Émile Zola's The Kill is one part of the French author's 20-volume series about the fictitious Rougon-Macquart family during the Second French Empire, and it is rich with symbolism. Paris is awakening to unprecedented expansion, the future intoxicating, and in keeping with its penchant for excess, the aristocracy is caught up in the mad dash to devour as much of it as it can.

Perhaps the most autobiographical of Zola's Rougon-Macquart cycle of novels, The Masterpiece is a hard, bleak, and raw portrait of unrecognized artistic genius. Claude Lantier, brother to Nana and son of Gervaise, is a struggling painter who dreams of conquering the Paris art scene with his revolutionary "open air" style of painting. Discouraged and mocked, Claude retreats to the countryside with a young woman from Clermont, with whom he has fallen in love, before returning to Paris, where he continues to experience rejection at every turn.

La fondation du Théâtre National Populaire ajouta une dimension au théâtre français d'après-guerre, celle de la jeunesse - celle peut-être aussi, de l'enthousiasme. Du jour au lendemain, il fut admis que les héros de Corneille pouvaient, ou peu s'en faut, avoir l'âge des comédiens, et qu'entre le public et la scène devait s'établir une communion d'intérêt, n'ayant d'autre centre que la pièce elle-même, servie avec la même foi par comédiens et spectateurs.

Le Figaro du 23 janvier 1868 à propos de Thérèse Raquin : "C'est le résidu de toutes les horreurs. Le sujet est simple, le remords physique de deux amants qui tuent le mari mais qui, ce mari tué, n'osent plus s'étreindre, car voici le supplice délicat qui les attend."

Cyclopes, tempêtes, sortilèges... Ulysse surmontera-t-il ces épreuves grâce à sa ruse légendaire ? Parviendra-t-il à retrouver le chemin d'Ithaque, son île natale, et à chasser les prétendants qui se disputent son épouse, la fidèle Pénélope ?

Nana Coupeau is a beautiful woman, able to attract men of enormous wealth with the crook of her finger. Part-time prostitute, part-time actress, she makes her debut in a mediocre operetta The Blonde Venus at the bustling Paris World’s Fair of 1867. She can’t sing, act, or dance, yet she is stunning. Nana soon rockets through elite Parisian society, and, blinded by desire, men crawl to her feet, yielding to her every demand. Affections are manipulated, hearts are broken; fortunes are gutted and inheritances squandered. 

The young Monica Madden cries for two days before her marriage to Edmund Widdowson; the ensuing claustrophobia, which opens the door for the more desirable Bevis, contrasts with Rhoda's independence - yet Rhoda's own principles are tested when she falls in love rather by accident.... The Odd Women is a remarkable book, ultimately optimistic in its hope for a societal shift that will benefit both men and women alike.

Loosely based on sensational press reports of a Moscow student’s murder by fellow revolutionists, The Possessed depicts the destructive chaos caused by outside agitators who move into a provincial town. The enigmatic Stavrogin dominates the novel. His magnetic personality influences his tutor, the liberal intellectual poseur Stepan Verhovensky, and the teacher’s revolutionary son Pyotr, as well as other radicals.

Orphaned with a substantial inheritance at the age of 10, Pauline Quenu is taken from Paris to live with her relatives, Monsieur and Madame Chanteau and their son Lazare, in the village of Bonneville on the wild Normandy coast. Her presence enlivens the household and Pauline is the only one who can ease Chanteau's gout-ridden agony. Her love of life contrasts with the insularity and pessimism that infects the family, especially Lazare, for whom she develops a devoted passion. 

Set on Egdon Heath, a fictional barren moor in Wessex, Eustacia Vye longs for the excitement of city life but is cut off from the world in her grandfather's lonely cottage. Clym Yeobright who has returned to the area to become a schoolmaster seems to offer everything she dreams of: passion, excitement and the opportunity to escape. However, Clym's ambitions are quite different, and marriage only increases Eustacia's destructive restlessness, drawing others into a tangled web of deceit and unhappiness.