Arcadia
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By:
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Tom Stoppard
About this listen
Tom Stoppard's Arcadia merges science with human concerns and ideals, examining the universe's influence in our everyday lives and ultimate fates through relationship between past and present, order and disorder and the certainty of knowledge. Set in an English country house in the years 1809-1812 and 1989, the play examines the lives of two modern scholars and the house's current residents with the lives of those who lived there 180 years earlier.
An L.A. Theatre Works full cast performance featuring:
Kate Burton as Hannah
Mark Capri as Chater
Jennifer Dundas as Thomasina
Gregory Itzin as Bernard Nightingale
David Manis as Captain Brice
Christopher Neame as Noakes/Jellaby
Peter Paige as Valentine
Darren Richardson as Augustus
Kate Steele as Chloe
Serena Scott Thomas as Lady Croom
Douglas Weston as Septimus
Music composed and arranged by John Rubinstein.
Includes an interview with Steven Strogatz, the author of Nonlinear Dynamics and Chaos and professor at the Cornell University School of Theoretical and Applied Mathematics.
Directed by John Rubinstein. Recorded at The Invisible Studios, West Hollywood, in December of 2008.
Arcadia is part of L.A. Theatre Works’ Relativity Series featuring science-themed plays. Major funding for the Relativity Series is provided by the Alfred P. Sloan Foundation, bridging science and the arts in the modern world.
©2009 L.A. Theatre Works (P)2009 L.A. Theatre WorksCritic reviews
Excellent
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It is unfortunate, however, that a very significant character bears the surname Nightingale. Pronounced in English English with almost equal stress on all 3 syllables, pronounced by these actors as a dactyl (NITE-n-gale) with the last two syllables swallowed. Consequently, every time the character is referred to, I wince, and that, and other pronunciation infelicities, makes this an unhappy listening experience. I suppose if you don't know it's wrong, it doesn't matter. Maybe calling General Powell COLL-INN, not colon, seems very wrong to American listeners.
US actors doing posh British accents
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Engaging and entertaining.
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The play itself? Unsurpassed. It really needs to be watched rather than just listened to, but however you access it there is something magical to find. Literally, structurally, philosophically, scientifically, mathematically... In my opinion, the 20th Century gave us no better English language play.
Best play of the 20th Century
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OK
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