Country Girl
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Narrated by:
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Edna O’Brien
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By:
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Edna O'Brien
About this listen
The iconic memoir from the beloved Irish author of the legendary The Country Girls trilogy.
'Get ready to applaud, ladies and gentlemen, because there is no one like her.' Anne Enright
'One of the last great lights of the golden age of Irish literature.' Eimear McBride
'Glittering energy.' Colm Tóibín
I thought of life's many bounties, to have known the extremities of joy and sorrow, love, crossed love and unrequited love, success and failure, fame and slaughter ...
Born in Ireland in 1930 and driven into exile after publication of her controversial first novel, The Country Girls, was burned in public, Edna O'Brien is now hailed as one of the most majestic writers of her era - and Country Girl is her fabulous memoir.
Born in rural Ireland, O'Brien weaves the tale of her life from convent school to elopement, divorce, single-motherhood, moving on to the wild parties of 1960s bohemian in London, encounters with Hollywood giants, pop stars, and literary titans, love and unrequited love, and glamorous trips to America as a celebrity writer.
Country Girl is a rich and heady accounting of the events, people, emotions, and landscape that have forged a legendary author. O'Brien recasts her life with the imaginative alchemy of a poet, and the result is a memoir of sparkling wisdom and honesty.
Critic reviews
“Her autobiography does more than recount the path-breaking life of a pioneer of Irish literature, and of women's fiction, who not only reflected change in her native land but helped to drive it forward. It is, above all, a portrait of the artist - and a record of her struggle to remain one, ever since the young pharmacist from rural County Clare, then miserably married and exiled in suburban Wimbledon, read TS Eliot's Introducing James Joyce and found that it lit a flame in her.” (Boyd Tonkin from the Independent interview)
“It is, in its many parts, full of the O'Brien enchantments: the lushness about nature; the delicate balance of rapture and rupture in recapturing the experience of love; the feminine eye for clothes; the true ear for a story; the sharpness of specific recollections...the entire narrative leaves you with an enchanted feeling of having been drawn into a life of great internal richness.” (Mary Kenny, Irish Independent)
“When an acclaimed writer and flamboyant character such as Edna O’Brien pens a memoir, we have the delicious prospect of reading the story of a life well lived, well told... Country Girl is a terrific, gripping read... It is easily forgotten that at the time O’Brien started out writing, very few women had established themselves as career novelists. O’Brien had to look within, to her own experience and feeling, creating a distinct style. With radical perception she wrote of her time, capturing the essence of a generation...perhaps now, on its publication, is the time for a proper reassessment of Edna O’Brien as one of the great creative writers of her generation.” (Mary Robinson, Irish Times)
“Wonderful, crystalline and true... O'Brien is one of the last writers we have whose prose contains deep within it the cadences of the Bible and the liturgy and this gives the book a certain weight; I read it almost with a sense of mourning.” (Rachel Cooke, Observer)
“Edna O’Brien is a bewitching and remarkable talent... words, as she reveals in this exemplary memoir, have defined her entire life... O’Brien’s evocation of the Ireland of her childhood is, as might be expected, delicately excoriating and deftly comic... O’Brien’s life reverberates with literary references, and it is her pin-prick sharpness and the fact that she is always 'drawn into the wild heart of things' that makes both her and this book so alluring.” (Helen Davies, Sunday Times)
A great writer, a great story.
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What I had not expected was honesty about her weaknesses - her inability to withstand her husband's demand for her earnings, her near-suicide - and a political engagement which is scorching in its attack on the Catholic Church and which takes on the complexity of the Northern Irish Troubles.
The earlier parts, about her childhood and young womanhood, and the later about her ageing, are the most vivid; her mid-life of fame and friendship with all the glossy names of the film world perhaps less so - though I admit I'm a sucker for such stuff. (Connery, Brando, Gore Vidal, Jackie Onassis, anyone?) Her method is somehow restrained yet sumptuous: as she says, there's 'more this / that / the other...more everything.' One anecdote towards the end will illustrate: she's staying at Antonia and Harold's delightful place in Dorset, and there's talk of Jude Law dropping by to discuss a script. She must be in her 70s at the time. She hopes Jude won't come - he'd disrupt the equilibrium. She wants to swim in the pool, but hesitates because she can't swim; she needs arm-bands, and knows that when her arm-bands blow up they advertise NIVEA CREME. Lurking near the pool, hoping for it to empty, she realises that Jude Law is walking towards her. He is an Adonis. He simply walks over and, without a word, kisses her. Pure, wonderful Edna O'Brien.
A wonderful book, a luminous journey through the loves and conflicts of a single life which is many lives in one, and a landmark of restraint and honesty.
More... everything
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Extraordinary, highly recommended
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Lovely
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Her experiences, public and private were so interesting, from her Irish home and family to an international platform. You can sense this brilliant writer really wanted you to get to know her personally through the book. No half measures here. Gorgeous use of language as ever. Always the right phrase, and no false modesty about using the perfect word - even if I did need a dictionary once or twice. She has the same straightforward approach to showing us the sparkling range of 20th Century cultural icons she has counted among her friends. What a life. What a great woman!.
Gorgeous words, beautifully read.
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