
Pattern Recognition
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Narrated by:
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Bronwen Price
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By:
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William Gibson
About this listen
Cayce Pollard owes her living to her pathological sensitivity to logos. In London to consult for the world's coolest ad agency, she finds herself catapulted, via her addiction to a mysterious body of fragmentary film footage, uploaded to the web by a shadowy auteur, into a global quest for this unknown 'garage Kubrick'.
Cayce becomes involved with an eccentric hacker, a vengeful ad executive, a defrocked mathematician, a Tokyo Otaku-coven known as Eye of the Dragon and, eventually, the elusive 'Kubrick' himself.
William Gibson's audiobook is about the eternal mystery of London, the coolest sneakers in the world and life in (the former) USSR.
©2004 William Gibson (P)2021 W F HowesImmersive
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Compelling story, mixed performance
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y2k dreams
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Story didn’t seem to be about pattern recognition as billed. Improbable plot, flimsy characters, irritating linguistic quirks, too much product placement.
Performance poor, especially the accents and the ‘rendering’ of the main protagonist.
Underwhelming
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The narration is so disruptive, that it affects the story. the first book is finished and I only have a vague idea of the storyline. the rhythm of reading is awful with interruptions to the sentences in the oddest parts, sometimes even breaking rhythm at every 3 words.
I wasn't too keen on the accents either, but that wasn't so bad.
Spare yourself the irritation.
worst audio
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The macguffin (because the central focus of the story feels like just that) is so inconsequential and doesn't really have any meaningful payoff.
It doesn't help that the reading is downright abysmal. The actor's faked American accent (when they even bother or remember to do it) is so atrocious that I honestly would have much preferred if they had just read it in their natural voice. All the male characters also sound bafflingly garbage.
If you come into this expecting something like the Sprawl books, I'd recommend the Jackpot-trilogy rather than this one. Gibson's razor sharp writing style is completely lost in this foggy, directionless lack of inspiration. Hard pass.
Possibly Gibson's worst work
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