Showing titles in Dark Humour

The Ghost that Ate Us is a true crime style mockumentary that details the events leading up to a massacre at a fast food restaurant. Using the backdrop of Jonny, Iowa, a truck stop town in a flyer over state, Kraus explores the many ways forgotten Americans with little money and less prospects...

"Highbrow, brilliant." --The Approval Matrix, New York magazine One of Cosmopolitan's 12 Books You'll Be Dying to Read This Summer A Publishers Weekly Best Book of Summer 2020 A Vulture Best Book of Summer 2020 One of Refinery29's 25 Books You'll Want to Read This Summer An Esquire Must-Read...

An offensive, in-your-face, brutally honest and completely hilarious look at male inner life and sexual fantasy—sure to be one of the most controversial books of the year...

Cada vez que el profesor Henry Wilt entra en el aula del centro politécnico, algo se rompe en su interior. Con el regreso a casa cada día tampoco llega la paz, sino tan solo la constatación de que su vida es una derrota continua. Y, sin embargo, algunas de las mejores carcajadas de la...

Lenny Marks is excellent at not having a life. She bikes home from work at exactly 4pm each day, buys the same groceries for the same meals every week, and owns thirty-six copies of The Hobbit (currently arranged by height). The closest thing she has to a friendship is playing Scrabble against an imaginary Monica Gellar while watching Friends reruns. And Lenny Marks is very, very good at not remembering what happened the day her mother and stepfather disappeared when she was still a child. The day a voice in the back of her mind started whispering, You did this.

Björn Diemel will reden: sowohl über die Einschulung seiner Tochter als auch über das Tantra-Seminar, das er aus Versehen mit seiner Ex-Frau besucht hat. Leider hat ein Unbekannter Björns Achtsamkeitstrainer, Joschka Breitner, krankenhausreif geprügelt – bei dem Versuch, dessen Tagebuch an sich zu bringen. Björn entwendet kurzerhand selbst die Aufzeichnungen seines Therapeuten und macht sich auf die Suche nach dem Täter.

Meet The Nearly Dearly Departed Club. Four random strangers thrown together with only one thing in common. They’re all dead. Or maybe not....

Niederkaltenkirchen goes future: Dass nun also tatsächlich ein Luxus-Spa-Hotel seine Pforten in Niederkaltenkirchen geöffnet hat, erfreut zumindest die eine Hälfte der Bevölkerung nur wenig. Als kurz darauf auch noch eine Leiche ausgerechnet in einer Marmorbadewanne dort liegt, muss der Eberhofer freilich wieder ran. Ganz egal, wie geschmeidig es mit der Susi grad läuft. Leider ist der Birkenberger Rudi momentan ein wenig verpeilt, was den Franz vor eine schwere Entscheidung stellt.

Noah desperately needs a new job that involves less blood and piss than his current one. So, when he spots an ad for a newspaper with ‘No experience preferred,’ he puts on his good shirt and marches down to their average-looking office to unknowingly sign his life away. Malachia is the only human left in the City of Silence and she spends her time wandering its empty, bone-filled streets. Until one day she finds a lone figure hunched over a typewriter, his fingers enmeshed with the keys. Could he be the answer to finding her missing girlfriend?

It's New Year's Eve, the holiday of forced fellowship, mandatory fun, and paper hats. While dining out with her husband and their friends, Kirshenbaum's protagonist - an acerbic, mordantly witty, and clinically depressed writer - fully unravels. Propelled by stand-up comic timing and rife with pinpoint insights, Kirshenbaum examines what it means to be unloved and loved, to succeed and fail, to be at once impervious and raw. Rabbits for Food shows how art can lead us out of - or into - the depths of disconsolate loneliness and piercing grief. 

Marvin Deitz has some serious problems. His mob-connected landlord is strong-arming him out of his storefront. His therapist has concerns about his stability. He's compelled to volunteer at the local Children's Hospital even though it breaks his heart every week. Oh, and he's also the guilt-ridden reincarnation of Geoffroy Thérage, the French executioner who lit Joan of Arc's pyre in 1431. He's just seen a woman on a Los Angeles talk show claiming to be Joan, and absolution seems closer than it's ever been . . . but how will he find her?

