Showing titles in Contemporary Fiction

A riveting psychological drama that unfolds over the course of one Moscow winter, as a thirty-something Englishman’s moral compass is spun by the seductive opportunities revealed to him by a new Russia: a land of hedonism and desperation, corruption and kindness, magical dachas and debauched nightclubs: a place where secrets - and corpses - come to light only when the deep snows start to thaw...

Mit blinkenden Warnlichtern fährt die Erzählerin, eine namenlose Schriftstellerin, an den Straßenrand, als ein unerwarteter Anruf sie erreicht. Am Apparat ist ein gefeierter Theatermacher, der sie für sein neuestes Vorhaben zu gewinnen versucht – ein in den Tropen angesiedeltes Stück, die Rekonstruktion eines Falls. Wenige Wochen später bricht sie auf, um sich der Theatergruppe auf ihrem Gang ins tiefe Innere des Urwalds anzuschließen.

It’s high summer when Molly Pargeter drags her amiably bickering family to a rented Tuscan villa for the holidays. Molly is sure that the house is the perfect setting for their three-week getaway, but soon she becomes fascinated by the lives of the absent owners and things start to go horribly wrong.

In Find Me, Aciman shows us Elio's father, Samuel, on a trip from Florence to Rome to visit Elio, now a gifted classical pianist. A chance encounter on the train upends Sami's visit and changes his life forever. Elio soon moves to Paris, where he, too, has a consequential affair, while Oliver, a New England college professor with a family, suddenly finds himself contemplating a return trip across the Atlantic. Aciman is a master of sensibility, of the intimate details and the nuances of emotion that are the substance of passion.

第155回（2016年）芥川龍之介賞受賞作

36歳未婚女性、古倉恵子。
大学卒業後も就職せず、コンビニのバイトは18年目。
これまで彼氏なし。
オープン当初からスマイルマート日色駅前店で働き続け、
変わりゆくメンバーを見送りながら、店長は8人目だ。
日々食べるのはコンビニ食、夢の中でもコンビニのレジを打ち、
清潔なコンビニの風景と「いらっしゃいませ！」の掛け声が、
毎日の安らかな眠りをもたらしてくれる。
仕事も家庭もある同窓生たちからどんなに不思議がられても、
完璧なマニュアルの存在するコンビニこそが、
私を世界の正常な「部品」にしてくれる――。

ある日、婚活目的の新入り男性、白羽がやってきて、
そんなコンビニ的生き方は
「恥ずかしくないのか」とつきつけられるが……。

現代の実存を問い、
正常と異常の境目がゆらぐ衝撃のリアリズム小説。

Being immortal isn't all it's cracked up to be. Life's hard for a Greek god in the 21st century: Nobody believes in you any more, even your own family doesn't respect you, and you're stuck in a dilapidated hovel in North London with too many siblings and not enough hot water.

It is the place where fortunes can be made and lost though chess, backgammon - every game under the sun. But those whom fortune favours may be invited to compete in the higher league...where the games played are of politics and nations, of economics and kings. It is a contest where Capture the Castle involves real castles and where hide and seek takes place on the scale of a continent. Among those worthy of competing in the higher league, three unusually talented contestants play for the highest stakes of all....

A Week in December takes place over the course of a single week. It brings together an intriguing cast of characters, each apparently in his or her own world but - as gradually becomes clear - intricately related. As the story builds to its climax, Faulks pulls together powerful ideas about family, money, religion and the way we live today.

The instinct of the true Porterhouse man faced with a crisis is to reach for the bottle and then to fall back on the subtle tactical skills honed at Cambridge down the centuries: blackmail and kidnap. But will these be enough? Menaced on all sides - by the collapse of the Chapel, by the tentacles of organised crime, and by the hovering threat of the abominable Dog’s Nose Man - will Porterhouse be forced to unleash the most fearsome weapon in its armoury - the college food?

