Freedom
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Buy Now for £31.42
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Narrated by:
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David Ledoux
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By:
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Jonathan Franzen
Summary
The new novel from the author of The Corrections.
Patty and Walter Berglund were the new pioneers of old St. Paul – the gentrifiers, the hands-on parents, the avant-garde of the Whole Foods generation. Patty was the ideal sort of neighbour who could tell you where to recycle your batteries and how to get the local cops to actually do their job. She was an enviably perfect mother and the wife of Walter's dreams. Together with Walter – environmental lawyer, commuter cyclist, family man – she was doing her small part to build a better world.
But now, in the new millennium, the Berglunds have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter taken a job working with Big Coal? What exactly is Richard Katz – outré rocker and Walter's old college friend and rival – still doing in the picture? Most of all, what has happened to poor Patty? Why has the bright star of Barrier Street become "a very different kind of neighbour," an implacable Fury coming unhinged before the street's attentive eyes?
In his first novel since The Corrections, Jonathan Franzen has given us an epic of contemporary love and marriage. Freedom comically and tragically captures the temptations and burdens of too much liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Freedom's intensely realized characters, as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.
the narration is wonderful and very entertaining but the writing is breath-taking. I can honestly say that this book struck many chords with me and was able to make me laugh and cry - a bit cliched, I know, but I am so glad I listened and I can't wait for my husband to read it so that I can discuss it with someone.
a wonderful story.
book of the year!
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Maybe most people do read to escape but I just get frustrated with unrealistic fiction. If the characters and the world they live in aren?t real, I don?t care about anything else ...more I don't understand why more people don't write like Franzen; portraying the struggles, frustrations and complications of everyday life that are right there in front of us. Like Frank Skinner sticking it to other songwriters ?Apparently there's a whole world out there somewhere. It's right there, right there?.
Maybe most people do read to escape but I just get frustrated with unrealistic fiction. If the characters and the world they live in aren?t real, I don?t care about anything else in the book. Apart from deliberate surrealism of course. Maybe it?s because you?d really have to put so much of yourself and your loved ones in there to render such well drawn characters. Is that what makes it so hard for other writers?
So I loved Freedom. I was really looking forward to it and it lived up to expectations and ticked all my authenticity boxes. I was always dying to get back to it and see what everyone was up to and spend some more time in their company. Not that I necessarily liked them. They all had likable and dis-likable traits, which in itself is just another healthy dose of reality.
I avoided all the hype and loved it
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fabulous book
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Very camp performance from the reader, but quite funny at times.
Overpopulation destroys planets and souls
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David Ledoux's narration deftly navigates Franzen's often serpentine prose, bringing clarity, providing emphasis in all the right places, and not once losing rhythm or sense throughout all those dependent clauses. He added just the right hint of Minnesota accent, kept his characterizations clear without over-doing them (except, perhaps, for the Indian Lalitha, whose voice verges on caricature, reminding me at times of Apu on The Simpsons).
Franzen's text is arch, funny, incisive and unforgiving, and hits the right notes of sympathy once or twice to give his characters heart, especially in the novel's final passage.
My main issue, and several reviewers have pointed this out, is that Patty's journal entries sound as if they were written, not by Patty, but by Franzen. At first I wondered why he simply hadn't written these sections as simple third-person narration. It becomes clear, plot-wise, why these parts have to be in a journal, but their similarity to Franzen's unique style suggests that, as an author, he has but one voice.
Otherwise, if you're looking for a good listen to a contemporary novelist with just the right mix of social satire, character depth and intellectual satisfaction, without overdoing any of them, you'll do well to give this book a listen.
Five stars for Audible, four for Franzen
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