News of the Dead cover art

News of the Dead

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News of the Dead

By: James Robertson
Narrated by: Sheila Reid, David Monteath, David Rintoul
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About this listen

Brought to you by Penguin.

'To tell the story of a country or a continent is surely a great and complex undertaking; but the story of a quiet, unnoticed place where there are few people, fewer memories and almost no reliable records - a place such as Glen Conach - may actually be harder to piece together. The hazier everything becomes, the more whatever facts there are become entangled with myth and legend. . .'

Deep in the mountains of north-east Scotland lies Glen Conach, a place of secrets and memories, fable and history. In particular, it holds the stories of three different eras, separated by centuries yet linked by location, by an ancient manuscript and by echoes that travel across time.

In ancient Pictland, the Christian hermit Conach contemplates God and nature, performs miracles and prepares himself for sacrifice. Long after his death, legends about him are set down by an unknown hand in the Book of Conach.

Generations later, in the early nineteenth century, self-promoting antiquarian Charles Kirkliston Gibb is drawn to the Glen, and into the big house at the heart of its fragile community.

In the present day, young Lachie whispers to Maja of a ghost he thinks he has seen. Reflecting on her long life, Maja believes him, for she is haunted by ghosts of her own.

News of the Dead is a captivating exploration of refuge, retreat and the reception of strangers. It measures the space between the stories people tell of themselves - what they forget and what they invent - and the stories through which they may, or may not, be remembered.

© James Robertson 2021 (P) Penguin Audio 2021

Fiction Genre Fiction Historical Fiction Literary Fiction Political Haunted

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Critic reviews

A haunted, haunting, and deeply humane book (Robert Crawford)
It's like some beautifully ornate kist or jewel-box that for most of the encounter you admire for its own sake, only to find a key, near the end, that opens onto even more treasure (Gavin Francis)
It is another wonderful piece of storytelling from James Robertson, offering a penetrating exploration of the complexities of collective memory and the tenacity of tradition, all played out through a thousand years of life in a single glen. It has all the makings of a timeless classic in its own right. (Professor Gary West)
James Robertson is an extremely fine novelist . . . This is a superb book. . . It is not a book anyone will forget quickly.
One of Robertson's skills as a novelist is to make both events real and imagined feel equally convincing.
Subtly explores the relationship between place and identity
All stars
Most relevant
I quite enjoyed the first 90% of this book, but the final part was unexpected, beautiful and eclipsed the rest of it

Left me with that feeling you get when you finish something amazing - took it from 3/5 to 5/5

Beautiful ending

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This book is three stories in one-a contemporary tale told by an old lady, an early 19th century one told by a rather unscrupulous young man, and an ancient and possibly legendary one about a supposed saint . Of the three, I found the modern one the most compelling, the characters in it the ones I could relate to best. It stretches from the second world war until today, and,though fiction, is based on real historical events, with parallels in things that are happening today. It is touching and ultimately hopeful.
The 19th story seemed to be peopled by a collection of frustrated and in some cases disfunctional characters, who mostly either came to a disasterous end and / or remained in their futile situations, making a rather dismal listen. The story of the saint/hermit, who may or may not have existed, may or may not have lived where he was said to have lived, may or may not have performed terrible deeds and extreme self-mortification alongside miracles and heroic acts of kindness, I could not see the point of at all, except that it provides an excuse for the 19th century. story to take place.
The stories are linked in that they all take place in the same Scottish glen. Other than that, I failed to find much link between them : they seemed disconnected. Perhaps, though, that is meant to be a theme of the novel -people being connected or disconnected, finding or not finding their "place."
Place is an important theme in the novel. It is especially important to the old lady, who believes she is "blessed" because she has found her place before she dies.
The old lady's story has messages for us about the present day. and the treatment of refugees and migrants. Messages are more palatable and more to effective when they are implicit in a story. The global warming/planet saving message, by contrast, is put into her mouth as a series of occasional lectures (as is so often the case with green issues.) Perhaps that is the only way it can be done, but it is a pity.
I would have found this more satisfying if the the three stories and sets of characters could somehow have intertwined and gelled together more.

Compelling in parts but disconnected and preachy

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The prose is lyrical and beautiful and the narration perfect. A wonderful audiobook, the voices are still with me.

A very special listen

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This book is a fantastic journey through time and place. It begins as a gentle ride and ends beautifully… what happens in between is an adventure! Most of all it is beautifully written with a joyful use of the Scots tongue

Roller coaster ride

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Multilayered and rewarding story fine simple clear prose and well performed. Warm vivid Excellent

Near flawless

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