Showing titles in Canadian

A love letter to the healing power of collaboration and feeling seen, The People's Purge: Words of a Goat Princess Vol II is a must-read for anyone looking to rid themselves of the guilt of existing and get lost in the razor sharp mind of Jessie Reyez. Born from a popular long-running series on...

A moving poetic debut from a talented artist, USA TODAY bestseller Words of a Goat Princess is everything you love about singer/songwriter Jessie Reyez—her rawness, her love affair with the ugly truths of humanity, and so much more. Words of a Goat Princess is the USA TODAY bestselling debut...

Innermost is a collection of both free-verse and fixed-verse poetry written over a period of half a decade about every emotion felt inside the human heart. These poems will transport you to a whole other world within the innermost depths of the human soul.

Concerned with questions of aging and mortality, A Second Space furthers 93-year-old Nobel laureate Czeslaw Milosz’s reputation as “arguably the greatest living poet” (Edward Hirsch, New York Times Book Review). “Milosz continues exploring his own version of the meditative lyric...

Like a series of Penthouse letters penned by Kathy Acker, Lie with Me recounts a woman's sexual escapades, picking up random men in bars for a series of increasingly extreme encounters, hoping to understand love from the far side of sluttiness. In The Way of the Whore, Mira, an introverted Jewish girl obsessed with Jean Genet, allows herself to be seduced by the sex industry, determined to find meaning in her tormented relationships with cruel men.

Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha Róisín's poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

Things aren't going Milo's way. His acting career is floundering, he got dumped, his miserable father vanished, and people keep moving into his house. He finally decides to take action - to help the only person he really likes, the autistic boy next door who's being bullied. But, well, that doesn't really go his way either.

George and Catherine Stewart share not only the burden of Catherine's heart disease, which could cause her death at any time, but the memory of Jerome Martell, her first husband and George's closest friend. Martel, a brilliant doctor passionately concerned with social justice, is presumed to have died in a Nazi prison camp. His sudden return to Montreal precipitates the central crisis of the novel.

These poems peel back the layers of suburban life and the "American Dream". Vivian Maier was a self-taught street photographer who worked as a nanny for wealthy employers in New York and Chicago. The poet imagines her as a documentarian who is compassionate, abrasive, and meditative, while her subjects provide their own narrative. More than anything, the poems are a response to her work, which is all we have that comes directly from her. It is a deliberate challenge to the “mystery nanny” she is reduced to in much of the constructed narrative of her life.

Dans cette époque matérialiste où nous vivons, pour sauvegarder notre capacité de rêve, d’enthousiasme et d’imagination, ne pourrions-nous pas nous réfugier dans un « Ailleurs » ? , celui du monde enchanté de l’harmonie poétique et musicale, l’une des formes d’expression les plus anciennes et les plus spontanées, indispensable à la pensée. humaine.

Truth spoken plainly and powerfully is difficult to dismiss and impossible to ignore. Edited with purpose by A. Gregory Frankson, AfriCANthology: Perspectives of Black Canadian Poets brings together some of Canada's most influential dub, page, and spoken word poetic voices and gives them space to speak freely about their personal journeys in piercing verse and unapologetic prose. Just as individual experiences of Blackness are diverse across Canada, each contributor recounts aspects of navigating their unique personal, professional, and artistic paths in Black skin.

In Hop-Scotch Palooka's, Jackson Durocher invites listeners into a shadowy world of dive bars, rain-slicked alleys, and forgotten souls, where each poem pulses with the raw ache of human frailty. Drawing from personal battles with addiction—as glimpsed in pieces like "Olive Green, Soaked in Red"—this collection of poems explores the tender wreckage of love, regret, and mortality. From the suicidal introspection of "I am Hemingway" to the bourbon-soaked lament in "A Jockey Full of Bourbon," Durocher's words paint vivid portraits of palookas and dreamers stumbling through neon-lit nights.

Arriving, book one of Corinne Jeffery's Understanding Ursula trilogy, vividly recreates the pioneer world of the Canadian prairies with a multitude of memorable characters. On July 1, 1909, Gustav Werner applies for a homestead grant at the Dominion Lands Office, eager to become the most thriving German Lutheran homesteader in Saskatchewan.

Need Machine clamors through the brain like an unruly marching band. Both caustic and thoughtful, these poems offer a topography of modern life writ large in twitchy, neon splendor, in a voice as sure as a surgeon and as trustworthy as a rumor. Honest, irreverent, and sharply indifferent, this audiobook will "hogtie you with awe."

Gordon Downie, lead singer and lyricist for the popular Canadian rock band The Tragically Hip, released his first solo record, Coke Machine Glow in Spring 2001. Alongside the album, his first book of poetry and prose under the same title was published, including the lyrics to the sixteen songs...

Cette fresque familiale canadienne fut l'un des plus grands succès de la littérature nord-américaine, dès la parution en 1927 du premier des seize romans, aussi célèbre que "Autant en emporte le vent" de Margaret Mitchell. Dès leur première rencontre, le capitaine Philippe Whiteoak et la pétulante Irlandaise Adeline Court tombent amoureux. Leur mariage dépasse en splendeur ce qu'a connu la ville indienne de Jalna.

A seventeen-year-old boy, bullied and heartbroken, hangs himself. And although he felt terribly alone, his suicide changes everyone around him. His parents are devastated.

Inspired largely by the poet's experiences as a young man working in the Saskatchewan oilfields, Mathew Henderson's The Lease explores masculinity and the roles morality, violence, and hard labor play in it. Equal parts character study, cultural documentary, and coming-of-age narrative, Henderson's poems make it clear that however we may try to stay apart from them, the stubborn and often unflattering realities of masculine culture persist, not just in isolated, dangerous environments like this, but in our very idea of what work is.

These poems pause for the spectacle - cloning technologies, super-slo-mo photography, narcotic cab rides - to describe a system of tripwires, pitfalls, and decoys that the notion of daily viewership entails. These poems are paeans to our facility for duplicity and self-deception, in which the act of living is like a movie we're not in.

Crooked at the Far End, the latest book of poems in a series called The Man from Saskatchewan, travels, plays, and has a look around. Voices emanate from celebrities who inhabit cabins at Emma Lake, an old man sitting on a bench in Portugal, and the patrons of a fictional pub among others, all taking stock of the world we inhabit. This collection is an homage to the natural and physical world and how "We still and always love the tender fits / our language endures, lost souls asleep before the gate".