After meeting through mutual friends, the 'Russian heiress' Anna Delvey and Rachel DeLoache Williams soon became inseparable. Theirs was an intoxicating world of endless excess: high dining, personal trainer sessions, a luxury holiday and Anna footed almost every bill. But after Anna's debit card was declined in a Moroccan medina whilst on holiday in a five-star luxury resort, Rachel began to suspect that her increasingly mysterious friend was not all she seemed.    

Did you know that 48 per cent of the women in prison have committed an offence in order to support the drug use of someone else? That 46 per cent of women in prison report having attempted suicide once in their lifetime? Or that over half of the women in prison have been victims of more serious crimes than the ones they've been convicted of? But this isn't a book about statistics. It's a book about the individual stories of women caught up in our creaking and under-resourced prison system. 

South London, 2008. Two couples find themselves at a moment of reckoning, on the brink of acceptance or revolution. Melissa has a new baby and doesn’t want to let it change her, but in the crooked walls of a narrow Victorian terrace, she begins to disappear. Michael, growing daily more accustomed to his commute, still loves Melissa but can’t quite get close enough to her to stay faithful. Meanwhile, out in the suburbs, Stephanie is happy with Damian and their three children, but the death of Damian’s father has thrown him into crisis - or is it something, or someone, else? 

Jenny is unloved, unemployable and emotionally unfiltered. Her long-suffering friends seem sick of her, and whilst her social media portrays her life as a bed of roses, it is more of a dying succulent. Adults is what you want it to be. A misadventure of maturity, a satire on our age of self-promotion, a tender look at the impossibility of womanhood, a love story, a riot. And Emma Jane Unsworth is the only voice to hear it from. Adults is excruciating, a gut punch of hilarity and an audiobook laden with truth that you will listen to again and again.

Part memoir, part manifesto, and including chapters on dating, work, sport, babies, families, anger and friendship, it is based on the simple premise that understanding why we fail ultimately makes us stronger. It's an audiobook about learning from our mistakes and about not being afraid. Uplifting, inspiring and rich in stories from Elizabeth’s own life, How to Fail reveals that failure is not what defines us; rather it is how we respond to it that shapes us as individuals.

April hates men. Her dating life is a disaster and she carries the damage of her last relationship with her every day. She's trying so hard to put herself out there, but every time it seems like she's found something real it falls apart. If only April could be more like Gretel. Gretel knows how to behave perfectly in relationships - she's a 'Regular Everyday Manic Pixie Dream Girl Next Door With No Problems'. Gretel is exactly what all men want. The problem is, Gretel isn't real.  

Through their four years at university, Kate and Max are inseparable. For him, she breaks her solitude; for her, he leaves his busy circles behind. But loving Max means knowing his family, the wealthy Rippons, all generosity, social ease and quiet repression. Theirs is not Kate’s world. At their London home, just after graduation, her life is shattered apart in a bedroom while a party goes on downstairs. What Red Was is a startling debut novel.

Megan Phelps-Roper was raised in the Westboro Baptist Church - the fire-and-brimstone religious sect at once aggressively homophobic and anti-Semitic, rejoiceful for AIDS and natural disasters, and notorious for its picketing the funerals of American soldiers. From her first public protest, aged five, to her instrumental role in spreading the church's invective via social media, her formative years brought their difficulties. But being reviled was not one of them. 

In Clothes...And Other Things that Matter, Alexandra Shulman delves into her own life to look at the emotions, ambitions, expectations and meanings behind the way we dress. From the bra to the bikini, the trench coat to trainers, the slip dress to the suit, she explores their meaning in women's lives and how our wardrobes intersect with the larger world - the career ladder, motherhood, romance, sexual identity, ambition, failure, body image and celebrity.

Marie Colvin was glamorous, hard-drinking, braver than the boys, with a troubled and rackety personal life. With fierce compassion and honesty, she reported from the most dangerous places in the world, fractured by conflict and genocide, going in further and staying longer than anyone else. In Sri Lanka in 2001, Marie was hit by a grenade and lost the sight in her left eye - resulting in her trademark eye patch - and in 2012 she was killed in Syria. Like her hero, the legendary reporter Martha Gellhorn, she sought to bear witness to the horrifying truths of war..

Laura and Tyler are best friends who live together, angrily philosophising and leading each other astray in the pubs and flats of Manchester. But things are set to change. Laura is engaged to teetotal Jim, the wedding is just months away, and Tyler becomes hell-bent on sabotaging her friend's plans for a different life.

Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter.

The spring of 2017 should have been the greatest time of Cat Marnell’s life. She was 34 and living the New York glamour life downtown, with a thriving career and a best-selling memoir. Instead, it was one of the worst. She’d gone through a protracted and traumatic breakup, nearly run out of money, and, during a month-long binge, "done something horrible" to herself that she couldn’t undo. Her troubles mounting, Marnell makes a radically simple choice: She decides to leave her problems behind.

We are living in the era of the self, in an era of malleable truth and widespread personal and political delusion. In these nine interlinked essays, Jia Tolentino, the New Yorker’s brightest young talent, explores her own coming of age in this warped and confusing landscape. 

The summer that Nixon resigns, six teenagers at a summer camp for the arts become inseparable. Decades later the bond remains powerful, but so much else has changed. In The Interestings, Wolitzer follows these characters from the height of youth through middle age, as their talents, fortunes, and degrees of satisfaction diverge. The kind of creativity that is rewarded at age 15 is not always enough to propel someone through life at age 30; not everyone can sustain, in adulthood, what seemed so special in adolescence.