The episode kicks off like a man crawling out of the wreckage of his own circadian rhythm, openly blaming law enforcement for his lack of sleep because Lieutenant Crain had the audacity to be on Family Feud, forcing a late-night pilgrimage to Rexburg’s Fat Cats where the theater was packed tighter than a McDonald’s PlayPlace at 9 PM. After witnessing the Crain family battle Steve Harvey’s curse under studio lights, the night spirals into late-night McDonald’s negotiations with a child who remembers every promise ever made, resulting in indoor dining, toy inspections, and the slow death of Viktor’s sleep schedule. By morning, he’s raw-meat-energy-drink deep, philosophizing about survival via Honey Badger Mentality, spite, fear of death, and the looming promise of Ghost concerts and GTA 6 as the only reasons to continue existing.

From there, the episode becomes a scorched-earth rant against modern rock radio as Viktor discovers only five stations nationwide have played Motionless In White’s new song, confirming that programmers are either asleep, afraid, or spiritually dead. This segues seamlessly into a full-blown “we’re old now” spiral where cassette tapes get eaten, card catalogs haunt libraries, and classic rock is redefined as music you personally remember coming out. Freak news detonates the show completely: a Florida man gets arrested at a strip club after buying flowers with counterfeit “FOR MOTION PICTURE USE ONLY” money while carrying meth, a machete-wielding neighbor can’t handle rejection, a man terrorizes strangers demanding a Pepsi, and Chinese mushroom diners start seeing tiny elf janitors crawling up their walls if they don’t cook dinner long enough.

Just when reality can’t possibly fracture further, Idaho Falls is rocked by a LOOSE GOAT, photographed casually strolling down Yellowstone Highway like it pays taxes, briefly becoming the most important civic issue in Eastern Idaho. The show then barrels into debates about what “metal” even means anymore, whether Imagine Dragons counts as rock (fight breaks out), why country radio is broken, and how 105 Outlaw is secretly the best thing to happen to music since outlaw country decided to revolt against pop twang. By the time the episode limps toward the finish line, Viktor is hate-listening to a local podcast that won’t say his name, ranting about AI intros, bitter hosts, and living rent-free in a man’s brain — before teasing traffic school, concert giveaways, and more chaos to come. This episode doesn’t end. It survives.