As she walks out of her marriage, a woman remembers the day her husband rescued a boy from drowning. A blind man on his wedding day celebrates the pursuit of love. And a young man leaves prison with only one desire - to see his son again. With power and precision, humanity and insight, Supporting Cast captures the extraordinary moments in our ordinary lives and the darkness and the joy of the everyday.

For almost a decade, Rachel Caine has turned her back on home, kept distant by family disputes and her work monitoring wolves on an Idaho reservation. But now, summoned by the eccentric earl of Annerdale and his controversial scheme to reintroduce the grey wolf to the English countryside, she is back in the peat and wet light of the Lake District. The earl's project harks back to an ancient idyll of untamed British wilderness.

On the windswept front of Morecambe Bay, Cy Parks spends his childhood years first in a guesthouse for consumptives run by his mother and then as apprentice to alcoholic tattoo artist Eliot Riley. Thirsty for new experiences, he departs for America and finds himself in the riotous world of the Coney Island boardwalk, where he sets up his own business as 'The Electric Michelangelo'.

In the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. Her life will draw to an end in the coming days. Downstairs, the studio is a crucible glowing with memories and desire. It was here, when the first lockdown came, that she brought Halit. The lover she barely knew. A presence from another culture. A doorway into a new and feverish world.

For years, rumors of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life - until the unthinkable happens. 

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

‘Jane Smith', a software manager in her late 40s who lives in the Pacific Northwest receives an envelope with a key to a storage unit inside. In the storage unit is a taxidermied hummingbird and salamander. Along with a list of five more animals, signed ‘Love, Silvina'. The hummingbird and salamander turn out to be among the most endangered species in the world, the taxidermy commissioned by a notorious wildlife trafficking criminal. 

The Fen is a liminal land. Real people live their lives here. They wrestle with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a, well, what?

Shaw had a breakdown, but he's getting himself back together. He has a single room, a job on a decaying London barge and an on-off affair with a doctor's daughter called Victoria, who claims to have seen her first corpse at age 13. It's not ideal, but it's a life. Or it would be if Shaw hadn't got himself involved in a conspiracy theory that, on dark nights by the river, seems less and less theoretical....

A vitally alive and ever-surprising collection of stories from the Man Booker Prize-shortlisted and Baileys Prize-winning author of How to Be Both and the critically acclaimed Seasonal quartet. Individually lucid and luminous, these tales resonate subtly together. In examining the distances and connections between ourselves and others, expertly inching us closer to the bone, Ali Smith's storytelling has never seemed so necessary, so moving or so joyous. 

A poignant, funny and engrossing exploration of family life centred around a cataclysmic event and its aftermath, from the author of Night Waking and Signs for Lost Children. Adam is a stay-at-home dad who is also working on a history of the bombing and rebuilding of Coventry Cathedral. He is a good man, and he is happy. But one day he receives a call from his daughter's school to inform him that for no apparent reason, 15-year-old Miriam has collapsed and stopped breathing.

London has changed a lot over the years. The Soho that Precious and Tabitha live and work in is barely recognisable anymore. And now, the building they call their home is under threat; its billionaire-owner Agatha wants to kick the women out to build expensive restaurants and luxury flats. Men like Robert, who visit the brothel, will have to go elsewhere.The collection of vagabonds and strays in the basement will have to find somewhere else to live.

By turns moving, playful and wise, the poems gathered in Dearly are about absences and endings, ageing and retrospection, but also about gifts and renewals. They explore bodies and minds in transition, as well as the everyday objects and rituals that embed us in the present. Werewolves, sirens and dreams make their appearance, as do various forms of animal life and fragments of our damaged environment.

This collection of short stories is about women and their experiences in society, about bodies and the bodily, mapping the skin and bones of its characters through their experiences of isolation, obsession and love. Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and seaside towns are invaded and transformed, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants.

After a serious case of school bullying becomes too much to bear, sisters July and September move across the country with their mother to a long-abandoned family home. In their new and unsettling surroundings, July finds that the deep bond she has always had with September - a closeness that not even their mother is allowed to penetrate - is starting to change in ways she cannot entirely understand. Inside the house the tension among the three women builds, while outside the sisters meet a boy who tests the limits of their shared experiences.