Mary Horror

Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.

The Ultimate Horror Collection is a fully-indexed collection of over 60 classic horror stories, read by four Audie-winning narrators. Included here are stories by H.P. Lovecraft; Edgar Allan Poe; M.R. James; Oscar Wilde; Joseph Le Fanu; Bram Stoker; Mary Shelley; Robert Louis Stevenson; and Henry James.

The Ultimate Gothic Horror Collection is a fully indexed collection of classic gothic stories, read by four Audie-winning narrators. Included here are stories by Mary Shelley, Bram Stoker, Robert Louis Stevenson, Sheridan Le Fanu, Oscar Wilde and Edgar Allan Poe.

Somebody is intent on murdering Hollywood's A-list. A well-known actress has been shot outside her Beverly Hills home. Shortly afterwards, the Los Angeles Times receives an email describing the murder in vivid detail. It is signed Mary Smith. More killings and emails follow - the victims are all major Hollywood players. Is it the work of an obsessed fan or a spurned actor, or is it part of something far more terrifying?

Twenty years ago a deadly virus swept the globe, ravaging the population. People died and came back as monsters, and through the tragedy that rocked the world, survivors were born.

In Frankenstein, a classic tale of bio-engineering gone horribly wrong, Victor Frankenstein uses body parts of the dead to bring a creature to life. When Frankenstein abandons his experiment in horror, the Monster embarks on a quest that results in the ultimate revenge. In Dracula, a timeless gothic vampire romance, young solicitor Jonathan Harker must shield his fiancé, Mina, from the predations of the insatiable Count Dracula. Mysteriously drawn to the Count, Mina, however, struggles to break free from the psychic grip of the mysterious dark stranger from Transylvania.

LA TRANSFORMACIÓN 1831. Es un relato de terror gótico con algunos matices arrancados del folclore y de las leyendas populares. Su motivo principal es el pacto entre Guido Il Cortese y una criatura sobrenatural (una especie de enano o demonio menor), que consiste en el intercambio de cuerpos, cuestión que Marlowe también tocó en su Fausto. 2 – EL SUEÑO: UN CUENTO 1832. Uno de los mejores relatos de terror de Mary Shelley, donde a través de una historia sin fisuras, pone en evidencia la exquisita sutileza de la autora. 3 – LA PRUEBA DE AMOR 1834.

1816. Mary, 18 years old, is staying in a villa on Lake Geneva with her lover Percy Shelley. She is tormented by his infidelities, haunted by the loss of her baby daughter. Then one evening with friends, as storms rage outside and laudanum stirs their imaginations, Lord Byron challenges everyone to write a ghost story, and something fierce and wild awakens in Mary. Memories surface of the long, strange summer she once spent with a family in Scotland, where she found herself falling in love with the enigmatic Isabella Baxter. She learned tales of mythical beasts, witches and spirits.

Don't sleep, Mary. Satan's night is near. He will take you and drown you in blood-drenched sin. Mary Taylor is happy now, married to the man she loves. The years of the Christian Home for Children are behind her, buried in the dark, unspoken folds of memory. But still she awakens to terror, to the hideous acts that gentle Mary would never, ever commit. And someone is killing the girls she knew at the Christian Home.

Classic Tales Of Horror offers up fifteen slices of powerful story-telling from the world's great mystery & classic horror authors. From Henry James and Ambrose Bierce to Bram Stoker and Charles Dickens. Read by John Waite (BBC Radio 4), Sarah Douglas (Superman I & II), Michael Fenton-Stevens (Spitting Image, KYTV, Hitch-Hiker's Guide) and Ben Onwukwe (London's Burning, Othello).

A new couple have moved into Hardstone House, and it's just Jake's luck that instead of a cool, footballing grandson they have a granddaughter called Claire, who likes tap dancing and tea parties. But then Claire tells Jake and Jenna that Hardstone House was once a school, with a cruel and heartless headmaster, and she reckons it's haunted. But by whom? And why?

‘A rural Ben Aaronovitch!’ C. K. McDonnell ‘Fast-paced, entertainingly creepy, laugh-out-loud funny, and genuinely moving’ Michelle Paver Dear reader, you are cordially invited to the strangest wedding of the year . . . It’s May 1941, and the war is in full swing. Yet in the quiet...

La novela narra la historia de Víctor Frankenstein, un estudiante de medicina en Ingolstadt, obsesionado por conocer "los secretos del cielo y la tierra". En su afán por desentrañar "la misteriosa alma del hombre", Víctor crea un cuerpo a partir de la unión de distintas partes de cadáveres diseccionados. Víctor Frankenstein comprende en ese momento el horror que ha creado, rechaza con espanto el resultado de su experimento y huye de su laboratorio. Al volver, el monstruo ha desaparecido y él cree que todo ha concluido.

Three of the top horror novels of all time have been newly adapted into novellas, and are now side by side in this one audiobook. These world-famous monsters are familiar household names. These are the monsters that authors and filmmakers continue to draw from again and again. And these are stories that introduced them to the world over a century ago. So turn down the lights, and experience triple the action, suspense, chills, and thrills, as you listen to all three classic tales.

Michael is a waif in eyeliner who's determined to wipe vampires off the face of the earth. Wild Bill's got the hots for Michael and will stop at nothing to go home with him. Forget about moonlit castles and windswept moors. These bad boys haunt all-night diners and cheap motels, cut-rate department stores and long, lonely stretches of the interstate.

Obsessed with the secret of creation, Swiss scientist Dr. Victor Frankenstein cobbles together a body he's determined to bring to life. And one fateful night, he does. When the creature opens his eyes, the doctor is repulsed: his vision of perfection is, in fact, a hideous monster. Dr. Frankenstein abandons his creation, but the monster won't be ignored, setting in motion a chain of violence and terror that shadows Victor to his death.

Four horror stories, over 30 hours of audio entertainment. Horror stories are intended to frighten, startle, and even disgust the listener. The tales of blood-sucking vampires, headless horsemen, hideous creatures, and transformed humans will leave you terrified yet compelled to listen to the next.

Contents: Edgar Allan Poe - The Murders in the Rue Morgue - The Gold Bug - The Black Cat - The Pit and the Pendulum - The Tell-Tale Heart - The Fall of the House of Usher - The Masque of the Red Death - The Cask of Amontillado - The Facts in the Case of M. Valdemar - Hop-Frog - The RavenBram Stoker - DraculaMary Shelley - FrankensteinJoseph Sheridan Le Fanu - CarmillaRobert Louis Stevenson - The Strange Case of Dr. Jekyll and Mr. HydeH.P. Lovecraft - The Alchemist - At the Mountains of Madness - Azathoth - The Beast in the Cave.

Frankenstein; or, The Modern Prometheus (or simply, Frankenstein for short), is a novel written by English author Mary Shelley (1797-1851) that tells the story of Victor Frankenstein, a young scientist who creates a grotesque but sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition of the novel was published anonymously in London in 1818, when she was 20. Her name first appeared on the second edition, published in France in 1823.

The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. These facts few psychologists will dispute, and their admitted truth must establish for all time the genuineness and dignity of the weirdly horrible tale as a literary form... As may naturally be expected of a form so closely connected with primal emotion, the horror-tale is as old as human thought and speech themselves.