'BRILLIANT . . . GLORIOUSLY VIVID' GUARDIAN 'DISARMINGLY HILARIOUS' SUNDAY TIMES 'ROLLICKING . . . CAUSTIC, WITHERING AND GENUINELY FUNNY' INDEPENDENT 'FUNNY AND TRAGIC' TLS 'SUCH AN ENTERTAINING READ' DAILY MAIL 'BOISTEROUS' NEW YORK TIMES 'A COMEDY ABOUT TRAGEDY. BRUTAL, PROFOUND AND VERY...

'A wonderful storyteller' Ciara Geraghty 'Meaney is utterly credible, utterly authentic, utterly irresistible' Irish Independent 'Roisin Meaney is a skilful storyteller' Sheila O'Flanagan The new novel from No.1 bestselling author Roisin Meaney. Another summer is in full swing on the island of...

It is summer in Edinburgh, and Isabel Dalhousie is once again caught between ‘gossip’ and significant rumour. It is none of her business that Patricia, the mother of her son Charlie’s little friend Basil, is estranged from Basil’s father or that the woman has a somewhat brazen attitude to childcare. And yet, it is curious. Isabel, however, has much else on her mind as editor of the Review of Applied Ethics. Along with the work involved for its impending next issue, she really needs to get her house in order and tend to the demands of her niece, Cat.

Jess Penhaligon is on her way to Devon to receive an award for her botanical painting. Hosting her will be Kate, who gladly welcomes her into her home. Jess's own family fell apart several years ago, so she is grateful for Kate's friendliness - and her close unit of extended family and friends, who embrace Jess just as warmly. As this group begins reminiscing on their pasts and sharing their stories with Jess, it becomes apparent that her family history may be linked with theirs.

The rich are different. But fate is blind. A private jet plunges into the sea. The only survivors are down-on-his-luck artist Scott Burroughs and JJ Bateman, the four-year-old son of a super-rich TV executive. For saving the boy, Scott is suddenly a hero. And then, as the official investigation is rapidly overtaken by a media frenzy, it seems he may also be a villain. Why was he on the plane in the first place, and why did it crash?

As someone who fell off a chair not long ago trying to hear they what they were saying at the next table in a restaurant, I suppose I am obsessively interested in what some might consider the trivia of other people's lives'. Maeve Binchy is well known for her best-selling novels, the most recent of which was A Week in Winter. But for many years Maeve was a journalist, writing for The Irish Times.

Isabel Dalhousie thinks often of friends, sometimes of lovers, and on occasion of chocolate. As an Edinburgh philosopher she is certain of where she stands. She can review a book called In Praise of Sin with panache and conviction, but real life is... well, perhaps a bit more challenging...

Surreal and splendidly unconventional, The Hearing Trumpet is an apocalyptic fairy-tale quest about an occult old ladies' home and the spry nonagenarian who ends up there. After coming into possession of a hearing trumpet, 92-year-old Marian Leatherby discovers her son's plans to send her to a nursing home. But this is no ordinary place.... Here there are strange rituals, orgiastic nuns, levitating abbesses, animalistic humans, humanistic animals, a search for the Holy Grail, and a plan to escape to Lapland and knit a tent....

Cuando nos rodean los muros, la aventura de toda una vida quizá consista en franquearlos. El regreso de Murakami a la novela después de La muerte del comendador. «Atención: Murakami —igual que los Beatles— provoca adicción.» Rodrigo Fresán, El País «Murakami merece el Nobel.»...

Born into the lowest class of her society, Flora 717 is a sanitation bee, only fit to clean her orchard hive. Living to accept, obey and serve, she is prepared to sacrifice everything for her beloved holy mother, the Queen. But Flora is not like other bees. Despite her ugliness she has talents that are not typical of her kin. While mutant bees are usually instantly destroyed, Flora is removed from sanitation duty and is allowed to feed the newborns, before becoming a forager, collecting pollen on the wing. She also finds her way into the Queen's inner sanctum, where she discovers secrets both sublime and ominous.

Traumatised by an accident that involves something falling from the sky and leaving him eight-and-a-half million pounds richer, our hero spends his time and money obsessively reconstructing and re-enacting memories and situations from his past. But, when this fails to quench his thirst for authenticity, he starts reconstructing more and more violent events, including hold-ups and shoot-outs.