Akin
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3 Months Free
Buy Now for £10.05
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Narrated by:
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Jason Culp
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By:
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Emma Donoghue
Akin is a tender tale of love, loss and family, from Emma Donoghue, the international bestselling author of Room.
'If Room forced home truths on us, about parenthood, responsibility and love, Akin deals with similar subject matter more subtly, but in the end just as compellingly' - Guardian
A retired New York professor’s life is thrown into chaos when he takes his great-nephew to the French Riviera, in hopes of uncovering his own mother's wartime secrets.
Noah is only days away from his first trip back to Nice since he was a child when a social worker calls looking for a temporary home for Michael, his eleven-year-old great-nephew. Though he has never met the boy, he gets talked into taking him along to France.
This odd couple, suffering from jet lag and culture shock, argue about everything from steak haché to screen time, and the trip is looking like a disaster. But as Michael's ease with tech and sharp eye help Noah unearth troubling details about their family’s past, both of them come to grasp the risks that people in all eras have run for their loved ones, and find they are more akin than they knew.
Written with all the tenderness and psychological intensity that made Room a huge bestseller, Akin is a funny, heart-wrenching tale of an old man and a boy who unpick their painful story and start to write a new one together.
'Poignant and hopeful, the bestselling novelist of Room has delivered another exquisite portrayal of an adult and child making their way in the world' – Woman & Home
Critic reviews
Praise for Room:
Emma Donoghue's writing is superb alchemy, changing innocence into horror and horror into tenderness
Wonderfully Narrated
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This is a great tale
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of a read .... having read, and been mesmerised by her book 'The Room' I was expecting an uncomfortable read but this was delightful and fascinating. Evocative and life affirming. Thank you Emma Donoghue.
Akin - a wonderful read
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Elderly widower and French-born American Noah, a retired scientist and academic, has his never-before-met teenage great nephew Michael foisted upon him out of the blue. Noah has no option but to take Michael with him on the trip to Nice, the place of his birth, which he had already planned.
It’s a great novel in many ways. Emma Donaghue is excellent at creating realistic time capsules in minute detail, and she obviously does a huge amount of research to do so. The setting of Nice, right now and during its fraught history, scientific facts and experiments, and the history of photography are just some of the topics explored in depth. The convoluted mind of this American academic and the seemingly unbridgeable chasm between his culture and that of rough, tough-but-damaged and vulnerable Michael is expertly conveyed throughout in two different languages of English.
The novel is also partly a touching and optimistic fable with the old man and the troubled boy finally recognising something ‘akin’ between them.
BUT Donaghue needed to have edited out a great deal of all her research. I frequently felt as overwhelmed as Michael by Noah’s bombardment of background history, references to great works, Jewish history, history of art, French axioms etc et. I delight in extending my mind, but this is a novel, not a treatise. Donaghue needed to have been much more selective and to have reminded herself that Noah is a human being and not a vehicle for displaying her findings.
SO, for me, an excellent novel spoiled by undisciplined employment of research.
Appropriately the narration is American – – and Jason Culp is a sensitive reader. He has a careful go at all the French language in the story, but Noah’s first language is French . He would have spoken French as a Frenchman and not as an American, and the difference can grate.
Too much information!
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Fabulous!
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