The Bomb Maker
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Narrated by:
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Joe Barrett
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By:
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Thomas Perry
About this listen
A threat is called into the LAPD Bomb Squad, a team dispatched to a house whose owner is away, and a bomb disguised inside photography equipment exploded in the kitchen. But it is a second bomb hidden in the basement that has devastating consequences—half of the entire Bomb Squad is obliterated within seconds.
The fragmented unit turns to Dick Stahl, a former Bomb Squad commander who now operates his own private security company. Having just returned from a grueling job in Mexico, Stahl is reluctant to accept the offer, but senior technicians he had trained were among those killed. On his first day back at the head of the squad, Stahl's team is dispatched to a suspected car bomb outside a gas station. It quickly becomes clear to him that they are dealing with the same mastermind behind the weapon that killed fourteen highly trained men and women barely twenty-four hours before—and that the intended target may be the Bomb Squad itself.
As the shadowy organization sponsoring this campaign of terror puts increasing pressure on the bomb maker, and Stahl becomes dangerously entangled with a member of his own team, the fuse on this high-stakes plot only burns faster. The Bomb Maker is Thomas Perry's biggest, most unstoppable thriller yet.
©2018 Thomas Perry (P)2022 HighBridge, a division of Recorded BooksThe content of the book is very odd. It's like two books have been smushed together. One is a fascinating battle between bomb-maker and bomb disposal guy. The other is a cheesy thriller so cliche-ridden it reeks of bad fan fiction. I have no idea what is going on here. Perry (if that's who this really is, not some ghost writer) should have stuck with the duel and fleshed it out in his usual superb style. If he had, this would be a five star review.
Instead, we never even learn how the bomb maker built his skills. We do get lots of good flash-backs, but never the most important one. Instead, we get an unlikely 'sexy' love affair which feels more like the author fulfilling a fantasy than something true to the story. The same applies to the hero's amazing all-round abilities: a sure sign of bad fan-fic and of a writer expressing his fantasies on the page. Then there's the laughable retconning when the author realises this love affair is going to undermine the book's credibility. A common trait of bad fan-fic is a refusal to excise irrelevant elements, but instead to retcon them. Clumsy does not begin to describe it. The secondary plot about buying Kalashnikovs is redundant and distracts from the book's only strong point: bomb disposal. As does the sudden intervention of 15 never-identified bad guys. Finally, the ending is abrupt. Farcically so.
Nowhere near as good as Perry's other work
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