This is the collected BBC radio productions of the internationally renowned playwright Tom Stoppard. One of the giants of British theatre, Sir Tom Stoppard has been writing for the stage and screen for over 50 years. Full of wit, verbal brilliance and big ideas, his plays appeal to critics and audiences alike and are among the most studied works of the last century.

A Hedge Fund Tale of Reach and Grasp recounts the ecstasy and the agony of investors in the hubris-filled years of the great secular bull market and the terrors of the financial collapse. It is a story of personal and investment triumph and tragedy in the tradition of An American Tragedy and Bonfire of the Vanities. Though the tale is fiction, it is faithful to the actual market events of the decade of hedge fund madness and the ensuing destruction in the great bear market of 2007–2009 and its aftermath.

Meet Alex, a photographer on a holiday with his family in the south of France. Meet Abe, a music producer with a baby on the way. Two men - both fathers, husbands, and sons - take us on a journey you will never forget. The finest actors of their generation, Academy Award® nominee Jake Gyllenhaal (Sunday in the Park with George) and Tony Award nominee Tom Sturridge (1984), had audiences roaring to their feet during the sold-out Broadway engagement. Now Sea Wall / A Life, a dramatic exploration of transformative love and devastating loss, comes to Audible.

Benedict Cumberbatch, Greta Scacchi and Simon Russell Beale star in Michael Frayn's award-winning play about the controversial 1941 meeting between physicists Bohr and Heisenberg. Copenhagen, Autumn 1941. The two presiding geniuses of quantum physics, Niels Bohr and Werner Heisenberg meet for the first time since the breakout of war.

Tony Award winner for Best Play and Olivier Award winner for Best Comedy. How much would you pay for a painting with nothing on it? Would it be art? Marc's best friend Serge has just bought a very expensive - and very white - painting. To Marc, the painting is a joke, and as battle lines are drawn, old friends use it to settle scores.

Brian Cruver first entered the Enron's office complex, in March 2001. He was an eager MBA ready to cash in as a new hire with one of America's most highly valued companies. But, from his first day - when his new boss warned him, "there was a mix-up in the hiring process," but that it was "no big deal...just think of it like you're adopted" - to his last, when he and his colleagues were given thirty minutes to leave the building, Cruver found himself enmeshed in a business cult that each day grew only more bizarre.

What went wrong with American business at the end of the 20th century? Until the spring of 2001, Enron epitomised the triumph of the New Economy. Feared by rivals, worshipped by investors, Enron seemingly could do no wrong. Its profits rose every year; its stock price surged ever upward; its leaders were hailed as visionaries. Then a young Fortune writer, Bethany McLean, wrote an article posing a simple question - how, exactly, does Enron make its money?

Addiction, pain, and explosive tempers are not exactly what you’d call the ingredients for a side-splitting comedy. Yet Steven Adly Guiguis has created a profane, hilarious masterpiece that earned a “hatful” of theatrical accolades in 2011, including a Drama Desk award for Outstanding Actor in a Play for Bobby Cannavale. Stars the original Broadway cast: Chris Rock, Bobby Canavale, Annabella Sciorra, Elizabeth Rodriguez and Yul Vazquez.

Henry may be the wittiest playwright of his generation, but he’s hopelessly naïve when it comes to understanding love and infidelity. Writing about betrayal is one thing, living with it is another. After Henry leaves his wife for another woman, he’s confronted with being the cuckold himself. Both dazzlingly clever and emotionally naked, Henry’s search for the “the real thing” in art and love demonstrates beautifully why both are worth the effort in the end.

A group of low-ranking real-estate salesmen are trying to survive in a cut-throat office culture. But when two of them devise a plot to redress the company's wrongs, the resulting turmoil increases the pressure to unbearable levels. An L.A. Theatre Works full-cast performance.

In a contest of intellect and wills, Abby Gersten, a tenacious civil liberties attorney, defends a right-wing Holocaust denier, arguing her case against a young, committed Jewish federal prosecutor. But Abby may have to sacrifice everything to prove that Truth and Justice do not always go hand in hand. Performed by a full cast starring Stephanie Zimbalist, Harold Gould, and more.

The artist Mark Rothko has just hired Ken, an aspiring artist, to be his assistant and errand boy. Ken discovers that Rothko's temper can run hot, but as he gets to know his boss better, he finds that Rothko has opened him up to more than just painting. An L.A. Theatre Works full-cast performance.

When they met at an airport, it was love at first sight. But in time, everything collapsed. As an unnamed but unforgettable woman muses on her life—from meet cute to marriage and parenthood—her recollections inexorably build to a devastating truth. In this shattering performance, Carey Mulligan, star of the critically lauded drama An Education, captivates audiences with playwright Dennis Kelly’s harrowing ruminations on family, ambition, gender, and violence. 

Drunk, dazed, disoriented, and stumbling down Clifton Street at 11:30 a.m., Effie is the kind of girl you’d likely avoid eye contact with while silently labeling a drifter or a delinquent. You’d probably pass judgment, assuming you know her - but you don’t know the half of it. As Effie’s life spirals through a mess of excess, drama, and addiction plaguing her at every turn, she has nothing to look forward to but a hangover worse than death itself each morning. Until one night gives her the chance to become something more.  

When a woman rekindles an early love in her late 30s her whole life changes. Deeply in love, she and her new husband want to have a child together, and they make an appointment at an IVF clinic. So begins this story, inspired by the writer Julia Leigh’s own personal memoir. This international co-production with the Barbican Theatre was praised as 'a must-hear story for our times' (Go London) on its UK premiere.