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The Childhood of Jesus

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The Childhood of Jesus

By: J.M. Coetzee
Narrated by: Cameron Stewart
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About this listen

After crossing oceans, a man and a boy arrive in a new land. Here they are each assigned a name and an age, and held in a camp in the desert while they learn Spanish, the language of their new country. As Simón and David they make their way to the relocation centre in the city of Novilla, where officialdom treats them politely but not necessarily helpfully.

Simón finds a job in a grain wharf. The work is unfamiliar and backbreaking, but he soon warms to his stevedore comrades, who during breaks conduct philosophical dialogues on the dignity of labour, and generally take him to their hearts.

Now he must set about his task of locating the boy’s mother. Though like everyone else who arrives in this new country he seems to be washed clean of all traces of memory, he is convinced he will know her when he sees her. And indeed, while walking with the boy in the countryside Simón catches sight of a woman he is certain is the mother, and persuades her to assume the role.

David's new mother comes to realise that he is an exceptional child, a bright, dreamy boy with highly unusual ideas about the world. But the school authorities detect a rebellious streak in him and insist he be sent to a special school far away. His mother refuses to yield him up, and it is Simón who must drive the car as the trio flees across the mountains.

THE CHILDHOOD OF JESUS is a profound, beautiful and continually surprising novel from a very great writer.

Contemporary Fiction Fiction Genre Fiction Literary Fiction

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Critic reviews

Richly enigmatic, with regular flashes of Coetzee's piercing intelligence (Theo Tait)
As ever, JM Coetzee manages to dodge every category with mesmeric cunning... This limpid, gnomic and surprisingly witty tale will take root in your imagination’ (Boyd Tonkin)
There are lots of traditions and tales mixed in – along with mathematics and a wonderfully poetic use of language
Engaging and thoughtful (Theo Hobson)
Written with all of Coetzee’s penetrating rigour, it will be an early contender for an unprecedented third Booker prize (Tim Adams)
Double Booker Prize-winner Coetzee's fable has a dream-like, Kafkaesque quality. Are we in some kind of heaven, purgatory or simply another staging post of existence? Clear answers are elusive, but this is a riveting, thought-provoking read and surely Coetzee's best novel since Disgrace more than a decade ago (John Harding)
A fine, haunting novel that gets under your skin and into your marrow (Jake Kerridge)
The Childhood of Jesus represents a return to the allegorical mode that made him famous... The Childhood of Jesus does ample justice to his giant reputation: it’s richly enigmatic, with regular flashes of Coetzee’s piercing intelligence (Theo Tait)
He’s not quite the Messiah but J.M. Coeztee is a devilishly clever novelist… J.M. Coetzee fashions prose of a lapidary clarity and grace… Coetzee has returned to the (paradoxically) clear and yet opaque fable mode of master-works such as Waiting for the Barbarians. Given the title, one might expect a bleak retelling of gospel stories…but Coetzee never makes things so simple for disciples (Boyd Tonkin)
This book will continue to act, silently and unexpectedly, on the reader’s imagination. It unpicks the Christian myth and braids it together with folk tales, the early novel, Pythagorean mysticism, Platonic philosophy, Buddhist epigrams, mathematics – powerful and poetic languages that underwrite our world (Hedley Twidle)
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Any additional comments?

This is a story which almost defies description. I got to the end and wasn't sure how I felt about it or, indeed, what had actually been the point of it. The story seemed unfinsihed almost as if the author had set out to write a novel with a sequel already in mind. Personally, I always find this kind of approach very exasperating. It read as a bizarre mixture of myth, fable, allegory and fantasy but it had a pared-down, elegant style which was very appealing.
Having thought about the book for a couple of weeks (and it certainly lingered in my mind) I have reached the conclusion that the story possibly was in some way a version of the story of Jesus, told in a very loose way. I am imagining that Coetzee has used the absence of information about Jesus' life from babyhood until age 13 when he reappears in the Temple as an opportunity to construct a tale of 'what if'.
An older man (Simon) and a young boy (David) arrive as refugees in a Spanish- speaking colony having escaped from a troubled country. Along the way knowledge of David's mother's wheraeabouts in the new colony have been lost; a letter giving details of his parents has been mislaid and Simon agrees to take on the boy and find his mother. He believes that intuition will guide him to identify the correct woman, and so the story starts.
The remainder of the story covers how the pair come to find a home, friends, work and a woman who Simon rather rashly chooses for David's mother. The story ends with the three main characters escaping from the colony after a brush with the authorities over David's education and setting off on a road trip to find a better place of shelter.
The boy David is both engaging and puzzling. He shows signs of brilliance and somewhat miraculous behaviour at times; elsewhere in the story he is less appealing, difficult and ungrateful. Simon is both naive and idealistic, but practicalities eventually overcome hisbasic nature and he forms an enduring, supportive relationship with the boy. David attracts oddballs and hangers-on and his relationship with his new mother is fraught with difficulty.
There is indeed a sequel, I have discovered and I enjoyed the book enough to follow it up. But if you like books to be clear-cut and explanatory, this is probably not a story for you. if you fancy trying something challenging, then give this a go.

Puzzling, Enigmatic,Thought-Provoking,Slow-Burning

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I found this book strangely captivating and finished it without effort. The language is unusual, almost as if Coetzee intended it to read as a translation. The characters retain a mysterious feel to them throughout, as if they are holding back much of who they really are, which, I suppose, is consistent with the notion that they have all left an old life behind, yet they have not entirely been 'washed clean' of those former lives. The relationship between parent and child is a common theme throughout, as is the relationship between individual and state. The book won't be for everyone, but I enjoyed it.

Different... in a good way...I think.

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Poor story, annoying characters, boring pace, lackluster and inconsistent writing, pointless narrative and ridiculously idiotic metaphors. Would never reccommend it to anyone.

Worst novel

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