The Mark of the Maker
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Constantinople, 1351. In a ruined courtyard, an old icon painter grinds lapis lazuli as he has every morning for fifty years. Four hundred Pantocrators. Four hundred windows to God. And the light has never come through.
Then a young Romani dancer wanders in uninvited, knocks over a pot of cinnabar, and asks him a question no one has ever thought to ask
The Mark of the Maker is a one-scene play about perfection, grace, and the marks we bear without knowing. Two strangers. One afternoon. The grinding of stone on stone.
You will look at your own hands differently afterwards.
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