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Celestial Bodies

How to Look at Ballet

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Celestial Bodies

By: Laura Jacobs
Narrated by: Tiffany Morgan
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About this listen

A distinguished dance critic offers an enchanting introduction to the art of ballet

As much as we may enjoy Swan Lake or The Nutcracker, for many of us ballet is a foreign language. It communicates through movement, not words, and its history lies almost entirely abroad -- in Russia, Italy, and France. In Celestial Bodies, dance critic Laura Jacobs makes the foreign familiar, providing a lively, poetic, and uniquely accessible introduction to the world of classical dance. Combining history, interviews with dancers, technical definitions, descriptions of performances, and personal stories, Jacobs offers an intimate and passionate guide to watching ballet and understanding the central elements of choreography.

Beautifully written and elegantly illustrated with original drawings, Celestial Bodies is essential reading for all lovers of this magnificent art form.
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Critic reviews

"Jacobs's book opens the door, offering a meticulous introduction to the art form and welcoming readers to have a seat and stay a while.... It's from this insider's perspective that Jacobs is able to offer an all-encompassing guided tour behind the curtain, then circling back to the auditorium where the balletomane, the occasional fan and the newcomer sit side by side as they interpret the performance according to their individual experiences and beliefs."

Misty Copeland, New York Times Book Review
"A lively guide, for the newcomer and enthusiast alike, to an art form that is meticulously controlled yet ever-changing."—Wall Street Journal
"Our dance critic Laura Jacobs is the best writer on ballet there is. So you can bet that her new book, Celestial Bodies: How to Look at Ballet, will be the best primer on ballet there is."—New Criterion
"In 12 chapters Jacobs provides readers a whirlwind tour of ballet, effortlessly weaving together history, technique, music, choreography, drama."—Ballet Focus
"Whether you are budding balletomane or a lifelong dancer, Celestial Bodies will inspire you to look more closely at our beloved art form-and fall more deeply in love with it."—Pointe Magazine
"This sparkling, eloquent book will make going to the ballet a richer experience for both the novice and the passionate."
Haglund's Heel
"Lyrical and accessible...Jacobs brings over two decades' worth of her experience as a dance critic to this elegant introduction to all aspects of the art form: its cultural history, the development of its aesthetics, its famous works and epic personalities."—Times Literary Supplement
"Written like a true dancer...It's from this insider's perspective that Jacobs is able to offer an all-encompassing guided tour behind the curtain, then circling back to the auditorium where the balletomane, the occasional fan and the newcomer sit side by side as they interpret the performance according to their individual experiences and beliefs."—New York Times Book Review
"According to the artist and critic Alexandre Benois, 'Ballet is perhaps the most eloquent of all spectacles.' This book is one of the most eloquent ever written about it."—Booklist
"The author ably explains the technical aspects of ballet, as when she explains that turnout's 'symmetrical torque in the hips engages energy and concentrates it' and in her beautiful description of pas de deux: 'a form of close-up, the theatrical equivalent of the camera's lavish gaze.' 'They're doing choreography,' Danny Kaye sang in White Christmas. As Jacobs demonstrates, however, ballet is so much more."—KirkusReviews
All stars
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A stellar job from the author, with wonderfully lyrical, poetic, and expressive writing about dance; sometimes far from impartial views on various schools of dance, but a well informed and informative book worth reading for any ballet enthusiast (the perspective is predominantly American, but historically illustrated, therefore reviewing the evolution of styles). Ballet aficionados will find a kindred spirit in the author who brilliantly puts into words the elusive feelings elicited by ballet.
Sadly, anyone with a knowledge of ballet terms and well-known dancers will get progressively frustrated by the narrator’s uninformed, badly, and on occasion entirely unrecognisably pronounced non-English words (especially in the later parts of the book). Such a pity!

Enthusing, in spite of irksome mispronunciations

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Great writing. A torment after that. The performative ‘girlish’ lightness the narrator forces at every plastic word, feels distinctly 1950’s & shows a typical level of ignorance toward the grit and reality of dance. The tone presumes every listener must surely be a little girl in a fluffy pink tutu & tiara. When the author understands their subject as do likely a huge portion of people drawn to this title, this reads as disrespectful to the author & readers to assume so little of them & indeed, of the subject. Audible - please be less ignorant of the niche you’re being paid by your customers to represent or do not bother at all. Even if that means they at least pronounce terminology correctly.

Good writing derailed & obscured by ignorant reading - on an audiobook service.

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