Forever Peace
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Narrated by:
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George K. Wilson
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By:
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Joe Haldeman
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Interesting, but slow and low energy
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original
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And in many ways it's a book of two halves with a loose connection of near-future war with a quirky interface system between man, machine, and one another called 'jacking.' it's this tech that I most enjoyed about the book as some of the concepts felt very interesting regarding shared experience, emotions, and understanding a la Philip K Dick territory. Yet in the latter stages of the book even that became a bit of a strange goofy plotline to strive for a utopian peace.
The book starts well in what was a now well trod morality of future war trope. The recruits pilot remote killing machines (whether army, navy, or air force) against a third world rebel force. The process is fairly safe for them as remote operators save the risk of stroke or heart attack, or the risk of psychological trauma. It's this latter event that affects the main character after killing a teenager in a mission gone wrong.
The story follows the impact of this, and the consequences on his army career. So far, so good, and so relatable. And if the book remained about the horror of war, especially where war was about impersonal remote murder, then that would suit me. The exploration of 'jacking' and its impact upon world perspective and relationships was interesting and could have progressed more
Instead the second half of the book evolves into a strange future conspiracy thriller. To ask the question about the nature of innate violence in man is again of interest, but then the twist of the jacking being a pacifier after overexposure seemed strange and contrived. Then the morality of enforcing this upon a population after a cursory ethical debate amongst intellectuals, and then driving forward a coup with a time frame determined by impending Armageddon (conveniently tied to the main characters day job as a physicist) started to feel... just bizarre. Then throwing in some Christian extremist assassins with a penchant for sexual sadistic violence--it all felt utterly random.
I enjoyed Haldeman's writing and his clever bounce between first and third person. He handles graphic violence and sexual content without being gratuitous and I enjoyed some of his characters and ideas. But this felt too uneven, too much like two stories bolted together with scanty plot threads between.
Uneven near-future war story
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Good book
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The odd one out
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