Fraud

Audie Award Winner, Audiobook of the Year, 2013. Audie Award Nominee, Best Solo Narration, 2013. Graham Greene’s evocative analysis of the love of self, the love of another, and the love of God is an English classic that has been translated for the stage, the screen, and even the opera house. Academy Award-winning actor Colin Firth (The King's Speech, A Single Man) turns in an authentic and stirring performance for this distinguished audio release.

Moving between Nice and London, The Bay of Angels makes the point that not everyone needs conventional relationships to be happy. It relates the story of Zoe, whose life changes when her widowed mother marries a wealthy older man and moves to Nice.

A novel about human relationships, focusing, unusually for Brookner, on two male characters. Hartmann and Fibich met at school and 40 years later they can no more think of living apart than of divorcing their wives. This book deals with their gradual coming to terms with the emotional gaps in their lives.

First published in 1988 and described by Ali Smith as 'one of Muriel Spark's most liberating, and meditative novels' - A Far Cry from Kensington shows Muriel Spark at the mature height of her powers.The narrator is one Mrs. Hawkins. She writes from Italy, a far cry from Kensington indeed, taking us back to her threadbare years in postwar London. As a young, rather fat war-widow she spent her days working for a crazy, almost bankrupt publisher; and her nights offering advice from her boarding-house in South Kensington.

Born to elegant but frivolous parents, Harriet grows up ignored and unguided, and retains a curious innocence that neither her marriage to Freddie Lytton, nor her friendship with the beautiful Tessa can dispel. Freddie is far older than she is - a companion rather than a lover - and slightly disapproving of Tessa and her irresponsible, attractive husband, Jack. Yet all four are bound together: by their backgrounds, their children, by Harriet’s unspoken feelings for Jack and by the tragedy that lies in wait for all of them.

Motherhood treats one of the most consequential decisions of early adulthood - whether or not to have children - with the intelligence, wit and originality that have won Sheila Heti international acclaim. Having reached an age when most of her peers are asking themselves when they will become mothers, Heti’s narrator considers, with the same urgency, the question of whether she will do so at all. Over the course of several years, under the influence of her partner, her body, her family, mysticism and chance, Heti's narrator struggles to make a wise and meaningful choice.

Elizabeth and Betsy are old school friends. Born in 1948 and unready for the sixties, they had high hopes of the lives they would lead, even though their circumstances were so different. When they meet again in their thirties, Elizabeth, married to the safe, older Digby, is relieving the boredom of a cosy but childless marriage with an affair. Betsy seems to have found real romance in Paris. Are their lives taking off, or are they just making more of the wrong choices without even realising it?

At seventy-three, Herz is facing an increasingly bewildering world. He cannot see his place in it or even work out what to do with his final years. Questions and misunderstandings haunt Herz like old ghosts. Should he travel, sell his flat, or propose marriage to a friend he has not seen in thirty years? The letters he writes and does not send and the passers-by he encounters remind him how out of touch he is, how detached from the modern world.

In this world of bribes, vendettas, and swindling, in which heiresses are gambled and won, Trollope's characters embody all the vices: Lady Carbury is 'false from head to foot'; her son Felix has 'the instincts of a horse, not approaching the higher sympathies of a dog'; and Melmotte - the colossal figure who dominates the book - is a 'horrid, big, rich scoundrel...a bloated swindler...a vile city ruffian'. But as vile as he is, he is considered one of Trollope's greatest creations.

Picking up where Things I Don't Want to Know left off, this short, exhilarating memoir shows a writer in radical flux, facing separation and bereavement and emerging renewed from the ashes of a former life. Faced with the restrictions of conventional living, she dismantles her life, expands it and puts it back together in a new shape. Writing as brilliantly as ever about mothers and daughters, about social pressures and the female experience, Deborah Levy confronts a world not designed to accommodate difficult women and ultimately remakes herself in her own image.

When Tiro, the confidential secretary of a Roman senator, opens the door to a terrified stranger on a cold November morning, he sets in motion a chain of events which will eventually propel his master into one of the most famous courtroom dramas in history. The stranger is a Sicilian, a victim of the island's corrupt Roman governor, Verres. The senator is Cicero, a brilliant young lawyer and spellbinding orator, determined to attain imperium - supreme power in the state.

When Isabel Archer, a beautiful, spirited American, is brought to Europe by her wealthy aunt Touchett, it is expected that she will soon marry. But Isabel, resolved to enjoy the freedom that her fortune has opened up and to determine her own fate, does not hesitate to turn down two eligible suitors, declaring that she will never marry. It is only when she finds herself irresistibly drawn to the cultivated but worthless Gilbert Osmond that she discovers that wealth is a two-edged sword.

Riddle of the Sands is set during the long suspicious years leading up to the First World War and is a classic of spy fiction.

Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes Nelson's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, is an intimate portrayal of the complexities and joys of (queer) family-making.

As the solitary child of mild and gentle parents, Jane is fascinated and astounded by her exotically European aunt, Dolly. Dolly’s ways are certainly not her parents’ ways, yet she is an object of interest and dread to her beleaguered relatives. It is clear that they have nothing in common: Jane feels no affection for Dolly, and Dolly clearly dislikes children. Yet the two are fated to go through life in uneasy harness, until such time as their alliance is accepted by both as not only inevitable, but as something of great value. Read by Fiona Shaw.