Less Than Angels follows the loves, works and hopes of a group of young anthropologists. Catherine Oliphant is a writer and lives with handsome anthropologist Tom Mallow. Their relationship runs into trouble when he begins a romance with student Deirdre Swann, so Catherine turns her attention to the reclusive anthropologist Alaric Lydgate, who has a fondness for wearing African masks. Added to this love triangle are the activities of Deirdre's fellow students and their attempts to win the competition for a research grant.

Wilmet Forsyth is well dressed, well looked after, suitably husbanded, good looking, and fairly young - but very bored. Her husband Rodney, a handsome army major, is slightly balder and fatter than he once was. Wilmet would like to think she has changed rather less. Her interest wanders to the nearby Anglo-Catholic church, where at last she can neglect her comfortable household in the more serious-minded company of three unmarried priests and Piers Longridge, a man of a different character altogether.

It was odd that Harriet should always have been so fond of curates. They were so immature and always made the same kind of conversation. Now the Archdeacon was altogether different...'Together yet alone, the Misses Bede occupy the central crossroads of parish life. Harriet, plump, elegant and jolly, likes nothing better than to make a fuss of new curates, secure in the knowledge that elderly Italian Count Ricardo Bianco will propose to her yet again this year.

The setting of this very funny novel, one of Barbara Pym's earliest, is an English village where Jane's husband is the newly appointed vicar, and where Prudence will pay Jane a visit and find herself courted by a fatuous young widower.

Formidable Miss Doggett fills her life by giving tea parties for young academics and acting as watchdog for the morals of North Oxford. Anthea, her great-niece, is in love with a dashing undergraduate with political ambitions. Of this, Miss Doggett thoroughly approves. However, Anthea's father, an Oxford don, is carrying on in the most unseemly fashion with a student—they have been spotted together at the British museum! But the only liaison Miss Doggett isn't aware of is taking place under her very own roof.

Cristabel Seagrave has always wanted her life to be a story, but there are no girls in the books in her dusty family library. For an unwanted orphan who grows into an unmarriageable young woman, there is no place at all for her in a traditional English manor. But from the day that a whale washes up on the beach at the Chilcombe estate in Dorset, and 12-year-old Cristabel plants her flag and claims it as her own, she is determined to do things differently.

When Barbara Pym died in 1980, she left a considerable amount of unpublished material. This volume contains an early novel, Civil to Strangers, three novellas and an autobiographical essay, 'Finding a Voice', Pym's only written comment on her writing career.

Dulcie Mainwaring is always helping others, but never looks out for herself—especially in the realm of love. Her friend Viola is besotted by the alluring Dr Aylwin Forbes, so surely it isn't prying if Dulcie helps things along? Aylwin, however, is smitten with Dulcie's pretty young niece. And perhaps Dulcie herself, however ridiculous it might be, is falling, just a little, for Aylwin. Once life's little humiliations are played out, maybe love will be returned, and fondly, after all.

Barbara Pym is one of the 20th-century's wittiest, and most underrated, novelists. Her perceptive comedies of manners, centred around the domestic lives and loves of unassuming middle-class Englishwomen, won her many devoted readers and saw her hailed as a modern-day Jane Austen. Yet she spent 15 years out of print in the 1960s and '70s, until Philip Larkin championed her work in the Times Literary Supplement. Her seventh novel was subsequently shortlisted for the Booker Prize, and writers from Jilly Cooper to Alexander McCall Smith continue to laud her talent today. 

English novelist Barbara Pym’s career was defined, in many senses, by rejection. Her first novel Some Tame Gazelle was turned down by every publisher she sent it out in 1935, finally published only 15 years later. Though she picked up a publisher from there and received modest praise, the publishing industry grew restless and her sales spiralled downwards. By her seventh novel, she had been dropped. This brilliant biography, brimming with Pym’s private diaries and intimate letters, offers a first full insight into Barbara Pym’s life and how it informed her writing.

Sunny's mundane country life is changed overnight when handsome, stylish Gray's Bentley breaks down outside her parents' cottage in Rushington. It seems that he may have fallen in love with her. Sunny herself remains unconvinced.

First published in 1988 and described by Ali Smith as 'one of Muriel Spark's most liberating, and meditative novels' - A Far Cry from Kensington shows Muriel Spark at the mature height of her powers.The narrator is one Mrs. Hawkins. She writes from Italy, a far cry from Kensington indeed, taking us back to her threadbare years in postwar London. As a young, rather fat war-widow she spent her days working for a crazy, almost bankrupt publisher; and her nights offering advice from her boarding-house in South Kensington.

This tells the often hilarious story of two middle-aged women, Pat and Sam, intent on fleeing hearth and home for a blissful, family-free fortnight of drawing and cooking classes – only to end up at leaky old Hartley House. There, the ever-resourceful Aunt Biddy is struggling to get her nephew Tom’s life back on track by opening his only asset as an idyllic country retreat.

Gipsy's Acre was a truly beautiful upland site with views out to sea, and in Michael Rogers it stirred a child-like fantasy. There, amongst the dark fir trees, he planned to build a house, find a girl, and live happily ever after. But as he left the village, a shadow of menace hung over the land, for this was the place where accidents happened. Perhaps Michael should have heeded the locals' warnings: "There's no luck for them as meddles with Gipsy's Acre."

It’s just a normal morning for Anna McDonald. Gym kits, packed lunches, getting everyone up and ready. Until she opens the front door to her best friend, Estelle. Anna turns to see her own husband at the top of the stairs, suitcase in hand. They’re leaving together and they’re taking Anna’s two daughters with them. Left alone in the big, dark house, Anna can’t think, she can’t take it in. With her safe, predictable world shattered, she distracts herself with a story: a true-crime podcast.