In a small back alley in Tokyo, there is a café which has been serving carefully brewed coffee for more than 100 years. But this coffee shop offers its customers a unique experience: the chance to travel back in time. From the author of Before the Coffee Gets Cold comes a story of four new customers, each of whom is hoping to take advantage of Cafe Funiculi Funicula's time-travelling offer.

Our narrator’s days are numbered. Estranged from his family, living alone with only his cat, Cabbage, for company, he was unprepared for the doctor’s diagnosis that he has only months to live. But before he can set about tackling his bucket list, the devil appears with a special offer: in exchange for making one thing in the world disappear, he can have one extra day of life. And so begins a very bizarre week....

Meet Keiko. Keiko is 36 years old. She's never had a boyfriend, and she's been working in the same supermarket for eighteen years. Keiko's family wishes she'd get a proper job. Her friends wonder why she won't get married. But Keiko knows what makes her happy, and she's not going to let anyone come between her and her convenience store.

One morning in autumn, just after breakfast, Jia Jia finds her husband dead in the bathtub of their Beijing apartment. Next to him is a piece of folded paper, a sketch of a strange creature from his dream. He has left her no other sign. Young, alone and with many unanswered questions, Jia Jia sets out on a journey. Starting at her neighbourhood bar, fuelled by anger, bewilderment, curiosity and love, she travels from nocturnal Beijing to the high plains of Tibet, deep into her past in order to arrive at her future. 

Random House presents the audiobook edition of The Travelling Cat Chronicles by Hiro Arikawa, read by George Blagden. The tender feelgood story of a man's journey around Japan with a streetcat. Translated by Philip Gabriel, a translator of Murakami. It's not the journey that counts but who's at your side. Nana is on a road trip, but he is not sure where he is going. All that matters is that he can sit beside his beloved owner, Satoru, in the front seat of his silver van. Satoru is keen to visit three old friends from his youth, though Nana doesn’t know why, and Satoru won’t say.

Set in the post-martial-law era of late-1980s Taipei, Notes of a Crocodile is a coming-of-age story of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, this cult classic is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and major countercultural figure.

One afternoon, a mother opens her front door to find the length of her son's body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. The Death of Vivek Oji transports us to the day of Vivek's birth, the day his grandmother Ahunna died. It is the story of an over protective mother and a distant father and the heart-wrenching tale of one family's struggle to understand their child, just as Vivek learns to recognise himself.

Shortlisted for the 2014 Independent Foreign Fiction Prize. Tsukiko is in her late 30s and living alone when one night she happens to meet one of her former high school teachers, 'Sensei', in a bar. He is at least 30 years her senior, retired and, she presumes, a widower. After this initial encounter, the pair continue to meet occasionally to share food and drink sake, and as the seasons pass, Tsukiko and Sensei come to develop a hesitant intimacy which tilts awkwardly and poignantly into love.

Step into a "once upon a time" where anything is possible.... Radiya Hafiza's enchanting and funny debut weaves together three stories, spinning the classic fairytale to show that anyone can be a hero. For as long as she can remember, Rumaysa has been locked away in her tower, forced to spin straw into gold for the evil witch, unable to leave. Until one day, after dropping a hijab out of her small tower-window, Rumaysa realises how she might be able to escape.... 

There are no more monsters anymore, or so the children in the city of Lucille are taught. With doting parents and a best friend named Redemption, Jam has grown up with this lesson all her life. But when she meets Pet, a creature made of horns and colours and claws, who emerges from one of her mother's paintings and a drop of Jam's blood, she must reconsider what she's been told. Pet has come to hunt a monster, and the shadow of something grim lurks in Redemption's house. Jam must fight not only to protect her best friend but also to uncover the truth. 

On a hot summer’s day in a poor suburb of Tokyo we meet three women: 30-year-old Natsu, her older sister, Makiko, and Makiko’s teenage daughter, Midoriko. Makiko, an ageing hostess despairing the loss of her looks, has travelled to Tokyo in search of breast-enhancement surgery. She's accompanied by Midoriko, who has recently stopped speaking, finding herself unable to deal with her own changing body and her mother’s self-obsession. Her silence dominates Natsu’s rundown apartment, providing a catalyst for each woman to grapple with their own anxieties. 

The story of the doomed love affair of a wealthy sophisticate, Shimamura, and the geisha Komako, at a mountain hotspring resort in western Japan, one of the snowiest regions on earth.

Jean Swinney is a feature writer on a local paper, disappointed in love and - on the brink of 40 - living a limited existence with her truculent mother: a small life from which there is no likelihood of escape. When a young Swiss woman, Gretchen Tilbury, contacts the paper to claim that her daughter is the result of a virgin birth, it is down to Jean to discover whether she is a miracle or a fraud. But the more Jean investigates, the more her life becomes strangely (and not unpleasantly) intertwined with that of the Tilburys.

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change for ever, Klara is warned not to invest too much in the promises of humans.

The day Fatima forgot her name, Death paid a visit. From hereon in she would be known as Sankofa ­­- a name that meant nothing to anyone but her, the only tie to her family and her past. Her touch is death, and with a glance a town can fall. And she walks - alone, except for her fox companion - searching for the object that came from the sky and gave itself to her when the meteors fell and when she was yet unchanged; searching for answers.