Smells like the commodification of teen spirit! In this episode, we welcome beloved friend of the pod and returning guest Marshall Watson (he/him) to talk all about Nirvana and the grunge culture of the 90s.

Together, Marcelle, Hannah, and Marshall dig into the anti-establishment ethos of Nirvana, the grunge genre as an act of musical resistance, and what happens once counter-culture becomes mainstream. To do this, they’ve obviously gotta dig into Adorno and Horkheimer’s theory of the culture industry (and talk a little bit about Reagan, which they only do when Marshall is here…).

If your young adult years were soundtracked to Nevermind or you just love railing against the mainstream, you’re going to dig this episode.

Related listening:

Golden Girls x Sex Positivity with Marshall Watson

The Craft x Feminist Rage

Works Cited:

Adorno, Theodore, and Max Horkheimer. 2019. “The Culture Industry: Enlightenment as Mass Deception,” in Philosophers on Film from Bergson to Badiou: A Critical Reader, ed. Christopher Kul-Want (Columbia University Press, 2019), 80-96.

“Bleach (Nirvana album).” Wikipedia. May 11 2026. https://en.wikipedia.org/wiki/Bleach_(Nirvana_album).

“David Geffen.” Wikipedia. April 23 2026. https://en.wikipedia.org/wiki/David_Geffen.

“Geffen Records.” Wikipedia. May 2, 2026. https://en.wikipedia.org/wiki/Geffen_Records.

Scarborough, Joe. 2014. “Reagan: A Legacy of Optimism and Common Sense.” TIME. June 4, 2014. https://time.com/2815630/reagan-a-legacy-of-optimism-and-common-sense/.

***

To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back next week with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team!

Material Girls is a show that makes sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.

*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both.

Music Credits:

“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020

Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Gaby is behind the wheel doing producer duties this month and it gets as silly as you might expect with the resident wittle baby in charge!! In Part I, Hannah, Marcelle, and Gaby start with a check-in and then do some Consumer Retorts. Head over to Part II for Fixation Station and Oops All Oops!!

We'll be back next week with a regular format episode!

Support Material Girls

To learn more about the show, head to our Instagram at instagram.com/ohwitchplease! (https://instagram.com/ohwitchplease!) Or check out our website ohwitchplease.ca (https://ohwitchplease.ca/) (you can also find transcripts here!). You can gift a Patreon subscription at this link: https://www.patreon.com/ohwitchplease/gift!

Music Credits:

“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

Hosted on Acast. See acast.com/privacy for more information.

When Hannah and Marcelle go to Disneyland, you can pretty much bank on them returning happier, out some cash, and deep in the throes of processing the experience! So what better return to the pod than an episode about Pixar and Henry Jenkins' theory of affective economics.

Tune in for a conversation, led by Hannah, about CGI, John Lasseter, the impact of Pixar's first CGI feature Toy Story (1999), the fantasy of living outside of capitalism, and what Jenkins' theory of affective economics (Convergence Culture, 2006) can do to help us make sense of it all!

Related Listening

Disney x Pinkwashing

Appendix: Fan Studies Revisited (Witch, Please)

Works Cited

“Computer Animation Production System.” Wikipedia. https://en.wikipedia.org/wiki/Computer_Animation_Production_System. Visited on 28 April 2026.

“John Lasseter.” Wikipedia. https://en.wikipedia.org/wiki/John_Lasseter. Visited on 28 April 2026.

“Pixar.” Wikipedia. https://en.wikipedia.org/wiki/Pixar. Visited on 28 April 2026.

Sandlin, Jennifer A. and Julie Garlen Maudlin. “Disney’s pedagogies of pleasure and the eternal recurrence of whiteness.” Journal of Consumer Culture 17.2 (2017): 397-412. https://doi-org.proxy.lib.sfu.ca/10.1177/14695405156023.

Music Credits:

"Shopping Mall”: by Jay Arner and Jessica Delisle ©2020

Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

Hosted on Acast. See acast.com/privacy for more information.