Biographies & Memoirs

From the outside, Oliver Radclyffe spent four decades living an immensely privileged, beautifully composed life. As the daughter of two well-to-do British parents and the wife of a handsome, successful man from an equally privileged family, Oliver played the parts expected of him. He checked off every box—marriage, children (four), a white-picket fence surrounding a stately home in Connecticut, and a golden retriever named Biscuit. But beneath the shiny veneer, Oliver was desperately trying to stay afloat as he struggled to maintain a facade of normalcy.

For over half a century, Child has collaborated with the world’s most celebrated artists creating timeless classics, such as Bon Jovi’s “Livin' On A Prayer” and “You Give Love A Bad Name,” as well as Ricky Martin’s “Livin’ La Vida Loca” and “The Cup Of Life,” amongst his vast catalog. But in his memoir, Child himself takes center stage to share his transformational story of a misfit outsider to cultural pacesetter.

Born to an abusive mother and a drug-dealer father, Ginelle Testa is not exactly set up for success—and her early years are just as troubled as one might expect. By the end of her thirteenth year, she’s started experimenting with alcohol and drugs, has fallen prey to anorexia, and has been sexually assaulted. And that’s only the beginning of her spiral down into addiction and disordered eating.

Gay icon, great poet, leather daddy, eccentric professor, English, American, biker, non-driver, drug addict, hedonist, intellectual, enigmatic, friendly, Everyman, one-of-a-kind, brother, roommate, HIV-negative, paradigmatic AIDS writer, Nazi belt wearer, Jeff Dahmer scholar, Guggenheim Genius, secret philanthropist, Formalist, Existentialist, prolific letter writer, some-sort-of-an-angel...Thom Gunn was all of these and more... But hovering above these figures lay the memory of his mother.

In this lyrical, coming-of-age memoir, Daisy Hernández chronicles what the women in her Cuban-Colombian family taught her about love, money, and race. Her mother warns her about envidia and men who seduce you with pastries, while one tía bemoans that her niece is turning out to be “una india” instead of an American. Another auntie instructs that when two people are close, they are bound to become like uña y mugre, fingernails and dirt, and that no, Daisy’s father is not godless. He’s simply praying to a candy dish that can be traced back to Africa.