Guy Gunaratne's blistering debut, In Our Mad and Furious City, is an unforgettable portrait of 48 hours on a London council estate. For Selvon, Ardan and Yusuf, growing up under the towers of Stones Estate, summer means what it does anywhere: football, music, freedom. But now, after the killing of a British soldier, riots are spreading across the city, and nowhere is safe. While the fury swirls around them, Selvon and Ardan remain focused on their own obsessions, girls and grime.

London, 1945. The capital is still reeling from the war. Fourteen-year-old Nathaniel and his older sister Rachel are abandoned by their parents who leave the country on business, and are left in the dubious care of a mysterious figure named The Moth. Nathaniel is introduced to The Moth’s band of criminal misfits and is caught up in a series of teenage misadventures, from smuggling greyhounds for illegal dog racing to lovers’ trysts in abandoned buildings at night. But is this eccentric crew really what and who they claim to be? And most importantly, what happened to Nathaniel’s mother? 

While the Celtic Tiger rages, and greed becomes the norm, Johnsey Cunliffe desperately tries to hold on to the familiar, even as he loses those who all his life have protected him from a harsh world. Village bullies and scheming land-grabbers stand in his way, no matter where he turns. Set over the course of one year of Johnsey’s life, The Thing About December breathes with his grief, bewilderment, humour and agonising self-doubt.

Romy Hall is at the start of two consecutive life sentences, plus six years, at Stanville Women’s Correctional Facility. Outside is the world from which she has been permanently severed: the San Francisco of her youth, changed almost beyond recognition. The Mars Room strip club where she once gave lap dances for a living. And her seven-year-old son, Jackson, now in the care of Romy’s estranged mother. Inside is a new reality to adapt to: thousands of women hustling for the bare essentials needed to survive.

It's late one night at the Spanish port of Algeciras, and two fading Irish gangsters are waiting on the boat from Tangier. A lover has been lost, a daughter has gone missing, their world has come asunder - can it be put together again? Night Boat to Tangier is a novel drenched in sex and death and narcotics, in sudden violence and old magic, but it is obsessed, above all, with the mysteries of love. A tragicomic masterwork from a multi-award-winning writer, Night Boat to Tangier is both mordant and hilarious, lyrical yet laden with menace.

When two English brothers take the helm of a Barbados sugar plantation, Washington Black - an 11-year-old field slave - finds himself selected as personal servant to one of these men. The eccentric Christopher 'Titch' Wilde is a naturalist, explorer, scientist, inventor and abolitionist whose single-minded pursuit of the perfect aerial machine mystifies all around him. Titch's idealistic plans are soon shattered, and Washington finds himself in mortal danger. 

This is the story of Irish theatre legend Katherine O’Dell, as told by her daughter Norah. It tells of early stardom in Hollywood, of highs and lows on the stages of Dublin and London’s West End. Katherine’s life is a grand performance, with young Norah watching from the wings. But this romance between mother and daughter cannot survive Katherine’s past, or the world’s damage. As Norah uncovers her mother’s secrets, she acquires a few of her own. Then, fame turns to infamy when Katherine decides to commit a bizarre crime.

Once upon a time, damaged women came here to be cured. We took them in, fed them glasses of our clean, good water, let them scream at the waves till their lips split like ripe fruit. Now no one is left but my sisters and me. King died a year ago, quite suddenly. Mother has vanished, no one knows where. And the safe compound they built around us, far away from the toxic world, has finally been breached. Three men arrived last week, washed up by the sea, their gazes hungry and insistent. We remember now what our father taught us. 'If the men come to you, show yourself some mercy. Don't stick around and wait for them to put you out of your misery.'

If you had to pick five people to sum up your life, who would they be? If you were to raise a glass to each of them, what would you say? And what would you learn about yourself, when all is said and done? This is the story of Maurice Hannigan, an Irish farmer. Over the course of a Saturday night in June, he orders five drinks at the Rainsford House Hotel, and with each he toasts a key person from his life: his adored older brother; his troubled sister-in-law; his daughter of 15 minutes; his son far off in America; and his late, much missed wife.   

In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

If you look hard enough, you can find stories pretty much anywhere. They don’t even have to be your own. Or so would-be writer Maurice Swift decides very early on in his career. A chance encounter in a Berlin hotel with celebrated novelist Erich Ackermann gives him an opportunity to ingratiate himself with someone more powerful than him. For Erich is lonely, and he has a story to tell. Whether or not he should do so is another matter entirely. Once Maurice has made his name, he sets off in pursuit of other people’s stories. He doesn’t care where he finds them - or to whom they belong - as long as they help him rise to the top.

Short-listed for the Man Booker Prize 2018. Words are important to Gretel, always have been. As a child, she lived on a canal boat with her mother, and together they invented a language that was just their own. She hasn’t seen her mother since the age of 16, though - almost a lifetime ago - and those memories have faded. Now Gretel works as a lexicographer, updating dictionary entries, which suits her solitary nature. A phone call from the hospital interrupts Gretel’s isolation and throws up questions from long ago....

Three brothers are at the funeral. One lies in the coffin. Will, Brian and Luke grow up competing for their mother's love, but she is unable and unwilling to love all of them. As adults, the competition continues. One brother always has what another one wants - status, money, success, a woman, the love of a child, his mother's attention. But maybe there's a chance to even things up. Perhaps with one brother gone there would be more to go around. Which will it be?

A young farmer named Chinonso prevents a woman from falling to her death. Bonded by this strange night on the bridge, he and Ndali fall in love, but it is a mismatch according to her family who reject him because of his lowly status. Is it love or madness that makes Chinonso think he can change his destiny? Set across Nigeria and Cyprus, An Orchestra of Minorities, written in the mythic style of the Igbo tradition, weaves a heart-wrenching tale about fate versus free will.   

Three extraordinary people begin their life together. Henry Irving, the Chief, is the volcanic leading man and impresario; Ellen Terry is the most lauded and desired actress of her generation; and ever following along behind them in the shadows is the unremarkable theatre manager, Bram Stoker. Bram is wrestling with dark demons in a new city, in a new marriage, and with his own literary aspirations. As he walks the London streets at night, streets haunted by the Ripper and the gossip which swirls around his friend Oscar Wilde, he finds new inspiration.