends a school dance and a gun show. She writes about dreaming, about turning 50 and the storm caused by The First Stone. Her story on the murder of the two-year-old Daniel Valerio wins her a Walkley Award.

Set in a beautifully rendered 1990s Cape Town, Zoë Wicomb’s celebrated novel revolves around Marion Campbell, who runs a travel agency but hates traveling, and who, in post-apartheid society, must negotiate the complexities of a knotty relationship with Brenda, her first black employee. Caught in the narrow world of private interests and self-advancement, Marion eschews national politics until the Truth and Reconciliation Commission throws up information that brings into question not only her family’s past but her identity and her rightful place in contemporary South African society.