Nahr has been confined to the Cube: nine square metres of glossy grey cinderblock, devoid of time, its patterns of light and dark nothing to do with day and night. Journalists visit her, but get nowhere; because Nahr is not going to share her story with them. The world outside calls Nahr a terrorist and a whore; some might call her a revolutionary, or a hero. But the truth is, Nahr has always been many things and had many names. 

Amanda secludes herself in her bedroom, no longer willing to face the outside world. Gradually she pieces together the story of her life: her brothers have had to abandon her, her mother scarcely talks to her, and the Wacky Man could return any day to burn the house down. Just like he promised. As her family disintegrates, Amanda hopes for a better future, a way out of the violence and fear that have consumed her childhood. Winner of the 2015 Luke Bitmead Bursary .

One night an 18-year-old Irish girl, recently arrived in London to attend drama school, meets an older man - a well-regarded actor in his own right. While she is naive and thrilled by life in the big city, he is haunted by more than a few demons, and the clamorous relationship that ensues risks undoing them both. A captivating story of passion and innocence, joy and discovery, set against the vibrant atmosphere of 1990s London over the course of a single year, The Lesser Bohemians glows with the eddies and anxieties of growing up.

Imagine if the transatlantic slave trade was reversed. Imagine Africans the masters and Europeans their slaves.... Now meet young Doris, living in a sleepy English cottage. One day she is kidnapped and put aboard a slave ship bound for the New World. On a strange tropical island, Doris is told she is an ugly, stupid savage. Her only purpose in life is to please her mistress. Then, as personal assistant to Bwana, Chief Kaga Konata Katamba I, she sees the horrors of the sugarcane fields. Slaves are worked to death under the blazing sun.

Yejide is hoping for a miracle, for a child. When her in-laws insist upon a new wife, it is too much for Yejide to bear. It will lead to jealousy, betrayal and despair. Unravelling against the social and political turbulence of '80s Nigeria, Stay with Me sings with the voices, colours, joys and fears of its surroundings. Ayobami Adebayo weaves a devastating story of the fragility of married love, the undoing of family, the wretchedness of grief and the all-consuming bonds of motherhood.

Isma is free. After years spent raising her twin siblings in the wake of their mother's death, she is finally studying in America, resuming a dream long deferred. But she can't stop worrying about Aneeka, her beautiful, headstrong sister back in London - or their brother, Parvaiz, who's disappeared in pursuit of his own dream: to prove himself to the dark legacy of the jihadist father he never knew. Then Eamonn enters the sisters' lives. Handsome and privileged, he inhabits a London worlds away from theirs.

Everyone has a Tully Dawson: the friend who defines your life. In the summer of 1986, in a small Scottish town, James and Tully ignite a brilliant friendship based on music, films and the rebel spirit. With school over and the locked world of their fathers before them, they rush towards the climax of their youth: a magical weekend in Manchester, the epicentre of everything that inspires them in working-class Britain. There, against the greatest soundtrack ever recorded, a vow is made: to go at life differently. Thirty years on, half a life away, the phone rings. Tully has news.

The Girls of Slender Means is the third Muriel Spark audio release of 2012, following The Prime of Miss Jean Brodie and The Complete Short Stories. It is 1945; a time of cultural and political change, and also one of slender means. Spark's evocative and sharply drawn novel focuses on a group of women living together in a hostel in Kensington who face new challenges in uncertain times. The novel is at once dramatic and character-based, and shows Muriel Spark at the height of her literary powers.

Read by the critically acclaimed actress Maggie Gyllenhaal. When Esther Greenwood wins an internship at a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.

In a London flat, two young boys face the unbearable sadness of their mother's sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness. In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This sentimental bird is drawn to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and the pain of loss gives way to memories, the little unit of three starts to heal.

Irina obsessively takes explicit photographs of the average-looking men she persuades to model for her, scouted from the streets of Newcastle. Placed on sabbatical from her dead-end bar job, she is offered an exhibition at a fashionable London gallery, promising to revive her career in the art world and offering an escape from her rut of drugs, alcohol and extreme cinema. The news triggers a self-destructive tailspin, centred around Irina's relationship with her obsessive best friend and a shy young man from her local supermarket who has attracted her attention.... 

Piranesi lives in the House. Perhaps he always has. In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend, the Other. At other times he brings tributes of food to the Dead. But mostly, he is alone.

He was definitely dead, whoever he was. He wore a once-black jumper and a pair of shiny tracksuit bottoms. The back of his head was cracked and his hair matted, but it had been foxy before that. A tall man, a skinny rake, another string of piss, now departed. She hadn't gotten a look at his face before she flaked him with the Holy Stone, and she couldn't bring herself to turn him over. One messy murder affects the lives of five misfits who exist on the fringes of Ireland's post-crash society.

On his 50th birthday, Peadar Gibbons, a seemingly inoffensive amateur poet walked into a West of Ireland garda station, went up to the counter, and told the officer on duty that he had some things to get off his chest. Disbelieving that he could ever have caused anyone any harm, the officer sent him home and told him to write it all down. What emerged two months later was described by the force as "the most elaborate written admission they had ever received".

Since walking out on her life at sixteen, Lamb has lived alone in the gaps between other people's lives. Secretly inhabiting the cellar of an elderly man for whom she cleans, she keeps herself to herself, her life a precarious balancing act - until she meets Doggo, a young criminal on the run. Both strangers to the concept of truth, Doggo and Lamb are drawn together, glimpsing in one another the possibility of finding solace and maybe even love.