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A man, a house, a ghost, and a murder. This whimsical tale that leads lyrically to a terrible undoing is consistently rated one of the best ghost stories ever written. The twist at the end is wholly unexpected and the listener is left guessing whether, Paul Oleron, a failing novelist is the victim of an evil succubus that haunts his house and his dreams, or he is guilty of a terrible betrayal.

Ever since they were orphaned, Tyler has kept close tabs on his sister, Shannon. He has to, considering her weird and risky obsessions. Now she has a new one: an inexplicable crush on an odd-looking stranger. And what Shannon wants from her unwitting “honey boy,” Tyler can’t begin to fathom. Not until he follows his sister into the darkest corners of her desires.

The Beckoning Fair One stands as the most renowned and widely anthologized work of British author Oliver Onions. This haunting novella, part of the 1911 collection Widdershins, delves into the eerie and the unknown. A contemporary reviewer from The Athenaeum described it as a successful ghost story that weaves together imagination, horror, and an enigmatic atmosphere. The titular Fair One teeters on the edge of reality, leaving both the protagonist, Oleron, and the reader questioning his sanity. Set against the backdrop of a crumbling old house that may harbor its own sinister intentions, the ...

Campion's glorious summer in Pontisbright is blighted by death. Amidst the preparations for Minnie and Tonker Cassand's fabulous summer party a murder is discovered and it falls to Campion to unravel the intricate web of motive, suspicion, and deduction with all his imagination and skill.

A classic ghost story of a haunted house, and the haunted man who lives in it.

"The Beckoning Fair One" is the most famous, and most widely anthologized, work by British author Oliver Onions. This novella, along with eight other stories, appeared in the collection Widdershins, published in 1911. As a contemporary reviewer in the London literary magazine The Athenaeum (March 11, 1911) noted: "To write a good ghost-story is a test of several qualities in union... imagination, a sense of horror, a certain elusiveness, a vagueness, as it were, and not too close a definition.... Mr. Onions...certainly has all the qualities required to write a ghost-story. ... 'The Beckoning ...