Gallowglass

When a body is discovered in the remote depths of the Highlands, DCI Karen Pirie finds herself in the right place at the right time. Unearthed with someone's long-buried inheritance, the victim seems to belong to the distant past - until new evidence suggests otherwise, and Karen is called in to unravel a case where nothing is as it seems. It's not long before an overheard conversation draws Karen into the heart of a different case, however - a shocking crime she thought she'd already prevented. As she inches closer to the twisted truths at the centre of these murders, it becomes clear that she's dealing with a version of justice terrifyingly different to her own....

It is 1905. Asta and her husband, Rasmus, have come to East London from Denmark with their two little boys. With Rasmus constantly away on business, Asta keeps loneliness and isolation at bay by writing a diary. These diaries, published over 70 years later, reveal themselves to be more than a mere journal. For they seem to hold the key to an unsolved murder and to the mystery of a missing child. It falls to Asta's granddaughter, Ann, to unearth the buried secrets of nearly a century before.

In the long, hot summer of 1976 Adam, Rufus, Shiva, Vivien and Zosie are camping at Wyvis Hall. They don’t ask why they are there or how they are to live; they simply scavenge, steal and sell the family heirlooms. Ten years later, the bodies of a woman and child are discovered in the Hall’s animal cemetery. But which woman? And whose child?

The First Lord Nanther, expert in blood diseases, particularly the royal disease of Heamophilia, and favoured physician to Queen Victoria, clearly hoped to be the subject of an admiring posthumous biography. But when his great-grandson, Martin Nanther begins to research his life for a biography, the Martin comes to suspect that his great-grandfather’s old records conceal more than they reveal.

Unlike the other residents of Middleton Hall, Stella is elegant, smart and in control. Only Jenny, her care assistant, knows that she harbours a painful secret, and only she can prevent Stella from carrying it to the grave. As the women talk, Jenny pieces together the answers to many questions that arise: Why has she kept possession of a house that her family don’t know about? What happened there that holds the key to a distant tragedy?

Like most families, they had their secrets...and they hid them under a genteelly respectable veneer. No onlooker would guess that prim Vera Hillyard and her beautiful, adored younger sister, Eden, were locked in a dark and bitter combat over one of those secrets. England in the '50s was not kind to women who erred, so they had to use every means necessary to keep the truth hidden behind closed doors - even murder.

Clodagh was 19 when her parents packed her off to college and a relative’s house in Maida Vale, two years after the death on the pylon. They blamed her for it, everyone did....It was hardly surprising that she fell into the arms of Silver. In his flat at the top of his parents’ house, he played host to a strange crew of young drop-outs whose pleasure was to range the rooftops....

Eccentric Jarvis lives in a crumbling schoolhouse overlooking the tube line, compiling his obsessive history of the Underground. A group of misfits are also drawn towards his strange house: Alice, who has run away from her husband and baby; Tom, the busker who rescues her; truant Jasper who finds his terrifying thrills on the tube; and enigmatic Axel, whose deadly secret casts a shadow over all their lives.

The obituaries for Gerald Candless were respectful. He had been, after all, an admired and popular writer, and his sudden death at his home in Devon was a loss to literature as well as to his family and friends. The trouble was, as his daughter Sarah soon discovered, that it seemed that her father had taken on a different identity that he wasn't Gerald Candless at all. But if he wasn't Gerald Candless, who was he?

Kerstin Kvist didn't know what to expect when she took up a job with the Cosway family at their odd, almost grand, house. The family turned out to be even odder than the house: living at home with the widowed Mrs. Cosway were her four daughters and a son who haunted the house. Then, just as Kerstin was getting some inkling of what was going on, a stranger sets the family on a path to self-destruction...

Tim Cornish thought he'd gotten away with murder. For months after he'd killed his lover off the Alaskan coast, there hadn't been a word. But then the letters started to arrive. It seems that someone knows what Tim has done.... This compelling thriller delivers such a dark picture of romantic love that murder seems its natural mate. Frightening, suspenseful, and deeply unsettling, No Night Is Too Long is a modern crime masterpiece and will be enjoyed by readers of P. D. James and Ian Rankin.

In Rendell's evocative portrayal of West London, the slums of Notting Hill Gate and the mews houses of Holland Park may, geographically, only be streets apart but, socially, they are worlds apart. When these two worlds collide, the repercussions are fatal. Guy, from a council flat in Notting Hill Gate and Lenora, a wealthy middle-class young girl were childhood sweethearts, and despite Lenora’s mother’s disapproval, belonged to the same criminal gang.

Philip Wardman had more than just the ordinary squeamishness where death was concerned. Yet he could hardly avoid the suspicious disappearance of his sister's friend Rebecca Neave, especially when everyone was ascribing the cause to murder. Philip's feminine ideal is the statue of the Roman goddess Flora in his mother's garden. His marble Flora doesn't fade, doesn't alter, and doesn’t die.

No one would have described Manningtree Grove as fashionable. Few would have found it especially interesting. But it was not an unpleasant place to live: the old railway line lay in a valley, and the gardens looked onto it. It was the kind of place where nothing ever happened. Yet it was here that Peter Yearman first sold his soul to the devil....

All his life, for almost as far back as he could remember, Victor had had a phobia. In prison, inevitably, he reflected on the grotesque way it had begun, about the panics and violent anger. He asked himself, too, why the child of happily married, middle-class parents should have needed to make motiveless and unreasoning attacks on women. Holed up in that house with the girl, he had not meant to pull the trigger. It was panic.