Magic Is Dead cover art

Magic Is Dead

My Journey into the World's Most Secretive Society of Magicians

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Magic Is Dead

By: Ian Frisch
Narrated by: Charlie Thurston
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About this listen

In the vein of Neil Strauss’ The Game and Joshua Foer’s Moonwalking with Einstein comes the fascinating story of one man’s colorful, mysterious, and personal journey into the world of magic, and his unlikely invitation into an underground secret society of revolutionary magicians from around the world.

Magic Is Dead is Ian Frisch’s head-first dive into a hidden world full of extraordinary characters and highly guarded secrets. It is a story of imagination, deception, and art that spotlights today’s most brilliant young magicians—a mysterious club known as the52, who are revolutionizing an ancient artform under the mantra Magic Is Dead.

Ian brings us with him as he not only gets to know this fascinating world, but also becomes an integral part of it. We meet the52’s founding members—Laura London, Daniel Madison, and Chris Ramsay—and explore their personal demons, professional aspirations, and what drew them to their craft. We join them at private gatherings of the most extraordinary magicians working today, follow them to magic conventions in Las Vegas and England, and discover some of the best tricks of the trade. We also encounter David Blaine; hang out with Penn Jillette; meet Dynamo, the U.K.’s most famous magician; and go behind the scenes of a Netflix magic show. Magic Is Dead is also a chronicle of magic’s rich history and how it has changed in the internet age, as the young guns embrace social media and move away from the old-school take on the craft.

As he tells the story of the52, and his role as its most unlikely member, Ian reveals his own connection with trickery and deceit and how he first learned the elements that make magic work from his poker-playing mother. He recalls their adventures in card rooms and casinos after his father’s sudden death, and shares a touching moment that he had, as a working journalist, with his childhood idol Shaquille O’Neal.

“Magic—the romanticism of the inexplicable, the awe and admiration of the unexpected—is an underlying force in how we view the world and its myriad possibilities,” Ian writes. As his journey continues, Ian not only becomes a performer and creator of magic—even fooling the late Anthony Bourdain during a chance encounter—he also cements a new brotherhood, and begins to understand his relationship with his father, fifteen years after his death. Written with psychological acuity and a keen eye for detail, Magic Is Dead is an engrossing tale full of wonder and surprise.

Creativity & Genius Magic Psychology Psychology & Mental Health Social Sciences Magic Users Witchcraft

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All stars
Most relevant
The book is incredibly well written. Such a beautiful view into the underground! The narrator's accents are hilarious mind you. His attempt at Daniel Madison of Bradford, England, sounds more Irish than anything.

Amazing

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this was a great listen, having met many of the people mentioned on this book it felt so familiar to me and offered a great story.

brilliant

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I loved this book.
I am on a journey into deception & sleight of hand myself, so I have been (intently) following basically the entire cast of this book (sans your Mum, Ian. That might be a bit strange). From this angle, it was FANTASTIC to hear a more 'colloquial' version of these peoples stories.

Anyway, I could go on for pages and pages about this, so I'll just sum up;

Passionately derived,
Eloquently written,
Buy this book.

Magic is indeed dead

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This brilliant book makes you feel a part of a unique; hardworking and creative community that have a special role in society. The 15 or so main characters are not just entertainers but are showing us how deception allows us to find joyful reality. The book is great journalism and a gripping story. Thank you.

Magic is more than tricks

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As an avid fan of magic and a performing mentalist, I'm obviously going to be biased towards liking this book. That said, I did have a few criticisms. Firstly, at times the book goes off on a tangent and we spend chapters hearing about the author's upbringing etc. Secondly, some of the accents (mostly British) attempted by the narrator were painful, and at times distracting. We're talking some stereotypical British accents. That said, I enjoyed the book but I would certainly think this is one for magicians and magic fans rather than the average listener.

Going Underground

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