"What should we have for dinner?" To one degree or another, this simple question assails any creature faced with a wide choice of things to eat. Anthropologists call it the omnivore's dilemma. Choosing from among the countless potential foods nature offers, humans have had to learn what is safe, and what isn't. Today, as America confronts what can only be described as a national eating disorder, the omnivore's dilemma has returned with an atavistic vengeance.

Father Greg Lockwood is unlike any Catholic priest you have ever met - a man who lounges in boxer shorts, who loves action movies, and whose constant jamming on the guitar reverberates "like a whole band dying in a plane crash in 1972". His daughter is an irreverent poet who long ago left the church's country. When an unexpected crisis leads her and her husband to move back into her parents' rectory, their two worlds collide.

At the age of 17, after a childhood in an fostered family followed by six years in care homes, Norman Greenwood was given his birth certificate. He learned that his real name was not Norman. It was Lemn Sissay. He was British and Ethiopian. And he learned that his mother had been pleading for his safe return to her since his birth. Here Sissay recounts his life story. It is a story of neglect and determination. Misfortune and hope. Cruelty and triumph.  

When Jeanette Winterson left home at 16 because she was in love with a woman, Mrs. Winterson asked her: "Why be happy when you could be normal?" This book is the story of a life's work to find happiness. It is the story of how the painful past returned to haunt Jeanette's later life, and send her on a journey into madness and out again, in search of her real mother. It is also a book about other people's stories, showing how fiction and poetry can form a string of guiding lights, a life raft which supports us when we are sinking.

Britain's best known classicist, Mary Beard, is also a committed and vocal feminist. In Women & Power she revisits the gender agenda and shows how history has treated powerful women, using examples ranging from the classical world to the modern day. Beard explores the cultural underpinnings of misogyny, considering the public voice of women, our cultural assumptions about women's relationship with power and how powerful women resist being packaged into a male template.

Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy and the colour hit of Pop Art - via a bit of skullduggery - Autumn is a witty excavation of the present by the past. Autumn is a take on popular culture and a meditation in a world growing ever more bordered: what constitutes richness and worth?

In Underland, Robert Macfarlane takes us on a journey into the worlds beneath our feet. From the ice-blue depths of Greenland's glaciers to the underground networks by which trees communicate, from Bronze Age burial chambers to the rock art of remote Arctic sea caves, this is a deep-time voyage into the planet's past and future.  

In the summer of 1983, 23-year-old Nick Guest moves into an attic room in the Notting Hill home of the wealthy Feddens: Gerald, an ambitious Tory MP, his wife, Rachel, and their children, Toby and Catherine. Innocent of politics and money, Nick is swept up into the Feddens' world and an era of endless possibility, all the while pursuing his own private obsession with beauty. 

As late summer steals in and the final pearls of barley are gleaned, a village comes under threat. Over the course of seven days, Walter Thirsk sees his hamlet unmade: the manor house set on fire, the harvest blackened, three new arrivals punished, and his neighbours accused of witchcraft. But something even darker is at the heart of his story, and he will be the only man left to tell it…

Opening with "A Second Home", in which Mantel describes the death of her stepfather, Giving Up the Ghost is a wry, shocking, and beautifully written memoir of childhood, ghosts (real and metaphorical), illness, and family. Finally, at the memoir's conclusion, Mantel explains how a series of medical misunderstandings and neglect left her childless, and how the ghosts of the unborn have come to haunt her life as a writer.

The tangled lives of three generations evoke a vanished world in this, the first volume of the Cazalet Chronicle. Home Place, Sussex, 1937. The English family at home.... For two unforgettable summers they gathered together, safe from the advancing storm clouds of war. In the heart of the Sussex countryside these were still sunlit days of childish games, lavish family meals and picnics on the beach.

London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist. 

At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse. 

Picking up where Things I Don't Want to Know left off, this short, exhilarating memoir shows a writer in radical flux, facing separation and bereavement and emerging renewed from the ashes of a former life. Faced with the restrictions of conventional living, she dismantles her life, expands it and puts it back together in a new shape. Writing as brilliantly as ever about mothers and daughters, about social pressures and the female experience, Deborah Levy confronts a world not designed to accommodate difficult women and ultimately remakes herself in her own image.

Penguin presents the audiobook edition of Girl, Woman, Other, written by Bernardine Evaristo, read by Anna-Maria Nabirye. Teeming with life and crackling with energy, told through many distinctive voices, this novel follows the lives of 12 very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.