After meeting through mutual friends, the 'Russian heiress' Anna Delvey and Rachel DeLoache Williams soon became inseparable. Theirs was an intoxicating world of endless excess: high dining, personal trainer sessions, a luxury holiday and Anna footed almost every bill. But after Anna's debit card was declined in a Moroccan medina whilst on holiday in a five-star luxury resort, Rachel began to suspect that her increasingly mysterious friend was not all she seemed.    

The Hungover Games is the true story of one woman’s adventures in single-motherhood. It’s about what happens when Mr Right isn’t around, so you have a baby with Mr Wrong, a musician who tells you halfway through your pregnancy that he’s met someone else - just after you’ve given up your LA life and moved back to England to be with him, so you’re now six months up the duff and sleeping on a friend’s sofa in an art studio in Dalston.

Incisive, wide-ranging and witty, it explores the questions, anxieties and agendas that consume our lives. Pandora Sykes interrogates the stories we’ve been sold and the ones we tell ourselves - from happiness to wellness, womanhood to consumerism - in ways that are both surprising and reassuring.

South London, 2008. Two couples find themselves at a moment of reckoning, on the brink of acceptance or revolution. Melissa has a new baby and doesn’t want to let it change her, but in the crooked walls of a narrow Victorian terrace, she begins to disappear. Michael, growing daily more accustomed to his commute, still loves Melissa but can’t quite get close enough to her to stay faithful. Meanwhile, out in the suburbs, Stephanie is happy with Damian and their three children, but the death of Damian’s father has thrown him into crisis - or is it something, or someone, else? 

Did you know that 48 per cent of the women in prison have committed an offence in order to support the drug use of someone else? That 46 per cent of women in prison report having attempted suicide once in their lifetime? Or that over half of the women in prison have been victims of more serious crimes than the ones they've been convicted of? But this isn't a book about statistics. It's a book about the individual stories of women caught up in our creaking and under-resourced prison system. 

Part memoir, part manifesto, and including chapters on dating, work, sport, babies, families, anger and friendship, it is based on the simple premise that understanding why we fail ultimately makes us stronger. It's an audiobook about learning from our mistakes and about not being afraid. Uplifting, inspiring and rich in stories from Elizabeth’s own life, How to Fail reveals that failure is not what defines us; rather it is how we respond to it that shapes us as individuals.

Megan Phelps-Roper was raised in the Westboro Baptist Church - the fire-and-brimstone religious sect at once aggressively homophobic and anti-Semitic, rejoiceful for AIDS and natural disasters, and notorious for its picketing the funerals of American soldiers. From her first public protest, aged five, to her instrumental role in spreading the church's invective via social media, her formative years brought their difficulties. But being reviled was not one of them. 

Whatever became of the most talented people you once knew? On a warm summer night in 1974, six teenagers play at being cool. They smoke pot, drink vodka, share their dreams and vow always to be interesting. Decades later, aspiring actress Jules has resigned herself to a more practical occupation, Cathy has stopped dancing, Jonah has laid down his guitar and Goodman has disappeared.

Jenny is unloved, unemployable and emotionally unfiltered. Her long-suffering friends seem sick of her, and whilst her social media portrays her life as a bed of roses, it is more of a dying succulent. Adults is what you want it to be. A misadventure of maturity, a satire on our age of self-promotion, a tender look at the impossibility of womanhood, a love story, a riot. And Emma Jane Unsworth is the only voice to hear it from. Adults is excruciating, a gut punch of hilarity and an audiobook laden with truth that you will listen to again and again.

Anna Wiener was beginning to tire of her assistant job in New York publishing. Within a year she had moved to San Francisco to take up a job at a data analytics start-up in Silicon Valley. She had a healthy income for the first time in her life. She felt like part of the future. But a tide was beginning to turn. People were speaking of tech start-ups as surveillance companies. Out of 60 employees, only 8 of her colleagues were women. Casual sexism was rife. Sexual harassment cases were proliferating.

Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter.

April hates men. Her dating life is a disaster and she carries the damage of her last relationship with her every day. She's trying so hard to put herself out there, but every time it seems like she's found something real it falls apart. If only April could be more like Gretel. Gretel knows how to behave perfectly in relationships - she's a 'Regular Everyday Manic Pixie Dream Girl Next Door With No Problems'. Gretel is exactly what all men want. The problem is, Gretel isn't real.  

Laura and Tyler are best friends who live together, angrily philosophising and leading each other astray in the pubs and flats of Manchester. But things are set to change. Laura is engaged to teetotal Jim, the wedding is just months away, and Tyler becomes hell-bent on sabotaging her friend's plans for a different life.

In the 1980s, Nina Stibbe wrote letters home to her sister in Leicester describing her trials and triumphs as a nanny to a London family. There’s a cat nobody likes, a visiting dog called Ted Hughes (Ted for short) and suppertime visits from a local playwright. Not to mention the two boys, their favourite football teams, and rude words, a very broad-minded mother and assorted nice chairs.

When Emira is apprehended at a supermarket for ‘kidnapping’ the white child she’s actually babysitting, it sets off an explosive chain of events. Her employer Alix, a feminist blogger with the best of intentions, resolves to make things right. But Emira herself is aimless, broke and wary of Alix’s desire to help. When a surprising connection emerges between the two women, it sends them on a crash course that will upend everything they think they know – about themselves, each other and the messy dynamics of privilege.