Jane Austen's ‘Emma’ and the art of misreading

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Jane Austen's ‘Emma’ and the art of misreading

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What kind of satirist was Jane Austen? Her earliest writings follow firmly in the footsteps of ‘Tristram Shandy’ in their deployment of heightened sentiment as a tool for satirising romantic novelistic conventions. But her mature fiction goes far beyond this, taking the fashion for passionate sensibility and confronting it with moneyed realism to depict a complex social satire in which characters are constantly pulled in different directions by romantic and economic forces. In this episode Clare and Colin focus on ‘Emma’ as the high point of Austen’s satire of character as revealed through conversational style, and consider the ways in which the world Austen was born into, of revolutionary thought and new money, shaped the moral and material universe of all her novels. Listen to the full episode on the LRB's Close Readings podcast. Get 25% off a 12-month subscription to Close Readings with the code EMMA25 when you sign up here: https://lrb.me/closereadings Get in touch: podcasts@lrb.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

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