Bubba’s back from Fairyland, and sometimes it feels like they shoulda just stayed there! Man, coming back to the real world sucks. Bubba and his whole team have been fired on account of going MIA for a year and a half (yeah, time moves differently in Fairyland - yay), and now they’ve got to…get jobs? Oh, this is going to go well.

In this follow-up to Austenland, Charlotte Kinder is eager to escape the numbness she feels after her divorce. Deciding to get away, she visits the Regency-themed Pembrook Park resort in England, where talented actors set the perfect scene. But with everyone playing a role, it’s hard to distinguish reality from fantasy. So when Charlotte’s heart stirs, she wonders if she’s simply caught up in the experience - or if her ability to feel is finally returning.

“Witty, thrilling, and...SAVAGE." --Nat Cassidy, bestselling author of Mary and When the Wolf Comes Home "Miranda July meets Stephen King." --Lauren Beukes, New York Times bestselling author of The Shining Girls Hyper-competent Ellie thinks she’s going through perimenopause, but discovers...

Tragicómica y melancólica, esta novela nos presenta un mundo plúmbeo y totalitario, dominado por fuerzas ciegas e impersonales. Un escenario humano desolador en el que la inteligencia es anulada por la fuerza bruta y la violencia, y en el que el caos arrastra irremediablemente a unos personajes que, entre el conformismo y la insignificancia, no aciertan a crear un orden nuevo menos cruel y menos gris. El estallido de violencia no alcanza siquiera el rango de revolución y la vida transcurre, en esta pequeña y anónima ciudad húngara, sumida en una atmósfera de terror y amarga ironía.

Lydia is hungry. She's always wanted to try sashimi, ramen, onigiri with sour plum stuffed inside—the food her Japanese father liked to eat. And then there is bubble tea and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But Lydia can't eat any of this. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London—where she is living away from her vampire mother for the first time—is much more difficult than she'd anticipated.

Mark Renton is a very sick young man. He's sick of heroin and sick of trying to get off it but, above all, Renton is thoroughly sick of himself. What with vampire ghost babies, exploding siblings and disatorous sexual encounters, it's pain to see why Renton gloomily contends that 'life does not get any easier'.

Years after fleeing San Francisco and getting sober, Jhanvi has made a life for herself working at a grocery co-op and saving for her surgeries. But when her friend (and sometimes more) Henry mentions that he and his techie festival-goer friends spent $100,000 to transform a warehouse basement into a sex dungeon, Jhanvi starts wondering if there's a way to exploit these gullible idiots. She returns to San Francisco, hatching a plan to marry Henry for his company's generous healthcare benefits.

Sie haben ihn gebaut, um ihren Müll zu beseitigen. Stellt sich heraus, sie sind die Nächsten. Tedd ist ein Mülldroid mit einer „Anomalie“ er kann selbständig denken. Management will ihn eingeschmolzen sehen, und sein vorlautes Mundwerk hilft ihm nicht gerade. Er könnte still und leise verschwinden. Er könnte auf Nummer sicher gehen. Er könnte, zum ersten Mal in seiner elenden Existenz, das Vernünftige tun. Aber das tut er nicht. Das tut er nie. Wenn du Douglas Adams, John Scalzi oder Martha Wells' Murderbot Diaries liebst, wirst du dies verschlingen.

Every day at 3:55 a.m., members of Team Movement clock in for their shift at big-box store Town Square in a small upstate New York town. Under the eyes of a self-absorbed and barely competent boss, they empty the day’s truck of merchandise, stock the shelves, and scatter before the store opens and customers arrive. Their lives follow a familiar if grueling routine, but their real problem is that Town Square doesn’t schedule them for enough hours―most of them are barely getting by, even while working second or third jobs