From humble beginnings in Middlesex, where money was scarce but dreams were encouraged, to the award-winning godfather of electronica, Gary Numan has seen it all. The first: a stratospheric rise to success quickly followed by a painful decline into near obscurity. The second: a 20-plus year renaissance catalysed by a date with a super-fan. (R)evolution is the rollercoaster rise and fall (and rise) of one man, several dozen synthesisers, multiple issues and two desperately different lives.

Standing at the crossroads - the Mississippi crossroads of Robert Johnson and the devil's infamous meeting - Mark Radcliffe found himself facing his own personal crunch point. Aged 60, he had just mourned the death of his father, only to be handed a diagnosis of mouth and throat cancer. This momentous time in his life, and being at the most famous junction in music history, led Radcliffe to think about the pivotal tracks in music and how the musicians who wrote and performed them.

Inspired by the attitude and energy of punk, Peter Hook and school friend Bernard Sumner joined lead-singer and lyricist Ian Curtis and drummer Stephen Morris, and with some cobbled-together instruments, they created their own unique sound. In 1980 they had released two albums and were on the cusp of touring America when Ian Curtis committed suicide. In this no-holds-barred account, Peter Hook gives us the inside story of life with Joy Division. He talks with candour and reflection about Curtis's suicide and covers the band's friendships and fall-outs....

Before he was responsible for some of the most iconic drumming in popular music, Stephen Morris grew up in 1960s and '70s industrial Macclesfield, on a quiet road that led seemingly to nowhere. Far removed from the bright lights and manic energy of nearby Manchester, he felt stifled by suburbia and feared he might never escape. Then he joined Joy Division - while they were still known as Warsaw - a pioneer of the rousing post-punk sound that would revolutionise 20th-century rock.

John Cooper Clarke is a phenomenon: Poet Laureate of Punk, rock star, fashion icon, TV and radio presenter, social and cultural commentator, reluctant national treasure. At 5 feet 11 inches (116lb, 32in chest, 27in waist), in trademark suit jacket, skin-tight drainpipes and dark glasses, with jet-black back-combed hair and mouth full of gold teeth, he is instantly recognisable. As a writer his voice is equally unmistakable and his inimitable dry Salford drawl shines through the prose.

Do You Feel Like I Do? is the incredible story of Peter Frampton's positively resilient life and career told in his own words for the first time. His monumental album Frampton Comes Alive! spawned three top-20 singles and sold eight million copies the year it was released (more than 17 million to date), and it was inducted into the Grammy Hall of Fame in January 2020. 

If Howard Kaylan had sung only one song, the Turtles' 1967 No. 1 smash hit "Happy Together," his place in rock-and-roll history would still be secure. But that recording, named in 1999 by BMI as one of the top 50 songs of the 20th century, with over five million radio plays, is only the tip of a rather eye-opening iceberg. For nearly five decades, Howard Kaylan has been a player in the rock-and-roll revolution.

Debbie Harry is a musician, an actor, an activist and the iconic face of New York City cool. As the front-woman of Blondie, she and the band forged a new sound that brought together the worlds of rock, punk, disco, reggae and hip-hop to create some of the most beloved pop songs of all time. As a muse, she collaborated with some of the boldest artists of the past four decades. The scope of Debbie Harry’s impact on our culture has been matched only by her reticence to reveal her rich inner life - until now. 

In February 1991, the media mogul and former MP Robert Maxwell made a triumphant entrance into Manhattan harbour aboard his yacht, the Lady Ghislaine, to complete his purchase of the ailing New York Daily News. Crowds lined the quayside to watch his arrival, taxi drivers stopped their cabs to shake his hand and children asked for his autograph. But just 10 months later, Maxwell disappeared from the same yacht off the Canary Islands, only to be found dead in the water soon afterward.

The Anarchy tells the remarkable story of how one of the world’s most magnificent empires disintegrated and came to be replaced by a dangerously unregulated private company, based thousands of miles overseas in one small office, five windows wide, and answerable only to its distant shareholders. In his most ambitious and riveting audiobook to date, William Dalrymple tells the story of the East India Company as it has never been told before, unfolding a timely cautionary tale of the first global corporate power.