Showing results by narrator "Megan Lewis" in All Categories

Welcome back to the Night Realm, where Queen Mortuana, Evil Mistress of the Night, rules with an iron fist and questionable judgment. When we last left our gloriously unhinged queen and her raven sidekick JoJo, the unlikely besties had fled to the woods for a simpler life. (Spoiler: it didn't last.) Now Mo's back on the throne, confronting her reign's greatest threat yet: turning 40 without an heir. No matriarch escapes the patriarchy.

The final year at Lander has finally arrived for the Melbrook students and their peers, and with it comes a whole new set of challenges. Still reeling from the events of their junior year, the remaining students will have to push past their pain—and so much more—if they hope to be one of the ten to claim the title of Hero upon graduation. Constant tests and trials await the senior students. Beyond simulated missions and classes, they’ll also have to buckle down to learn about agents, prospective teams, internships, and other seemingly endless elements of being a Hero.

Orphaned. Trained to fight. Raised to fear the power of Underhill. Secretly in love with a man who doesn’t want me. I’m still just Alli, aka the half-human orphan fae, but my life is looking up for the first time. It only took me my whole 24 years. But when Underhill—the ancestral home of the fae—shatters, making it impossible for any fae to enter, I’m the only one who knows who did it. A secret that will be the death of me if I do nothing. 

Despite having their secret revealed, the residents of Melbrook Hall return to Lander University for another year in the Hero Certification Program. Good thing the focus of this year is teamwork, because with their origins known, they’ll have to lean on each other more than ever. Now finally sophomores, their curriculum expands, allowing them to train in the majors that Heroes specialize in. The new classes will test their minds, bodies, and determination in ways never anticipated. Light is being shed on last year’s kidnapping attempt, and the results point at something far bigger.

The God of the Old Testament commanded and endorsed many practices that we find morally reprehensible today. High on the list was the institution of slavery, which features prominently in several sections of the Hebrew Bible. Fathers could sell their daughters into slavery; masters could beat their slaves; creditors could carry off children for failure to repay a debt; and foreigners could be kept for life, passed down as inherited property. How are we to make sense of all of this from our modern point of view?

In this engaging series of lectures, theatre historian, Megan Lewis takes listeners on a journey from the ancient world of the Greeks and Romans to the modern era as she explores how theatre - a live event that synthesizes many other art forms and disciples in a collaborative process of storytelling - entertains, educates, and inspires us, as well as helps build community and reflect society.

The God of the Old Testament commanded and endorsed many practices that we find morally reprehensible today. High on the list was the institution of slavery, which features prominently in several sections of the Hebrew Bible. Fathers could sell their daughters into slavery, masters could beat their slaves, creditors could carry off children for failure to repay a debt, and foreigners could be kept for life, passed down as inherited property. How are we to make sense of all of this from our modern point of view?

Jeanne Thornton's debut novel is a love story unlike any other, featuring Julie Thatch, a tough-as-nails, chainsmoking, wise-cracking 17-year-old Texan. Her idol, her older sister, jogs headlong into the lights of an approaching car, and dies. And Julie falls in love with a girl who both is and isn't an echo of her older sister, a long-limbed Francophone named Patrice - who is also a devotee of the Institute of Temporal Illusions, a Church of Scientology-like cult.

Professor Megan Lewis of the University of Massachusetts, Amherst takes us on an engaging journey through the history of theater in the 20th century. She explores some of the century's early movements such as Symbolism, Expressionism, and Dada, which arose amid political turmoil and quickly began to fuel rapid change in the way playwrights, directors, and actors where approaching theater.